I worked on an audiobook all day yesterday. I don’t think I can talk about the specifics of it, but I’m proud of the word I did.
But I can point out this cool news that Cory Doctorow posted on boingboing yesterday, about an audtiobook that I read for him a couple of years ago:
I released an audio edition of the book in 2014, read by the incomparable Wil Wheaton, who also read the audiobook of my novel Homeland). At the time, I tried to get Neil and Amanda into a studio to record their intros, but we couldn’t get the stars to align.
But good things come to those who wait! Neil Gaiman’s 2016 essay collection The View From the Cheap Seats includes his introduction to my book, and the audiobook edition — which Neil himself read — therefore includes Neil’s reading of this essay.
Thanks to Neil, his agents, and the kind people at Harper Audio, I was able to get permission to include Neil’s reading of his essay for a remastered audio version of the audiobook.
I really like Information Doesn’t Want To Be Free. I learned a lot from it, and it helped me grow as an independent artist and creator. You can get your own DRM-free copy for $15.

There’s a fundamental rule for first drafts that I think I got from Stephen King: write it with the door closed. Don’t let anyone see it until it’s done, because it needs to be raw and broken and rough and even bad in places so that it can just get finished. