Category Archives: Web/Tech

reminder: I’m on this week in tech today

After playing an epic game of “How about this Sunday? No, that doesn’t work, how about this Sunday?” that went on for months, Leo Laporte and I have finally gotten our schedules to match up, and I’m doing This Week In Tech in about six hours.

The stories we’ll be talking about are here, and Leo tells me that he may add some more before show time. If you want to add some of your own, you can add them to delicious.com with the tag for:twit.

The show starts at 3pm Pacific, and you can listen live if you like. If you miss it, it’s available as a podcast, and I’ll update this post with a link when it becomes available.

Podcasts I love: The Night Air

I hope you know more stuff today than you did yesterday, because today's podcast I love is going to grab your mind and take it on a journey through The Night Air.

This incredible podcast comes to us from Radio National in Australia, and they describe it as "an audio adventure in which ideas, sounds and music are remixed around a new theme each week." They also call it "a listening experience" which would seem super pretentious to me if I didn't already listen to it and agree fully with that description. The best way I can think to describe it is "the lovechild of Joe Frank and This American Life, babysat by William S. Burroughs."

I discovered The Night Air pretty much by accident, just grabbing things that looked interesting from the Podcast directory in iTunes…

Imagine that it's July 2005, and you're sipping on an Anchor Steam next to the pool at the Mirage in Las Vegas. You've just busted out of your first World Series of Poker, but you're staying in town for a few days to play in another event. This is what you see when you look around:

Half of the pool area is populated by beautiful twenty-something girls in tiny bikinis that make me wonder why they bothered to put anything on in the first place. The other half is populated with middle-aged men and their unfortunate wives who may as well be wearing housecoats. Throw in a few frat guys unsuccessfully trying to put the moves on the aforementioned beauties, and it makes for great people watching.

You remember that you have this new Podcast on your iPod, so you lay back on a lounge chair, and listen to Islands. For the next 40 minutes or so, Las Vegas vanishes as you go on a journey: "Whether caught in the crosshairs of an exact latitude and longitude or existing somewhere in a faraway place of the mind, islands seem always on the horizon of fantasy. Tonight we venture to and fro' seeking, as Captain Cook once said 'a convenient situation' where we might trade commodities and replenish our stocks for journeys new. Way off the coast of Prosaic we fetch up on the shores of Speculation Island."

I was utterly and completely captivated. I didn't even realize that my beer had gotten warm, so after quickly correcting that egregious error, I played another episode, Holes: "Is there such a thing as a bottomless hole? Do they go on forever? Do some holes have a will of their own, durable, transient, and just waiting to stave you in? This Night Air is full of holes: architecture, the body and reminiscence. We fathom a suite of works about emotional absence and gutted structures; and finally see what's at the centre of a donut."

Each show combined interviews with music and soundscapes to create something unique and remarkable. I was hooked, and I've made countless commutes endurable by leaving my body on the train and letting my mind go wherever The Night Air takes me.

Unlike all the other podcasts I've featured this week, The Night Air truly must be experienced to be appreciated. I could tell you about it until I used up all my English, and it would still be inadequate. The audio archive doesn't go as deep as it once did, so you can't listen to Islands or Holes right now, but I wil direct you to a recent episode called Once Upon A Time. "Are you ready? Then I'll begin: Once upon a time there were fairytales, stories, fables and myths … distorted and passed down from generation to generation—some you remember and some you think you remember. This show re-tells many of them—as well as the art of telling the stories themselves—which lived on, and on, and on, sometimes happily, sometimes not but, of course, always ever after."

I hope that week's brief guide to some podcasts that I love has been informative and useful to you. I enjoyed writing these entries, so I made a new category here called Things I Love, which I plan to use for sharing…wait for it…things that I love, like board and video games, movies, beers, blogs, and other, um, things that I love in the weeks and months to come. If enough people are into it, I may even do a week of reader requests.

