50,000 Monkeys at 50,000 Typewriters Can't Be Wrong
Any geek can tell you what superpower they’d want to have. We rarely have to think about it, because most of us gave the question a lot of time and careful consideration when we weren’t talking to girls during our youth.
Earlier tonight, the subject came up in an IM conversation with my friend Ryan.
Wil: So what superpower would you want?
Ryan: I think I’d like the ability to shapeshift
Ryan: Or intagibility
Ryan: Or spelling
Wil: OMG that’s going on my blog right now.
Happy weekend, everyone.
Matt Fraction asks: How soon is too soon for Mad Monster Party?
There is no such thing as too soon for Mad Monster Party?, Matt.
BEHOLD!
So I worked on Naruto today. I don’t think I can say what character I voiced, or what the story was about, but I’m going to be in more than one episode, and it’ll start in about a month. I’m recording again on Friday, and I’ll ask then if I’m allowed to give up any details.
I had to get up much earlier than usual to make it to the studio on time this morning, and my brain, as it so often does, decided that the best way to ensure I got a good night’s sleep was to sing songs, make me too hot then too cold then too hot then too cold all fucking night long. I think I slept for 3 hours, and I’ve felt a little blurry all day.
Naruto is originally in Japanese, so I was dubbing this character for the English broadcast. It was really different from working on Legion or Ben 10, and was more like looping live action. It was a lot of fun, though, and the episodes I saw while I worked today were much darker than the stuff I’ve seen Nolan watch. I think the damn kids today will dig the story arc that I’m part of, but when I tried to tell Nolan what the story was about while I drove him home from school today, he was adamant that I not give him any spoilers, so my one opportunity to actually check in with a reliable representative of the damn kids today was cut off.
I had a lot of fun, though, and it was really satisfying to work in a genre that I’ve wanted to be a part of for a long time. If you count Macross, Robotech, and Battle of the Planets, I’ve been watching Anime since I was a little kid. If you’re more of a purist, I’ve been watching since I got Akira on a fifth-generation VHS bootleg at a con when I was 14. (Funny-but-true story: my friends and I watched that tape over and over again, but since the original Japanese dialog wasn’t subtitled, we had no idea what the story was. We built one of our own that we thought was pretty good, but turns out was completely wrong.)
I’m not super hardcore or anything, but I enjoy anime and manga, and I was awfully excited every time I got to do all the traditional anime sounds, like the various gasps, and the occasionally-awkward translations and bits of dialog we had to add to match the mouth movements (which were originally animated to go with Japanese. Mostly, though, I felt the tremendous satisfaction that comes with bringing a character to life and making him my own.
I always tell people who want to be actors that they have to need it, the way we all need to eat or sleep. It’s a long hard road, fraught with uncertainty and more defeats than victories, and if you don’t have a visceral, primal, almost supernatural need to do it (that is deeper than “I want to be rich and famous”) it’s just not worth it.
Bringing a character to life is how I chase the dragon. Whether it’s writing, acting on camera, or acting with my voice, I need that fix, man. For a few hours today, I got it, and it felt so good.
Maybe that’s why my brain was so worked up last night. Maybe I was subconsciously shivering with antici . . . pation.
I wonder how I’ll sleep tonight?
This summer’s convention extravaganza featured a bunch of shows that can be best described as mega-cons. I mean, there were over 55000 people at PAX, and something like 179 million people showed up for Comic-Con. Most of the conventions I’ve done over the last several years have been pretty huge, attracting crowds in the thousands, so this summer wasn’t much of a departure from that.
From the Land Beyond in Sacramento, where I spent this weekend, was small by comparison, but I still had a great time and will likely go back if they invite me next year.
Saturday was the SciFi and Horror con, so there were lots of people there dressed as awesome zombies (zombie goth girls are way hotter than they have a right to be) and tons of people in Star Trek and Star Wars costumes. There were a lot of families (yay for affordable cons!) and the vibe in the whole place was really laid back and positive. It seemed like everyone there was having a good time, whether they were fans or guests or vendors.
I spent the entire day sitting at a table next to Aaron Douglas, who plays the Chief on BSG. We hit it off pretty quickly (it turns out that we have a mutual friend in Yuri Lowenthal, who I worked with on Legion and who I currently work with on Ben 10: Alien Force). If you get a chance to see him at a con, and you’re even a tiny fan of BSG, you should go for it. He’s really nice, totally unpretentious, and seems like a really good guy. I’m way behind on BSG (Nolan and I are still in the 3rd season on DVD) so I worked really hard – and Aaron helped – to avoid spoilers all day. As I said on Twitter, ” Aaron Douglas is awesome. A++++ WILL SIT NEXT TO AGAIN!1!”
