An 8×10 sale update!
The photo lab finished printing my order this morning, so all the 8x10s have been mailed out, except for about 6, for people who haven’t told me what to sign on their pictures.
So if you’ve ordered, but you haven’t sent me your request, get on it, man! 🙂
Anything going out after today clearly won’t arrive in time for Christmas, but if you’ve been waiting to order, and it’s not a gift, go ahead and do it. I have about 50 of each photo left after filling orders, and if those sell out, I’ll order more in the new year.
I’ve gotten sick, it would seem, despite my best efforts to hold off the cold which is ravaging my family right now.
Since I’m feeling like crap, I’m putting off the last-minute shopping until REALLY the last minute, and I’m spending my time the last couple of days heavily editing my book.
I gotta tell you, I’m really excited, and getting nervous. Excited, because my editor, Andrew, has given me notes that fall into two categories: “Duh. I am so lame for missing that.” and “Holy crap! This is such a great idea! I can’t believe I didn’t think of that on my own!” His notes have made the book much more readable, and clearer than it would have ever been if I’d done it all on my own.
Nervous, because as it gets closer and closer to being released to Real Life Readers, I worry that it just isn’t good enough. This is normal, though, for me. It happens with everything creative that I do. I guess it’s just my nature.
Back to work!
🙂
Category: blog
STORM WATCH!
This massive Pacific Winter storm is bearing down on Southern California, threatening to turn our burn areas into giant rivers of mud and rocks. The wind is currently gusting outside my bedroom, pelting my window with rain.
All of this means that we here in Los Angeles are on STORM WATCH!
That’s right, baby! STORM WATCH! Wall to wall coverage of brave citizens filling and stacking sandbags in their backyards, rugged individuals stubbornly refusing to leave their trailers under the threat of up to three inches of deadly rain!
As I write this, Anne is watching the CBS news, and Laura Diaz is urging everyone to stay warm, and for the love of god, if you travel over the Grapevine, take blankets and extra food and water!
Now, for my STORM WATCH! coverage, I much prefer the undisputed master of local news hyperbole, the inimitable Paul Moyer, who can turn the very threat of rain, still a week away, into the greatest drama since OJ’s slow speed chase. But Anne will not be moved. The Channel 2 News Team, with the watchful eye of Chopper 2, will be taking us along on STORM WATCH! tonight.
This is the first night in weeks that I’ve been sitting in bed watching TV at 11. Until tonight, I’ve been sitting in front of the fireplace every night reading this amazing book, “The Best American Non-Required Reading of 2002.” I give this book the strongest WWDN endorsement possible: the coveted and never-before-awarded GOLDEN MONKEY! The writers in this book are so amazing, and their stories so compelling, with the turning of each page I learned how far I have to go before I can call myself a writer.
Whenever I finish a book, I feel a sense of achievement, and I begin to look forward to the next one in my ever-growing stack. However, I also feel a certain sadness as I bid characters or an author farewell.
Thank god I have STORM WATCH! to ease the pain.
And Anne just rolled over and turned off her light. As soon as she dons the eye mask and ear plugs, I can grab the clicker and switch to NBC.
. . . *click*
D’OH! Paul Moyer is running down the Golden Globe nominations.
I’ll keep watching, though, because when we’re on STORM WATCH! the news can break at any time.
Sell my old clothes, I’m off to heaven
The plane lurches from side to side, then pitches violently forward. Strangely, nobody in the cabin screams. Anne grips my hand tightly, and I reassure her (and myself) that this turbulence will pass just as soon as we get over the storm.
Fifteen minutes later, after climbing through the first major winter storm we’ve had here in Southern California, an experience which can be compared to riding in a wagon over a deeply rutted and poorly maintained dirt road, or sitting on a raft in heavy seas, we break through the clouds and level off.
We’re on our way to San Francisco, where I’ll be co-hosting The Screen Savers.
From above, the clouds look soft and inviting, betraying no hint of the violence we’ve just passed through. We cruise in relatively smooth air for another 40 minutes, and finally land in Oakland. I’m not crazy about flying, and I’m always happy to be on the ground.
After a quick walk through the terminal, we meet up with Steve from Tech TV, who will drive us into the city. We step out into the gloomy December morning, into the Bay Area that I have always loved: cold, windy, cloud-covered. The heavy black clouds we’ve just flown through decide to get in one last assault, and dump a hard, cold downpour on us as we walk through the parking lot to the car.
The drive into the city is quick and uneventful, and as we cross the Bay Bridge, I recall the months I spent shooting Flubber on Treasure Island. Those were good times, and it’s nice to revisit them in my mind for a few moments.
Steve drops us at our hotel, and tells us he’ll be back at 6 to take us to dinner.
Anne and I walk through The City, finally ending up at Union Square. We head to the top of Macy’s, so I can look out over the square and pretend that I’m in “The Conversation.”
Back when Gene Roddenberry was alive, he talked about The Enterprise being a character in the show, and even being the “real” star of the show. I always wondered how something like a spaceship could have a personality, but standing here, on top of Macy’s in the cold and rain, looking out at all these old and new buildings standing side by side, watching the throngs of holiday shoppers swarm across the square, past the giant Christmas tree, I get it. San Francisco is truly a wonderful city.
We meet Steve and his fiancee for dinner, which is quite lovely, and head back to our hotel, where we both have the worst night’s sleep in years. The rain beats down on the window-mounted air conditioner, its steady plink-plink-plinking competing with the sputtering and hissing of the radiator. After two hours, I have come to truly hate this radiator, though it is the only source of warmth in the room. Anne is fighting a cold, so she tosses and turns the entire night on the too-small bed, and end up spending much of the night staring at the ceiling, cursing the radiator.