Until next time, here's a podcasts I love roundup:

Pseudopod

60-Second Science

Driveway Moments

Stuff You Should Know

The Night Air

Podcasts I love: Stuff You Should Know

So did you spend some time in your driveway listening to yesterday's suggestion? Well, maybe not your actual driveway, but that metaphorical driveway that's next to the little birdhouse in your soul? Oh, good. I knew you would.

Kids, learning isn't just fun, it's awesome. There is a huge world out there and it is just filled with all kinds of interesting and astonishing information. It's also filled with Stuff You Should Know, which is an appropriately-named podcast from the guys at How Stuff Works.

This podcast usually runs between 15 and 25 minutes, and covers diverse topics like How Moonshine Works, How Cannibalism Works, and How Abandoned Cities Work. Our two hosts, Chuck and Josh, are staff writers for How Stuff Works, and the podcast is worth listening to for their amusing interaction as much as it is the fascinating "wow, I did not know that" information they dispense.

Earlier this week, they did a show called Why Do Some People Believe The Moon Landing Was A Hoax? which is a great example of why I love this podcast. It'd be really easy to say, "because some people are so fucking stupid they believe every conspiracy theory, no matter how outrageous and disproved by science. Thank you for listening. The end." but they actually dig much deeper, and truly examine the question in an entertaining and informative way.

I've told iTunes to keep and sync all unheard episodes of just a few podcasts, because I love them so much I don't want to miss a single one. Stuff You Should Know is one of them, and listening to it has made several commutes and short-haul business flights more enjoyable than I ever thought possible.

Next time: it comes from a land down under

Podcasts I love: Driveway Moments

Is your brain embiggened from last time when we talked about 60-Second Science? Good, good. Glad to hear it. Take good care of your brain, and it'll take good care of you.

Today, we're turning to one of my favorite old media broadcasters, who have done an outstanding job embracing new media: National Public Radio. NPR offers a huge selection of podcasts, including powerhouses like This American Life[1] and Fresh Air,[2] but since everyone in the universe know about those, today I will share something that never fails to entertain, inform, or inspire me, and is rarely longer than 5 or 6 minutes: NPR's Driveway Moments.

This ingeniously-named podcast is chosen by listeners from NPR stories that are so compelling, they stay in the driveway when they get home and listen to them until they're over.

Some of them are inspiring. Some of them are funny. Some of them are so sad it's hard to listen to them. All of them are incredibly awesome, and make me grateful that NPR embraced podcasting as long ago as they did.

Way back in podcasting's early days, I gushed about the technology and its implications to a good friend of mine who has enjoyed a very long and very successful career in radio. He was unmoved, and figured that, like blogging, "a thousand flowers will bloom, and we'll be left with 999 weeds." He has since changed his tune.

At the time, I thought he was missing the point, but he was correct in a certain sense: radio isn't easy, and not everyone can find success as a broadcaster or producer. I don't know how many podcasts from the early days are still around, and if any of podcasting's early breakout stars are now laughing at us from their private yachts, but the point is, they were there at the beginning, and they helped prove to the world that this on-demand style of radio was viable. Without those pioneers, I don't think the list I'm doing this week would exist. The next time you listen to one of your favorite podcasts, honestly ask yourself: would I make this appointment listening? All the podcasts I'm talking about this week — and they represent just a small percentage of all the ones I listen to — are wonderful, but I wouldn't be able to stop everything I'm doing to listen to them if they weren't available when it was convenient to me. This, I believe, is the future of radio, and even television.

Next time: …i did not know that.

[1] Did you know that I'm a writer because of This American Life? It's true, and is a story I should tell one day. Perhaps on a podcast of my own.

[2] Just in case anyone from either one of these shows sees this: I dream of one day earning the chance to be on your program.

i haven’t even been awake for an hour, and it’s already an awesome day

Two awesome things have already happened today:

1. I woke up at 8:05, and it felt like I'd really slept in.

2. My friend Rich put me in today's Diesel Sweeties:


see more hipster robot webcomics and pixel t-shirts

The theme I use in Typepad doesn't support dynamic resizing, so I had to shrink the image down. You can click on it, though, to see it full size at the Diesel Sweeties website.

