Category Archives: Current Affairs

look what you made me do

If I cared any less about the NFL, it would take effort. I get that it’s massively popular, and for some of its fans, “I like football” is their entire personality. Good for them. Sincerely. It’s just not my thing.

But! I love and admire Taylor Swift, which is the only reason I know that the Chiefs had some kind of huge comeback against Detroit and they are going to the Superb Owl against a team I can’t remember and don’t need you to identify. (EDIT: whoops. I mixed up the two playoff games. I still don’t care.)

I still don’t care about the NFL or the game, but oh my god do I love love love love love how outraged and furious and unhinged all these toxic right wing idiots are about Taylor Swift and her boyfriend the football guy. I love it so hard. I love how it’s waking them up at night, I love how they’re just so goddamn angry about it they feel sick. I love how self-inflicted it all is, and how they keep punching themselves in the dick about it, howling with what they think is righteous outrage, but sounds an awful lot like a toddler having a tantrum.

But the thing I love more than anything, the absolute best part of all of it, is watching a political party, under the complete control of the weakest, most pathetic, tiny little man, discover a new and novel way to alienate millions of voters they desperately need, while they push away countless voters who may have been open to their message, if only it wasn’t … this. LOL.

Republicans have already made it crystal clear that they hate women and want to have absolute control over every single thing a woman does. Voters have responded to that with record turnout to codify laws that protect women, and to replace as many misogynist lawmakers as they can.

So please join me in a robust round of mocking applause for whoever made the choice to attack and vilify and attempt to terrorize the most popular and influential woman of her generation, who polls more favorably than their entire party and all of their candidates.

Just a huge, roaring, standing ovation for whoever decided that the party of angry, toxic, predatory, authoritarian men will *absolutely* increase their support among a demographic they can’t afford to lose by picking a fight with their Joan of Arc.

Outstanding work, gentlemen. I have never seen a group of people slam their dicks in the door so beautifully and successfully. I wish you all the worst as you stare directly at the sun, but never in the mirror.

Mind your business, and don’t be a dick.

Someone asked me why Anne and I wear masks to hockey games, and because they weren’t a dick about it, I answered them.

I’m pasting it here, so I have something to refer to going forward.

Covid is very much still A Thing, and so is the flu, the common cold, and other respiratory illnesses. I started masking during the pandemic, because I didn’t want to get sick and die. I have kept masking when I’m in close proximity to other people, large crowds, or small indoor spaces because I haven’t had the flu or a cold or, gods forbid, Covid, since I made that choice. It’s such a tiny, simple, thing and it makes a huge difference for me. It’s too bad that so many people have decided to make another personal health choice that is none of their business, that doesn’t affect them at all, just another part of their culture war. And it tells you everything you need to know about a person when they are a dick about it.

From a practical standpoint: the guy next to me was coughing and sneezing his face off the whole game, and he couldn’t be bothered to wear a mask to protect the people around him from whatever he had. Whether it was a cold, or something more serious, I know I didn’t pick it up from him. That’s basically why I wear a mask whenever I’m in a crowd, and why I wish it wasn’t such a big stupid deal (pro or against).

I see a lot of thank yous for wearing masks in our photos. I appreciate the kindness, but we aren’t making a statement. We aren’t modeling behavior. We are doing what is best for us, period. This isn’t a statement, it’s just a personal health choice. If it helps normalize the entire thing, I’m happy for that passive bonus, but it’s not something I’m spending an action or even a bonus action on.

I haven’t heard someone complain that I wear shoes into a restaurant, and I haven’t ever had someone thank me for wearing shoes in a restaurant. I hope it will be the same with masks, sooner than later. It’s nobody’s business, and the only people who are dicks about it are dicks about everything else, anyway.

I’m just tired of this being not just A Thing, but A Big Stupid Fucking Culture War Thing.

So. Mind your business, do what’s best for your health and in consideration of the health of those around you, and don’t be a dick.

