In every rehearsal, when Parrish stands up to triumphantly announce that he's completed his 100 cranes, I did it in my best* Homer Simpson voice, like when he tries to fake out Apu with the lottery scratcher: "WOOO HOOO! ONE HUNDRED CRANES, BABY!"

This episode was more fun to film than I thought was humanly possible. Even though we were all crammed into a tiny set (it actually looks bigger than it was, because it was photographed with wide angle lenses) for several days**, I loved every minute of it. I remember thinking that I was so grateful that we are all friends and all get along, and that nobody in the cast is a diva, because it would have really sucked in that case.

Erica, Felicia, Neil, Niall and I all went to an origami class with a master origami folder so we could learn how to do cranes. I had a really hard time wrapping my head around it***, but once I figured it out, I enjoyed it quite a lot. I also may have specifically inquired about the creating of origami dicks, because I'm twelve. When we were in that little chamber, we'd just sit there between takes, folding cranes and cracking jokes with each other. I can't say for certain, because I don't have a control to test it against, but I think filming this episode brought us all closer together than we already were.

From a character development standpoint, I think this is where we see that Parrish has a lot to prove, and getting to Titan is how he's going to do it. We had to cut so much stuff for time, we lost a couple of scenes where we got to see that Parrish is so completely focused on getting to Titan at all costs, he can't adapt to changing circumstances, and he can't put the team ahead of himself. I don't know about the rest of you, but that's not the kind of guy I want to have to rely upon when I'm {VAR==$miles.to.Titan} away from home. I hope Parrish can learn from the isolation experience in future episodes, because I'm still totally #TeamParrish.

Weren't the mites cool? And how much do you love Sheriff Andy?****

Fun fact: Three weeks before we filmed this episode, I nearly broke my ankle. I knew that we'd be doing this "take off your shirt, Coco" thing with me, so I had been exercising like crazy as part of Project Don't Be A Flabby Piece Of Shit On Television, but it turns out that not being able to stand without a cane for three weeks sort of gets in the way of that. Luckily for me, the producers were sensitive to my vain need to not inflict my Body By Guinness on the world, and let me wear a tank top underneath my jumpsuit. You're welcome, people who didn't have to see a flabby, pasty, nerdbody that you can't unsee.

A lot of viewers enjoyed the Number One line, and we've gotten a lot of credit for making a clever TNG reference … but I don't think that was intentional. All of our characters were given numbers when we were in the chamber, and I think Parrish was just dehumanizing everyone to be a dick and work what he thought was some sort of psychological warfare. 

Or maybe it was intentional all along, and nobody told me … it's all part of the test.

* Not very good

**  The show ran almost 25 minutes long, so a lot of very funny stuff had to be cut, but will show up on an extended cut for DVD someday.

*** The line where Zane says Parrish's last few cranes looked like ducks was improvised by Niall, based on me complaining that I was really bad at making cranes, but extremely good at making ducks.

 ****The answers are: YES and A LOT. Congratulations to those of you who passed.

Last night's episode of Eureka, Up In The Air, has my favorite moment of the entire season in it. I don't think it played as clearly in the edit as it read in the script, but it's when Carter gets so incredibly excited for a traditional bank robbery investigation, and then finds out from Andy that the bank was, literally, robbed. As in: it isn't there any more. When I read that in the script, I laughed so hard, I peed a little. In fact, I just had to go ahead and put on an adult diaper for the rest of the episode, because Colin's physical comedy was so perfect.

Even though we shot it a year ago, this episode stands out in my mind quite clearly because on the first day of production, during the first run through of the first setup for the first shot, I twisted my ankle so severely I had to walk with a cane for a month.

Remember when team Bravo is running those tires? Set dressing put them on uneven ground, and I was first in line, so while I was attempting to high-step through them, hold my sides, stay the correct distance from Felicia and the camera while rehearsing, I didn't see the slope underneath me. I'm not the most coordinated person in the world*, and I was probably at -10 or more to make this one … so I ate shit. The crew all thought I was having a laugh (I have a certain reputation for comedy on the set), but I guess something about the way I was writhing in pain on the ground convinced them that I was serious, and not just committing to the bit.

So, to review: we haven't shot a single frame of film on this episode, and now I'm hurt so severely I can't stand up unassisted. The entire day is about us doing physical activity, and I'm in every single scene.

That sound you heard was the production manager having a heart attack.

The show, as they say, must go on, so we did some minor rewriting, changed the blocking on some scenes, and generally ensured that Doctor Parrish wouldn't be doing any physical activity**. In fact, if you watch the first scene with the three of us, you will see that I'm bent over, giving the impression of having just run the tires. In reality, someone from the crew is supporting me so I didn't put any weight on what was my rapidly-swelling ankle. When Fargo comes out of the tree and it looks like I walk away? I actually take one step, grab my cane from a PA, and take one more step so I'm completely out of frame.

Ah, the magic of making movies!

This episode also has my favorite pure character moment of the season in it, but it was cut up so much there's no way anyone in the audience could see it: when we're in the GD rotunda with Carter and Henry, talking about my Higgs Disruptor, Joe Morton and I had this exchange that I just loved. Doctor Parrish is talking about how his Disruptor is signed, but the authenticity of signatures from that era is questionable. You can barely see it, but during rehearsal, Joe and I realized that we're both scientists, and we're talking about a piece of antique equipment that was signed by Higgs himself! We decided that, being nerdy scientists, we'd get excited about that, and temporarily forget that there's a bunch of antimatter hanging out above Eureka waiting to deliver an Earth-shattering KABOOM***. Carter sees this, puts us back on track, and we figure out that he needs to go Up In The Air****.

