I took a few minutes away from working on Leverage and writing my short stories to turn in an End User column that’s all about some of the stuff that’s been on my mind since I started working on Leverage:
I’m in Portland, Oregon, shooting an episode of TNT’s prime time drama, Leverage.
Just about every night after we wrap I meet up with my friend John Rogers, who is the co-executive producer and head writer for the show, to have a beer and decompress after a long day on the set. Whether we talk about filmmaking, comic books, nerdy geeky gaming stuff, or technology, a common thread runs through our conversations: it’s pretty awesome to live here in the future, we sure are lucky to get paid to make stuff up and entertain people, and holy crap has the industry changed since we first entered it.
Leverage is totally shot in the future. We use the Red One digital camera, we watch takes right after we finish them to make sure nothing went wrong, and we get our dailies via secure internet connection anywhere we have computers and WiFi. John told me that at least once, they realized they didn’t shoot a single or needed a tighter angle to make something work, and were able to create coverage in post-production, which is done entirely on Final Cut Pro. During production, we could send pictures and updates from the set to Twitter and our blogs, and engage the audience in a direct and intimate way that is unlike anything I’ve ever done before.
I’m not going to lie to you, Marge, the future’s pretty cool.