Thanks for listening.

the shady bunch

Here’s the story of a dork named Donnie
And every single thing he touches dies
Like the steaks the Taj Mahal and the election
He lost in court sixty times.

Here’s the story of a crazy lady
Who told a lot of crazy crazy lies
And she got together with some looney lawyers
To steal some votes they tried.

Then the loser set his mob upon the Congress
And Giulani’s hair dye ran right down his face
And the crazy lady said the vote was stolen
By Jewish lasers shot from satellites in space.

And when they all got caught for doing some light treason
Chesebro flipped and Kraken lady, too
And Donnie you’re in real big fuckin’ trouble
Because Fanni Willis is coming for you

And the Treason Bunch
The Treason Bunch
A criminal conspiracy called
Treason bunch

If not now, when?

In 1960, SAG and WGA struck to force management to adapt to the new technology of television. Without that strike and the agreement it birthed, residual use payments would not exist.

Wil Wheaton and Gates McFadden support SAG-AFTRA and WGA at Paramount Studios

My parents forced me to be a child actor, and stole nearly all of my salary from my entire childhood. My Star Trek residuals were not much, but they were all I had, and they kept me afloat for two decades while I rebuilt my life. I have healthcare and a pension because of my union. The AMPTP billionaires want to take all that security away so they can give CEOs even more grotesque wealth at the expense of the people who make our industry run.

We must now fight for the future of our industry in the face of changing technology, the same way our elders fought for us in 1960.

To give some sense of what is at stake: There are actors who star in massively successful, profitable, critically acclaimed shows that are all on streaming services. You see them all the time. They are famous, A-list celebrities. Nearly all of those actors don’t earn enough to qualify for health insurance, because the studios forced them to accept a buyout for all their residuals (a decade of reuse, at the least) that is less than I earned for one week on TNG. And I was the lowest paid cast member in 1988. They want to do this while studio profits and CEO compensation are at historic highs. Nearly 9 in 10 SAG-AFTRA members does not earn the $26,470 required to qualify for health insurance. Meanwhile, studio executives are pocketing tens of millions of dollars of bonuses and compensation. Each. (CNN: “When Iger rejoined Disney as CEO in November 2022, he agreed to an annual base salary of $1 million with a potential annual bonus of $2 million. The agreement also includes stock awards from Disney totaling $25 million [and] Netflix’s co-CEOs Ted Sarandos and Greg Peters made $50 million and $28 million, respectively, in 2022, according to a company filing.”)

Those billionaire CEOs complain that what we are asking for is unrealistic and unsustainable. They say we — we — are destroying the industry that was so profitable and successful for a century before they arrived.

I realize they want to remodel their third vacation home so they don’t embarrass any of the guests they take there on their yacht. My heart just aches for them as they struggle to keep up with a changing business model. Here’s the thing: if the current business model of the industry only functions when labor allows itself to be exploited so that executives make thousands of times their salaries, that business model should be destroyed.

If workers refusing to be exploited makes a CEO’s bloated salary unsustainable, I think that’s kind of the point.

We in Labor aren’t hurting our industry. We’re fighting to save it from predatory sociopaths who will gleefully watch people lose their homes and go hungry, rather than release 2% of their grotesque wealth to ensure a healthy industry for everyone.

I mean, if not now, when? And I haven’t even touched on AI and working conditions. I’m only talking about the fundamental ability and opportunity to make a living, to survive and hope to thrive, in the entertainment industry.

We must now fight for the future of our industry in the face of changing technology, the same way our elders did for us in 1960. So today, my Spacemom and I went to the place where it started for us, way back when, to do just that.

I see all your support. It means so much. Thank you.

the wait

We aren’t supposed to speak ill of the dead, even when they were monsters in life who hurt countless people.

Okay. But nobody said we couldn’t write fan fiction.

