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50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

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WIL WHEATON dot NET
WIL WHEATON dot NET

50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

Month: April 2011

Wil buys a new game. It’s super effective!

Posted on 23 April, 2011 By Wil

A pair of twenty-something Bros, dressed and posed in a manner that was such a hilarious cliche, if I described them exactly as I saw them, my editor would have said, "no, that's too cliche," stood near the front of the store, communicating in some kind of Broglish that leaned heavily on the word "fuck" and its many derivatives.

I guess I'm Old Man Wheaton, because I looked around at all the 7 and 8 year-olds in the store and felt mildly offended that these two Bros couldn't be bothered to make an effort to tone it down just a little bit.

But such is the way of The Bro. If they had common sense and a WIS stat higher than d6+2, they probably wouldn't be Bros.

I walked around them, went to the DS games, and felt like a teenager buying his first box of condoms. I felt my face get warm, I caught myself looking around to ensure I wasn't being watched, and I reached for the nearest copy of Pokémon Black Version.

I turned it over in my hand and read the back. "I can't believe I'm actually going to do this," I thought. "I'm 38 years-old, and I'm buying Pokémon for the first time in my life."

The Bros left the store, trailing expletives behind them. Something was, apparently, a lot of fucking bullshit. The precious children I was so concerned about moments earlier didn't seem to notice. Maybe they play a lot of Call of Duty online. Or maybe I'm just an a dad nearing forty.

I nervously drummed my fingers on the game as I replayed the conversation I had with my friend Jerry about two months ago, where he assured me that Pokémon on the DS is a fun RPG that starts anew with each release, and is incredibly fun when you play it with your friends. The last game Jerry recommended to me, Might and Magic Clash of Heroes remains one of the greatest games I've ever played on the DS, so I trust him.

I trust him enough to find myself standing in GameStop*, feeling like I was renting porn, and wanting to ensure that I was getting Big Wet Asses 4, instead of Wet Big Asses 4. I approached the counter.

"Can I help you with anything?" The guy asked me.

"Yes, but you have to promise that you're not going to make fun of me."

The other guy smirked, and the first guy told me that he would not make fun of me.

"Okay," I exhaled and realized that my shoulders were tense. I relaxed them. "Do you have … Pokémon White Version?"

He sort of chuckled. The other guy failed to cover a laugh.

"Hey!" I said, "I can see you judging me!" I said to the other guy.

"No, man. I just thought that was funny. We both play Pokémon," The other guy said.

"Yeah, it's nothing to be embarrassed about; it's a really fun RPG," The first guy said.

"That's what my friend told me," I said, "so here I am at 38 years-old finally buying Pokémon for the first time.

"I am given to understand that they are essentially the same. Is that right?"

The other guy said that I had been correctly informed, and added that it pretty much depended on what box I liked better.

"Well, this thing kind of looks like … a dragon? I guess? Yeah, a dragon … and dragon's are cool, so…"

The first guy typed a few things on his computer. "We have White version, but we only have it used."

"I actually prefer to buy games new, to support the developer and stuff," I said, feeling a little self-conscious, like I had just extolled the virtues of fidelity while standing in a whorehouse, or giving a shit about the middle class while visiting Congress.

"No worries," he said.

"Okay, so I guess I'll take this, and Super Scribblenauts."

He rang me up.

"Hey, I … really like the work you do on Big Bang Theory," he said.

I know this sounds weird, but I often forget that when I'm interacting with strangers, there's a non-zero chance that they know my name and have seen me act. It used to make me feel like I had an arm growing out of my head when it happened, but I've gotten over that, and now it actually makes me happy, because I'm proud of what I do.

"Oh, thanks, man! I like being on Big Bang Theory," I said.

"Did you want a bag for these?" He asked.

"No, I'm good," I said, "I'll carry them out in the open so the whole world can know my shame. Thanks for your help."

I walked out of the store, past another employee who was explaining the differences between a couple of FPS games to a guy who was about my age, and seemed as uncertain about his purchase decision as I was about mine, but not nearly as self-conscious.

*I get it; some of you hate GameStop. That's cool, and you're certainly entitled to your opinion, but I don't need a list of reasons why it sucks, delivered in Broglish. Twitter already accomplished that for me earlier today, thanks.

in which a good choice is made

Posted on 22 April, 2011 By Wil

Yesterday morning, my dad called and asked me, "So are the Kings wearing a crown tonight, or a jester's hat?"