Podcasts I love: 60-Second Science

Last time on Podcasts I Love, I showed you Pseudopod, a terrifically entertaining horror podcast that updates once a week.

Now, it's time for something completely different: 60-Second Science, from Scientific American.

Every day, the geniuses at Scientific American spend just one minute sharing something cool and interesting from the scientific world. Their stories are all over the place, too, from planetary science to neuroscience to genetics.

One of the things I love about the podcasting medium — and new media in general — is how there aren't any rules about content and length, so on the same day that I listen to a 40 minute horror story from Pseudopod, I can also get a 60-second lesson about the Triceratops, on the same device, delivered in the same way.

Next time: this is worth the wait.

what to expect if you follow me on twitter (or: how I’m going to disappoint you in 6 quick steps)

Yesterday, my friend Alan tweeted a link to this story of how Twitter was born. If you use Twitter at all, you should totally check it out because it’s awesome. If you don’t use Twitter, you should totally check it out, because a lot of what you may have heard about Twitter is probably filtered through the traditional media lens, and Twitter is off in a completely different direction.

I’ve been thinking a lot about Twitter lately, mostly because I have a whole lot of fun using it, but also because the number of people who read my stupid messages on Twitter has exploded by several thousand in just the last few days. Yesterday morning I said Things I didn’t expect to see when I woke up today: 4714 people have looked at a picture of my socks. 51000 people are reading this. Um. I also said Now I have self conscious performance anxiety. Don’t say it don’t say it don’t say it don-PENIS! Sigh. Dammit. Ha. I slay me.

The truth is, that’s really weird to me. Even accounting for the damn spambots that auto-follow everyone, that’s a hell of a lot of people. I bet a lot of them don’t read my blog, and only know me as Gordie LaChance or Wesley Crusher, or the gangly kid who played those characters and was a lot more concerned about whether girls liked him than he was being honest and true to himself. The problem with being in the public eye is that the media always filters everything you do, highlights every stupid mistake you make, and aren’t as interested in showing people what you’re really like as they are in printing the story that will sell the most papers.

On Twitter, and on my blog, you’re seeing me, the husband, geek, and stepdad. You’re not seeing the kid in the Bop poster. (I don’t currently own that many watches or Batman painter’s caps, among other things) or the guy who is occasionally on your TV. This disconcerts some people — not a lot, but enough that I feel compelled to write Wil’s Quick Guide To Following Me On Twitter, mostly so people know what they’re getting themselves into, what to expect, and how much I’m going to disappoint them. (Pro Tip: No one is ever going to publish a tell-all biography about my life. Except maybe Wired, if I’m really lucky and earn it.)

Oh, and if I can make something painfully, embarrassingly clear before I begin: my whole idea here is to manage expectations and explain my own personal limits. I’m not trying to go on and on about how fucking cool I think I am and how you have to follow rules to follow me, or anything like that. I’m saying this now because some of the things down below, you may not want to hear. It’s not you, it’s me, and I hope you believe that.

So. We cool? Cool.

Message begins:

Hey there, @you! Welcome to my Twitter thingy. I’m @wilw, and I’ve been using this service for a long, long time, because my friend @seanbonner told me that it would be fun. At first, I didn’t understand what the point was, until @warrenellis said that our mutual friend @rstevens was fun to follow on Twitter because he was this constant stream of jokes and puns and wry observations. It was then that I realized that Twitter didn’t have to be about What are you doing? but could be about What’s on your mind right now? It was, as the saying goes, a light bulb moment for me, and I started using Twitter for off-the-top-of-my-head thoughts that didn’t warrant their own post here on my blog.