The Wait

Pat Robertson walks past thousands of souls, smugly and full of pride, and cuts to the front of the line at the velvet rope in outside the entrance to his version of Heaven.

The bouncer looks up from their clipboard, observing Robertson with thousands of eyes in a swirling cascade of light.

“Pat Robertson,” they say. “We’ve been expecting you.”

Pat Robertson silently congratulates himself. He swells with joy. All those people who died from AIDS, natural disasters, even 9/11 … they all deserved it. They were sinners!

The bouncer speaks into their headset. “He’s here.” They listen. “Yep. At the front of the line.”

The bouncer turns most of its gaze back to Pat Robertson. “Just wait here for one moment, please.”

Pat Robertson steps to one side and waits.

After one thousand years, he begins to wonder if there was a miscommunication.

“Excuse me,” he says to the bouncer, “I am Pat –“

“Robertson. Yes. We know. We’re just getting everything in order for you. It will just be one more moment.”

Tens of thousands of victims of gun violence walk past him and enter Heaven. The population of an entire village, lost in a typhoon that was intensified by climate change, is welcomed. And still he waits.

They file past him, all the people he looked down on. All the people he hurt, directly and indirectly, don’t even notice him as they pass. It’s like he isn’t even there.

Another thousand years pass. Pat Robertson realizes he hasn’t had a thing to eat since he died and he is so very hungry.

“Hey!” He shouts at the bouncer. “What’s the problem? Don’t you know who I am?”

The bouncer rolls half a million eyes at once. “We know exactly who you are.”

“Well, alright, then!” Pat Robertson spits out, exasperated, “if you aren’t going to help me, get someone here who will!”

The bouncer speaks into its headset again. “We’re ready.”

A gibbering mass of what is mostly human flesh — or was, once — slithers / rolls / flops into Pat Robertson’s view. It is covered with mouths that bleed and weep and click their teeth together. Enormous open sores swirl and burst and close and reopen and drip pus and viscera across blistering skin. The faint memory of a smell surrounds it, something like very old cigar smoke and very expensive liquor.

Pat Robertson tries to scream. Arm-like stalks extend from the quivering shape. One resembles a hand at the end of an arm, dripping viscera.

In a flash, it grabs Pat Robertson’s hand and shakes it. Something hot and acidic splashes up on his arm, blinds him in one eye. He feels weak. Afraid. Alone. Confused.

Hundreds of mouths try to speak. Dozens of them vomit acrid bile that splashes across his chest. Dozens more silently spit out the lies they’ve been cursed to repeat for eternity to an audience who will never hear them again.

One mouth speaks clearly. So clearly, it’s inside Pat Robertson’s head and everywhere else all at once. “I’m Rush Limbaugh,” it says. “I’m your new roommate. Come with me.”

And that’s when Pat Robertson knows. That’s when it all hits him, all at once. He’s getting everything he deserves.

The line to get into Heaven does not see or hear or notice him, or the Limbeast. They can’t hurt anyone, anymore. They are, finally, invisible.

The cancerous mass of hate wraps its arm around his shoulder and just like that Pat Robertson finds himself in a vast parody of a cathedral. It’s built of bones and flesh and lies. The walls writhe, and he sees that they are not bricks and lathe but bodies wrapped in confederate flags and wearing red hats.

The pews are filled to capacity with the souls of people who followed him in life, hated who he told them to hate. Only their hate is now focused on him, hot and unforgiving. Relentless.

Pat Robertson looks for his companion, but it has vanished. It has left him alone to suffer.

A sermon rises in his chest and pushes against his throat. Pat Robertson is compelled to speak, and as he does each word tears through him like broken glass. He spews his hate and his lies, just as he did in life. Only in this place, he doesn’t feel the glee and the satisfaction he always did. No, he feels the pain and the suffering and the agony of every human being who he deliberately hurt. He. Feels. All. Of. It. He tries to stop speaking. Of course, he can not. He can not ever stop.

And Pat Robertson’s eternity begins.