When morning comes, we have just enough time to grab a coffee and a muffin before I have to be at TechTV for a production meeting. I kiss Anne goodbye, remind her that if she goes shopping that we only have one small carry-on bag (a reminder she ignores), and hop into a cab.
I spend the rest of the morning and early afternoon preparing for the show, and having meetings with the execs at TechTV. I really like them, they really like me, maybe we’ll work together someday.
Suddenly, the day is behind me, and it’s time to tape the show. I run over my teleprompter bits, read over notes for the interview I’ll be doing, and familiarize myself with the numbers for the different cameras, and the names for different parts of the set.
Everyone keeps asking me if I’m nervous. I am not, but this constant questioning makes me think that I should be nervous, so now I’m nervous because I wasn’t nervous.
I don’t want to let myself get all worked up, so I talk to the cast. Megan is funny and sweet, and calls me “dreamy.” Patrick knows so much more about computers and technology than I ever will, and though I am totally intimidated by his knowledge, he puts me at ease the whole time I’m there. Morgen Webb is just too !@#$^&ing hot for words. And smart, and friendly. I blush a bit when I talk to her.
I get to finally meet Chris Pirillo, who I’ve talked to countless times in e-mail, but never actually seen in person. I instantly like him, and know that we could have fun hanging out together.
At 4PM, we start the show, and everything is going well, except for one small thing: the way the camera points, I can’t read the left side of the teleprompter for the whole first segment. I manage to stumble through it, but I really feel like I’m sucking. But it’s live, so I push through it, and hit a groove. The show is really, really fun. All the people are super nice (cast, crew, producers — everyone is just awesome. Very different from other jobs I’ve recently had) and I’m just having fun. Though the show lasts 90 minutes, it seems much faster, and before I know it, we’re done.
The audience is dismissed, and we gather with the producer to do a post-mortem on the show. This is my favorite part of any live show, whether it is radio or TV or theater. This is when we sit down together, talk about what we did well, and what we can do better. It’s what sets the live experience completely apart from film or tape, this ability to constantly learn from day to day and move closer and closer to perfection.
The notes are given, but I won’t recount them here. They belong to the people who made the show.
Anne and I say goodbye to everyone, and meet Loren and Kelly for coffee before we have to get to the airport.
Here’s the thing: I really, really, really like Loren and Kelly, and I just hate it that they live so far away. There is a severe shortage of Good People in this world, and I wish that I could spend more time with these two. I take some comfort in the knowledge that Southwest can put us at each other’s doors in under two hours for under 100 bucks.
Anne and I make it to the airport, check ourselves in, and grab a sandwich. It’s been just over 24 hours, but now it feels much longer, and we’re ready to go home and sleep in our own beds.
Our flight is called, and we travel home beneath a full moon, above a blanket of moonlit clouds. It is quick and turbulence-free, and by midnight, we’re back in our own house.
While Anne gets ready for bed, I check my email, and there are nearly 50 messages waiting about Screen Savers, and every last one of them praises my performance on the show. I am really moved by the compliments, and feel very proud of a job well done.
I fall into bed, and sleep soundly, straight through the night.
…and a little good news
Before I get to the good news, I just wanted to thank everyone who sent me kindness yesterday. While not getting invited really felt like a slap in the face, it is certainly not the end of the world, by any means.
Now I’ll be seeing the movie for the first time with my friends, in a regular theatre, with a “real” audience, which will be cool.
The good news: a few months back, Chris DiBona approached me, and asked me if I’d be interested in joining the Board of Advisors for a new game company he was forming.
I said yes, and I’ve managed to be useful already, which is cool. Their first game is a MMORPG called Rekonstruction.
Anyhow, the press release went out today, and I thought I’d pimp it.
Sadtimes
One of my old spacesuits is being auctioned off on eBay. I’m not sure why, but it makes me feel a little sad.
I’m sitting here, about to write a little entry about it, when my phone rings. It’s a friend of mine, asking me if I’m going to the Star Trek X screening.
“Yeah, on Wednesday,” I tell him.
“No, it’s tonight,” he tells me.
“Tonight? At Paramount?”
“No, it’s in Westwood, tonight,” he tells me, “I just talked with Marina about it.”
Oh no.
That feeling I have gotten so many times before, when I was the only cast member not asked up on stage at the 25th anniversary party, when I was the only cast member not recognized at the screening of “All Good Things…” begins to well up. I feel a little sick.
He wouldn’t do this to me, right? Not now, not after the conversations we had when I was working on the movie, not since the phone call informing me of the cut. This must be a mistake. Past is the past, right? We’re cool now. There is no way he’d exclude me from this.
But he did.
He did it to me again.
I want to cry.
I tell my friend that I have to go, and hang up the phone.
I sit there alone and cold in the kitchen. I can hear Ryan watching Sabrina The Teenage Witch in the living room.
I can’t believe this is happening to me. When Rick told me that my scenes were cut, he assured me that I’d still be invited to the premiere, and that he’d see me there. I was excited to see all my friends again, and share in those moments with them. Be a part of what will really be the final mission.
It turns out that the screening I was invited to will be at Paramount on Wednesday, and pretty much anyone who works at Paramount can attend. It’s not the premiere, and none of the cast are going. There’s really nothing special about it.
I seriously, desperately hope that this was just an oversight. I desperately hope that this is totally out of Rick’s hands, and that he’ll tell me that he’s sorry if it ever comes up. I desperately hope this isn’t personal. I want so badly to believe that it isn’t. It sucks to be overlooked, but it sucks less than if I’d been intentionally not invited.
It sure fits a pattern though, huh?
I just — I don’t know what to do. I don’t even know how to feel anymore.
But I’ll go with hurt for now.
Really, really fucking hurt.