"It's a test of their maturity," I said. "They could easily be up 3-1 right now if they were a more mature team. If they can play their game tonight, instead of trying to out-Shark the Sharks like they did on Tuesday, I think they can win. If they win tonight, I think they win the series. But I'm pretty sure they're just not mature enough to settle down, and they're probably going to lose."

"So, jester's hat, then."

Did my dad just give me the tl;dr? Did I just get Trolldad'd?

"…yeah," I said, "probably."

"Well, go Kings!" He said.

"Yep. Go Kings. Love you, dad."

"Love you too."

While last night's game wasn't a collapse nearly as epic as Tuesday's disaster, the Kings still allowed three goals on five shots, including two on back-to-back shots. The defense looked like a bunch of beer leaguers, and I'll be astonished if my beloved LA Kings play more than one more game this year.

Contrary to what my only-mostly-joking Twitter Rageface may lead you to believe, this wasn't entirely unexpected. The Kings weren't even supposed to make the playoffs last year, so they're still a year ahead. This was the year they were supposed to get in (and had they not shit the bed at the end of the season, probably would have beaten Phoenix or Nashville) and maybe get to the second round. So, taking the long view, (say it with me, Cubs fans!) There's Always Next Year.

Later in the day, I was up the street talking with my neighbors, who have a five year-old and a twelve year-old. They know that Anne and I are empty nesters (SCORE) and they invited us up to their house to dye Easter eggs with their family.

I love that I live in a place where I get to stand on my lawn and visit with my neighbors, and I love even more that I live in a place where my neighbors invite my wife and me to spend some time with their family doing what is typically a family activity.

I had a choice to make: stay home and watch the hockey game, or miss at least the first two periods and go up the street. I love hockey, I love my Kings, and I love the playoffs … but honestly, it's just a game. It wasn't a very difficult decision.

A little after seven last night, Anne and I walked up the street to their house, and spent about two hours with their family and another one of our neighbors, turning eggs into art — well, some semblance of art, anyway. I'm one of those artists who can tell stories and perform characters, but I can't even make a good looking stickman with some pipe cleaners and a sign that says, "THIS IS A STICKMAN."

But it was still a really good time. It's been fourteen years since I dyed Easter eggs with a five year-old, and I'd forgotten just how much fun it is to watch that fragile eggshell mind in action, mixing colors, drawing shapes, and offering the unique perspective and commentary that comes from a lifetime that currently isn't much longer than sixty months.

We made eggs that were covered with glitter, eggs that had patterns drawn on in white crayon, and eggs that were shrink wrapped with pictures of duckies and bunnies.

To see my effort to nerd things up, look past the jump:

(more…)

three incredible indie bands you should listen to

Posted on 21 April, 2011 By Wil

My brother has been making these cool time lapse videos of life on his ranch in Montana. In a recent video, he used music that I instantly loved … but he didn't say who it was.

Luckily for me, I live in the future, so I fired up Shazam on my Android, let it do its thing, and in less than a minute, I was streaming Telekenisis' album Telekinesis! from Rhapsody through my Sonos.

While I listened to my new favorite album, I read Jeremy's blog. That led me to another video of his where he played music from a band called The Smith Westerns. Again, I went straight to Rhapsody, and added Dye It Blonde to my Sonos playlist. I had those two albums on repeat for much of the day, yesterday.

Seriously, living in the future is awesome, even if I still don't have a jet pack, death ray, or a flying car.

Those of you who are good at math will have noticed by now that I said there were three bands, but I've only linked to two. Good job, give yourself a gold star and a check plus!

The third band is actually on the page I linked above for Telekinesis. They are called The Love Language. I heard them about a year ago, when I got an e-mail from Merge records offering to share some new music with me, based on my loudly-proclaimed love of similar-sounding bands. I've been meaning to play The Love Language on Radio Free Burrito forever, but as I am reminded at least once a day, I haven't done a new RFB in months. (Also, if you like Camera Obscura and She & Him, spend some time at Merge; they have a ton of great artists you probably haven't heard, yet.)