I had a panel on Saturday, which I thought was going to be shared with some other Star Trek alumni. Turns out I was wrong, and I’d be on the panel by myself. I had a little bit of a last-minute panic when I learned that I was going it alone, because I hadn’t prepared anything, but I thought quickly, and decided to read my Datalore review from TV Squad, because it’s in Sunken Treasure. I figured this would let me perform and entertain whoever showed up, while fulfilling the “Wil’s going to be talking about Star Trek” portion of the program. Thing is, I haven’t really looked at it since I wrote it several months ago, so I needed to prepare (being super prepared is very important to me) before I attempted to present it. I spent about 20 minutes reading it, remembering where the beats were, figuring out where it would be safe to drop some ad-libs in and where I should just stick to the material. It wasn’t as funny as I remembered it, but Datalore wasn’t as good as I remembered it, so I figured those things cancelled each other out. Besides, it’s not like I had anything else to perform that fit the bill, so I just went with myself (thank you for that timeless advice, Fiona Apple.)
I thought the panel went well. The room held about 100 people, and it was completely filled, which really surprised me, because I didn’t think I’d draw such a large percentage of that day’s attendees. I think they had fun, though, and I didn’t totally suck, so I was ultimately happy with the whole thing. I took a few questions after, and then signed some books and pictures at my table before the day came to an end.
I didn’t get to wander the vendor’s room as much as I wanted to on Saturday, but I did leave with something totally awesome: a vintage copy – damn close to mint condition – of the Dueltrack expansion for Car Wars. When I opened it up and saw all the little pieces together on one card, the catalog, the instructions, and everything else so perfectly unspoiled, it made me tremendously happy. I could see and smell and feel and so clearly remember standing in The Last Grenadier in Burbank when I bought my copy. I could see and smell and feel and so clearly remember getting it back to my house, opening it up, carefully using an exacto knife to cut the pieces out, and building a track on the dining room table.
It’s unlikely that I’ll play with this set – I have my Car Wars Deluxe Edition on the shelf right behind me, after all, and it has everything I need – but just having it again, and just being able to hold it and pet it and squeeze it and love it and call it George makes me incredibly happy.
Sunday was … interesting. It was an anime con, so the average attendee was probably 15 or 16. As I said on Twitter, “There are a TON of cosplaying anime kids here today. I am as relevant to their lives as the war of 1812.” It was a much slower day for me than Saturday, but it was still enjoyable. I didn’t read the program, so I didn’t know that I had a panel on Sunday as well (I know, WTF is wrong with me? FAIL, Wheaton. EPIC FAIL). However, I dug into Sunken Treasure again, and pulled out the excerpt from Just A Geek that includes The Trade. It’s part of a chapter about the moment I turned the switch from actor/writer to writer/actor, so I thought it would fulfill the “Wil talks about blogging and writing” portion of the program. Incidentally, nobody was admitted during the exciting rock climbing portion of the panel on either day.
The audience was extremely small. The room that held 100 people Saturday had about 20 people in it on Sunday, and though it should be easier to play to a more intimate crowd, it’s always been much harder for me than maybe it should. I fucosed, though, and had a hell of a lot of fun (maybe a little too much fun) reading for them. I had time for about 20 minutes of questions after, and everyone seemed to leave happy, including me, so I’m marking it down as a HUGE SUCCESS.
The very best part of the entire weekend for me – even better than getting my hands on Dueltrack – was meeting people who came to the show because I mentioned it on my blog and sent an e-mail using Eventful. Because I wasn’t busy at all – I think I signed as many autographs over the entire weekend as I signed in one session at PAX – I didn’t feel rushed, and I was able to do more than just talk for a moment or two with my fellow geeks. You know who you are, and I really enjoyed meeting all of you. Thank you for coming to the show!
If they invite me back for next year, I probably won’t attend on Sunday, simply because I’m not relevant to the demographic, but I’ll totally go back for the SciFi/Horror con, because it was what conventions are supposed to be. I think a lot of the bigger Sci-Fi cons have lost their way in the last few years, and forgotten what they are supposed to be about. They’ve become expensive autograph shows where you can’t even get close to the people you’re there to see, unless you shell out even more money to sit close to the stage. It was nice to be a a sci-fi con that was about celebrating the things we geeks love, instead of squeezing every last dime out of our pockets before sending us on our way with a bunch of hastily-scrawled autographs and disappointing, over-priced photo-ops. This show was small, but it was still a whole lot of fun. If the promoters stay focused on giving fans the kind of experience they got this year and find a way to add a little more programming, this convention is going to grow into something wonderful, because their hearts are really in the right place.
I’m four days behind on work, so before I have time to share how awesome Sacramento was, I’ll have to get caught up.
Until then, I have a link that’s going to make Gen Xers go nuts:
The Top 10 Most Influential Educational Video Games from the 1980s.
People who grew up playing video games are influenced by them, especially when designing games of their own. Those who played through the 1980s are reaching their professional prime, and the games they played in school are worth examining. Here we’ll take a look at what I consider to be the top ten most influential educational games from the 1980s.
I’ll refrain from telling you what the games are, because a big part of the fun for me was scrolling down the page and jumping a little bit as each one was revealed, saying a little too loudly to my empty office, “Oh my god I played that!” Feel free to geek out in the comments here or at Propeller, though. This could easily turn into a radical ride on the 80s nostalgia bus.
(Huge thanks to my fellow geek Brendoman, who found this and submitted it to the Geeks Group at Propeller.)
NB: I’m an idiot. I left the very important word “Educational” out of the link to the story. I’ve added it.