Since that day, I’ve sent out nearly 4000 updates (also called Tweets, because some people got together and decided that we needed a term that was even sillier and more embarrassing to say than ‘blog-o-sphere’) to a bunch of people, including, probably, @you.

I’m not going to tell you what Twitter is, or how you should use it. As @Pogue said in his NYT column about Twitter, The Web is full of “rules” about the proper way to Twitter, and a lot of them are just knowier-than-thou garbage. I couldn’t agree more, and encourage you to ignore them all, choosing instead to use Twitter however it amuses you.

Now, having said that, if you plan to follow me on Twitter, here are some things you should probably know, so you know what to expect from me:

1. I send out a lot of Tweets, frequently about stupid stuff that’s just amusing to me. From time to time I will send out several in just a few minutes. You probably shouldn’t follow me on your phone, because it’s going to get annoying. I have friends who are so prolific, I don’t follow them on my phone, and they’re my friends! I have friends who don’t follow me, because I tweet way too much for them. It’s cool, I know text message charges can be expensive, and I wouldn’t follow me, because I use Twitter a LOT. I don’t plan to change that, either. It’s fun and I like it.

2. I’m probably not going to follow you. I follow a few close friends, a few people whose work I really admire or whose Tweets really entertain me, and a couple of news sources. I can’t possibly follow all 53,000 of you (it went up since I sent those Tweets yesterday. Weird.) — or even one percent of that number — and still get any work done. I’m easily distracted, so I have to draw the circle very small so I can step out of it when I need to.

3. I do try to keep up with all the @replies to my messages, but most of the time when I’m at my computer, I’m working, and I can’t afford to stop what I’m doing every time a reply comes in. (Easily distracted, remember?) The extended conversations at Twitter can be awesome, especially when we’re all playing a global Improv game of Yes, and…, but ultimately I have to focus first on what pays my kids’ bills and keeps our roof up. Please know that even if I don’t reply, I do pay attention, and I thank you for taking the time to respond.

4. There is no number four.

5. If you’re expecting some kind of weird “celebrity” experience, I’m not your guy, and this is where some of you can point and scoff and pat yourselves on the back for saying, “Dude, you’re not a celebrity! Hurr hurr hurr.” That’s, um, kind of the point I’m trying to make. If you’re looking for a real celebrity, you want to follow someone else, and there are plenty of guides to who those people are. I’m just a geek, and I’m just this guy, you know? No one’s following me around with a camera hoping to catch me not wearing underwear under my skirt. I know, I’ve tried. Sigh.

6. The last thing I want to say really makes me feel like a dick, but it’s come up a lot and I owe it to all of you to be honest and open. I’m not going to lie to you, @you, it’s overwhelming, really cool, and a little scary that there are about 53,000 people following me on Twitter. If I think about it too much, like right now, I get freaked out. The way I continue having fun with Twitter is that I do what I want with it, and I hope you’ll come along for the ride if you think it’s worth it. But if you do follow me, please don’t @ complain at me about how often I’m tweeting or what I tweet about. I’m not interested in censoring myself for anyone — not for @you, not for @youtoo, and not even for you, @wilsmom. If you’re disappointed that I’m not the kid I used to be, or you decide I talk too much, or you just don’t think I’m very interesting, that’s cool — no one likes everything or everyone. But don’t ask me to change to please you. Just unfollow, and we’ll each go our own way, cherishing the time we had together and moving on. No regrets. We’ll always have Paris.

7. Lastly, a small request from me to @you: I’m not Gordie and I’m not Wesley. I’m Wil. Please show me the courtesy of using my real name, not the name of some guy you saw in a theater or on TV 20 years ago. I hope this explains why I’m sensitive about that, but if it doesn’t, think of it as someone using a nickname you really hate. They may not know any better, they may mean well, but it still gives you that little pain behind your eyes, doesn’t it?

Finally, on the off-chance that someone who makes Twitter go sees this: please let me give you money. I love Twitter and I really want to support it so it doesn’t go away.