It was exciting to us, as actors, when we found these beats during rehearsal, because we turned a scene that was pretty much an infodump to the audience (that set up the third act) into something that was an infodump with some real character moments behind it. In the final cut, though, a couple of lines were lost (I'm almost positive that the show was running long), and while the intention is still there, the exact character beats aren't. I'm sure this is a little Inside Baseball, but I learned a lot about who Parrish was during that scene, and how he feels about the people he interacts with at GD and in Eureka. Those little unexpected moments where I get some XP like that are one of the greatest joys for me as an actor.

In fact, this episode was when I finally got completely inside Isaac Parrish's skin and mind, and knew exactly who he was. I'm grateful to Colin, Joe, Felicia, Neil, and our director Alexandra for making all of that possible, because I could relax and enjoy being Doctor Parrish for the rest of the season.

Finally: Fargo is such a wanker! Way to abuse your power and force Isaac to do inventory so you get another shot at the girl, Doug. This isn't over. #TeamParrish

If you have any questions about this episode, please ask them in comments. I'll do my best to respond to them today.

* DEX is my dump stat.

** Doctor Parrish will be appearing at Kamp Krusty August 23-30.

***Doctor Parrish also owns an Illudium Q36 Explosive Space Modulator, but he won't show it to you until the third date.

**** <familyguy>AHHH! There it is. </familyguy>

Alisdair Wilkins at io9 really liked this week's episode of Eureka:

"Glimpse" is my favorite episode of the still young season 4.5 – it had a great central threat, it did some nice, light work on the various relationships, it had some good jokes, and it gave plenty to do for the two main guest stars.

Yay! Go Team Eureka!

Oh, there's also this (he said, as nonchalantly as possible):

But really, this episode was almost completely stolen by Wil Wheaton, making his return as Dr. Parrish. One of the best ways to shake up a show like Eureka is to bring in a character whose energy completely contrasts with that of the cast. In previous cycles, that's generally meant bringing in someone mysterious and possibly sinister – James Callis last year, Eva Thorne before that – but Dr. Parrish is something else entirely: he's just a massive asshole. Wheaton is pretty damn brilliant in the role, giving no quarter to Fargo or Carter in his interactions with them while also revealing just why he's so thoroughly antisocial. His brief flirting with Holly was also great, being charming in the way that only a dude who is a total dick can be, and bodes very well for the mooted love triangle between Fargo, Holly, and Parrish.

Thanks, Alasdair! I think you're going to be very pleased with the rest of season 4.5.

Last night's Eureka, Glimpse, was my first episode as a non-enraged-by-the-enraginator-device Doctor Parrish. I had completely forgotten about Fargo's commercial for the Astraeus project at the top of the show; when I saw that, the excitement of shooting the entire season came flooding back to me all at once.

We filmed it so long ago, I don't remember much about it, but what I do recall, quite clearly, is how worried I was about finding the right "pitch" for Parrish's arrogance and irritation with everyone around him. He's supposed to be a guy you love to hate, a thorn in Fargo's side, and if he's just a straight out dick, I think we get tired of him really quickly.

The first scene I shot was actually at the beginning of the episode, in Café Diem, when I present the banana slugs to Fargo and Holly.* I was actually performing Parrish for the first time (remember, in All the Rage, he was only "normal" Parrish in two brief scenes before the enragenation enraginated), and I didn't really have a feel for his character beyond the notes I'd made in my script. Luckily for me, our producer Matt Hastings was on set that day, and I asked him to watch the choices I made during rehearsal. Matt assured me that I was portraying Parrish the way the writers and producers intended, and over the course of that day, I settled into him. Watching it last night, I saw a couple of moments I'd like to change, but that's just part of being an actor; I have to watch my performances with a critical eye, or I'll get lazy and stop learning.

Wasn't Felicia magnificent? I remember having so much fun with her and Neil when we shot the stuff in his office with Stan Lee**, but I had no idea that the three of us would grow so close over the next couple of months. I can't wait for Eureka viewers to see how the relationship among us develops in the weeks to come.

I also remember shooting the scene where Colin gets all that slug gel dumped on him. It was at the very end of a very long day, and none of us expected as much slug gel to come pouring out as we saw on TV. Erica and I were off camera for dialog, and I remember laughing so hard, tears were streaming down my face. He kept improvising lines like, "you — you're a bad, bad person" and "I … I thought we were friends," and [mournful sobbing]. By the time that take was over (and we only got one), the entire crew was laughing as hard as Erica and I were.

My favorite scene in this episode, though, is the scene with Carter and Parrish in the police station. Colin and I found this relationship between the two of them where he is patient and understanding, while Parrish thinks he is just a stupid hick who doesn't know a damn thing about anything. That relationship plays out in future episodes, and it's something I just loved discovering.

Did you notice that Parrish set aside his arrogance and irritation and tried to work with Fargo when it was clear that GD was about to get all explodey? If you blink, I think you'll miss it***, but it was an important, if subtle, character modulation for me. Parrish thinks he's the smartest guy in the room (and he's usually right), but even he knows that there's a time to set personal bullshit aside and stop the world from blowing up.

If you watched the show last night, I'd love to hear what you thought about it. I'll also do my best to answer any questions you have about it … and I hope you'll join me on #TeamParrish.

*For those wondering, the "slugs" were actually made out of figs and dates. You never really got to see them up close, but they looked totally gross, like they really were dried slugs. Parrish ate some in one scene that was cut, and they actually tasted pretty good.

**ZOMG STAN LEE.

*** Don't blink, you fools! The Angels have the phonebox!