Anyway, I wanted to use this experience as evidence that the music industry should make it easy for people to discover music this way. People like my brother who aren't looking to profit in any way from using music (and podcasters, and YouTubers and other bloggers) should be able to do it without applying for expensive licenses and bullshit. It's valuable – and free – promotion, Music Industry Guys! I don't listen to the radio very much, and when I do, it's mostly oldies stations that play music from my youth (FML). I don't like pop music at all, so I find new indie music via recommendations from friends, or when I tell LastFM to build me a station based on some band I already like. Because Jeremy played music from The Smith Westerns and Telekinesis on his videos, I was able to discover them, buy their albums, and hopefully introduce a few thousand other new listeners to their music. That's awesome.

Now, about that death ray and jet pack…

on video game reviews and the power and influence of marketing

Posted on 20 April, 2011 By Wil

I came across this post at No High Scores yesterday. It's about how mega publishers are starting to limit access to the media in terms of review copies, overall access, as well as in potential ad money.

There are a lot of great things about working in the games industry.

You know what the best thing is?

I work in the games industry.

Every day I get to play, talk, and write about games. I get to talk to people who make games. I get to share my opinions with other people who play games and they get to tell me how brilliant or how stupid I am when it comes to games. When people in the sleepy Ohio town in which I live ask me what I do and I tell them they stare at me with both amazement and sometimes derision.

“Yes, Marge, I’m a 39 year old child. Just give me my mail already.”

You know what I don’t like? The other stuff.

Fighting with PR over review copies. Being told that we can’t post a review of game X before the embargo “unless the grade is at least an 85 on Metacritic.” The sites to DO score that high get all the pre-release traffic so we’re forced to ether inflate a grade or lose the hits.

Being told that sites which use letter grades do not get advanced copies. (Because of the way those scores are translated on Metacritic.) Knowing this is untrue because 1Up sure does. Then realizing we aren’t 1Up.

Defending my writers’ competence when they “score” a game lower than the average for a game.

It's a super-interesting post that’s worth reading in its entirety. I don’t even pay attention to game reviews or critic scores any more, because the whole thing just seems like a corrupted process intended to generate positive PR, rather than give actual useful information to gamers.

I’ve pretty much stopped pre-ordering games because of this, which I know the games industry doesn’t like (pre-orders are super important to publishers, because of the GameStop effect), but what choice do I have? When I can’t trust sites like 1Up or Metacritic, I have to wait until people I do trust have actually played a game to tell me about it. And how do game journalists feel about this? If I were a game jouranlist, I would feel pretty gross being part of a system that's similar to the relationship between the right wing and FOX "news."

Gamers: how much influence to game reviews have on your buying choices? Is there a site that you know you can depend upon to give you a completely honest assessment of a game, like Penny Arcade does?

(No High Scores is a fantastic gaming site, by the way. I read it every day.)

drag your blanket blindly and fill your heart with smoke

Posted on 19 April, 2011 By Wil

Letters of Note is one of my favorite websites.

Yesterday, LoN shared this note from James Dean, which he wrote shortly after moving to New York to pursue an acting career, and before he became James Dean™:

Being an actor is the loneliest thing in the world. The stage is like a religion you dedicate yourself to and then suddenly you find that you don’t have time to see friends and it’s not for them to understand you don’t have anybody. You’re all alone with your concentration and your imagination and that’s all you have. You’re an actor.

He wrote that note in 1952. During the next three years, he would star in East of Eden, Giant, and Rebel Without A Cause … then his life was over. I can see him, sitting alone in New York — a city that can make the most gregarious, confident person in thw world feel tiny and insignificant — writing that down, staring at an uncertain future that stared right back at him. It's hard to separate the actor and his work from the legend, but when I read this yesterday, I wondered if he was able to enjoy the success that he eventually had, or if he was just one of those artists who need the pain and anguish to create.

But this stuff that he thought made being an actor feel so lonely? I think it’s what makes being an actor awesome. I love being left alone with my concentration and imagination. I love making something where something wasn't before, using my imagination and that weird thing in my artists' brain that makes me weird. (Come to think of it, that’s what I love about being a writer, too.) One of my favorite acting teachers, who helped me level up quite a bit, once told us that when we're performing, whether it's for an audience of thirty or an audience of three thousand, we have to be committed to our character, completely consumed by the scene, and intimately connected to the other actors. She said that acting was "quiet, public solitude," and for some reason I never bothered to examine too closely, I grokked that, and it's stayed with me ever since.

I always feel sad when I think about or watch James Dean, knowing that he died so young, before he really had a chance to figure things out the way we do when we get into our thirties. I hope that, if he had, the lonely kid who wrote that note would have once day found comfort in quiet, public solitude.

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