Okay, that’s it. I hope this handy little guide has made it a little easier to know what to expect from me with this neat new toy. See you in the Twitterverse, @you!

Message ends.

Whew. That was really tough to write, because I’m so afraid of coming off wrong, or being misunderstood. Well, you miss 100% of the shots you don’t take, right? I will just hope that this is received in the way it was intended, and not the other way.

Podcasts I love: Pseudopod

Here's something that you probably don't know about me: Ever since I was a kid listening to KROQ on my Walkman[1] I've wanted to have my own radio show. The idea of playing music for and talking to people across the airwaves remains a dream of mine, and it's why I occasionally do my own Radio Free Burrito podcasts.

I remember when Podcasting was just getting started, back in those 8-bit days when we all thought that our digital watches were a pretty neat idea. I remember feeling really excited about the opportunity to create my own radio show, and gleeful that I lived in the future where that sort of thing was possible.

I don't produce nearly as many podcasts as I want to, but I listen to a bunch, and every day this week I'm going to share one of my favorites with you.

Today's entry is something I love, that probably wouldn't be able to exist in any other medium at any other time: Pseudopod.

Pseudopod "brings you the best short horror in audio form, to take with you anywhere" and it's pretty damn awesome. Every week, they release a new short story, entirely for free. The stories hit way more often than they miss (and that's really just because of personal tastes; the readers are all fantastic and the writing is always very, very good) and they range from short, 10-minute distractions to 45-minute journeys to Places Man Was Not Meant To Go.

Some of the stories are very disturbing — this is horror, after all — but I have yet to hear one that's gory for gore's sake, or disturbing for the sake of being disturbing. Some of them, like Clockwork, aren't even scary; they're just cool.

One of my all-time favorites was released last August. It's considered flash, so it's just 8 minutes long, but not a single moment is wasted in a story called Scarecrow, that was unexpectedly powerful and moving. Now that I think of it, that was the story that convinced me to add a Pseudopod subscription to iTunes, so maybe it's a good place for you to start if you're curious.

As I said above, I don't think Pseudopod could exist at any other time, and it showcases something I love about Podcasting, blogging, and other forms of new media: while Pseudopod would have a very hard time drawing enough listeners in one geographic location to maintain a not-in-the-middle-of-the-night slot on old terrestrial radio (not because it's not good, but just because there aren't that many people who want to listen to this sort of thing in a major market like Los Angeles, I'd guess) there are certainly enough people scattered across the planet to make up a huge audience that can support them and make their efforts worthwhile.

Yes, it's pretty awesome to live in the future.

Next time: embiggen your brain in just a minute.

[1] Imagine an iPod that plays cassette tapes and radio stations cloaked in static and you'll have a pretty good idea of what it was, kids.

boating our software

Yesterday, I started writing a monthly column for Amazon’s End User Blog. For my first column, I looked at a really cool device that’s battling something I call Feature Creep:

…it’s increasingly difficult to find things that do just one thing, and do it very well. I blame this on something I call “Feature Creep” which I suspect comes from too many meetings, too much input from marketing, and not enough product managers and engineers who are willing to stand up and say, “You know what? I don’t think this coffee maker really needs an MP3 player in it. It’s fine just making coffee.”

Feature Creep is everywhere, bloating our software, lengthening our startup times, cluttering up our menus, and draining our batteries, so when I come across something that has successfully resisted it and stayed focused on doing one simple thing very well, I have a little bit of a pants party.

One of the best examples I’ve come across in the last year is the Netflix player from Roku. It’s a tiny little box that streams anything from Netflix’s on-demand library straight into your television, and that’s all it does.

So I’m pretty excited to have an opportunity to do for blog what I used to do for InDigital, and I’m looking forward to examining various gadgets and technology trends in the mysterious future. My column will update on the final Thursday of every month.

(If you missed this on Twitter and don’t know what the title of this post means: I put a really stupid typo into this column that snuck past me and my editor, and I was originally lamenting how feature creep is “boating” our software. Mmmm. Boating. It’s since been corrected, but I can’t help giggling about it.)

ficlets is going to the land of wind and ghosts. here’s how to save your stories.

