After a lifetime of watching myself on TV and movies, I’ve developed the ability to disconnect myself from the person I’m looking at on the screen. It hasn’t been easy, and I know that I’m more critical of myself than anyone else in the world, but it’s ended up being a particularly useful skill so I can grow as an actor, and be objectively critical of my work.
When I watched The Wil Wheaton Project Episode 2: Electric Boogaloo last night, I objectively liked what I saw. I thought my energy was right where I wanted it to be all along, I thought the editing made the entire show feel less frenetic, and I thought the dumb little asides I improvised when we taped the show mostly worked. I could tell that I wasn’t afraid to have fun, to take my time, to let the audience come to me, and to trust the material we had worked out. In short, I think it worked. I don’t know what the ratings are (but I do know that, once DVR numbers were counted for our first episode, we improved dramatically over our premiere last week. I also know that each repeat had more viewers than the last, and we had the fastest and most significant audience growth in the history of unscripted programming on the network. That’s pretty awesome.)
I haven’t seen any reviews, but going by my admittedly skewed Twitter sampling, the audience feels the same way that I did, and that’s reassuring because it tells me that my instincts were right.
A few notes on this particular episode:
- I thought it would be funny to try the funky 70s porn music under Oberyn Martell dancing around The Mountain, but the thing we went with was much funnier to all of us.
As a fan of Orphan Black, I had a joke about it not being a good week for characters I like keeping their heads intact, with a tag about Donnie having to call the Wolf. One other person in the room got that joke, and we decided that it was a “Wil% joke”, which is a play on the “5% joke”, meaning that only 5% of the audience gets it.
John Malkovich is the gift that keeps on giving.
Hannibal is so fucking weird, I just don’t even know what to say about it anymore.
Penny Dreadful is getting so good, it’s going to be hard to keep finding ways to do jokes for it.
I was concerned that our dumb game show with Felicia Day may not work, but I think I was wrong. The writers did a great job picking clips, and the editors did a great job putting that whole thing together. The Wilhelm Scream was my idea.
I loved the Knockbusters idea from the moment it was pitched, and the hardest part of it for us was figuring out which joke we were going to do for each clip. That Empire of the Apes thing was so outrageously bad, and the … acting? … in the not-Batman thing was so painful, we had to work really hard to find a joke that wasn’t just mean. At one point, we considered a commentary on everything that was ridiculous in it, and it just got so long, we pulled out that one thing about the scope.
In general, I was very happy with the pace and the energy. I expect that we’ll improve in some way from week to week as we get more comfortable and settle into the right rhythm for what we’re doing.
Like last week, I’ll be sharing some clips from the show. We’re starting with this silly thing, from our newest sponsor:
We are aware that DVRs think every episode is a new episode. We’ve informed the network, and I hope that they’ll fix that problem as soon as possible. I know the show is on Hulu, but not Hulu Plus. That’s out of my hands, and I hate it. The best I think you can do is email Syfy and Hulu so they know that you want it on Plus. I know that a lot of you want to see it on iTunes or Amazon VOD, and I have no idea how that licensing works, or if the people who make those decisions will put it there.
What I do know is that the thing that helps us the most, the thing that makes it most likely that we’ll get picked up after 12, is to watch it on cable when it airs. I know that a huge part of the audience doesn’t watch TV that way, but until networks and advertisers stop thinking that’s the way that matters the most, it’s what we have.
But, as I’ve said before, the most important thing to me is that you watch and enjoy the show, so … there.