AOL is shutting down Ficlets on January 15, and in their infinite corporate wisdom and understanding of how communities on the Internet work, they’re not providing any easy way to archive the stories you’ve written there beyond advising that you try “copying the text and pasting it into a plain text or Word document.” Right. That’s going to be really fun and easy for people who have written dozens of Ficlets. [::facepalm::]

Ficlets’ creator, Kevin Lawver, even tried to get AOL to do something with it other than just stick Christopher Lee inside it and set it on fire, but they refused:

I knew this was coming, I just didn’t know the day. I tried, with the help of some great people, to get AOL to donate ficlets to a non-profit, with no luck. I asked them just to give it to me outright since I invented it and built it with the help of some spectacular developers and designers. All of this has gone nowhere.

I don’t get this. I don’t understand what AOL has to lose by letting someone who wants to care for it take it over, and I don’t understand what AOL has to gain by simply destroying it, but that’s probably why I’m not in middle management at AOL: I like to actually nurture and support cool and unique things that don’t suck.

Ficlets was important to a lot of people. There are over ten thousand writers, thirty-five thousand stories, and eighty thousand comments. It was also important to me. On my author page, I wrote:

I am a professional narrative non-fiction writer. I’ve published three books, and write several geeky columns on topics like technology and gaming.

What I really want to do, though, is write fiction, and I figured Ficlets was the perfect place to find my fiction voice.

The 1024 character limitation, the ability to draw inspiration from quotes and pictures, and the collaborative nature of the prequels and sequels all worked together to help me create some super short stories that I’m still really proud of, like They Don’t Come Out at Night, Snowfall, and The Fifteenth. My story A Godawful Small Affair , inspired by listening to way too much Ziggy Stardust (as if there’s such a thing!), turned into a truly wonderful collaborative fiction project that branched out into dozens of multiple universes.

A fellow Ficleteer, Chris Meadows, wrote a Requiem for Ficlets that touched me in a way that, if Loretta touched me, I’d say, “Oh yeah, that’s nice.”

As a site, Ficlets did have its problems. (Some of which could have been alleviated by more development.) As a busy site that received hundreds of posts per day in its heyday, it never really developed a workable method for making sure that new ficlets weren’t quickly buried in the rush of more ficlets. There were lists of “popular” and “active” ficlets, but getting on the lists was a crapshoot that largely relied on whether your ficlet stayed in the “Most recently posted” list long enough for enough people to see and read it.

[…]

On the other hand, the site had a number of excellent innovations. The ficlet format itself was made for creativity … unlike cluttered competitor Writing.com, the Ficlets interface was completely uncluttered, and it allowed infinite story branching instead of writing.com’s two-predefined- choices-only.

Another especially clever touch was the ability to search through Creative Commons-licensed Flickr photos and use them for “inspiration”. This was the sort of creativity that Creative Commons was meant to engender, and seeing it in action was a thing of beauty.

Chris came up with a way to save your Ficlets, using a tool called HTTrack. He’s included fairly simple instructions that shouldn’t be too difficult to follow, so you can create an archive of your work, as well as any prequels or sequels that it inspired.

Through extensive trial and error, I’ve managed to come up with a set of rules that will fetch all the stories I want and not too many that I don’t want. And as the doom of Ficlets draws nigh, I figure it would be best to get this slightly imperfect set out there now, so people can save their stuff right away, and perhaps worry about refining it later. If anyone who knows HTTrack better than I do can send me tips or corrections, I’d be thrilled to update this post with them.

I really loved Ficlets, and I get the feeling that a lot of Ficleteers discovered it because of me or Scalzi. I’m really sad to see it go, and I’m hopeful that something new is created to take its place. Until that happens, though, thanks for reading my stories, and even collaborating with me on some of them. Keep writing!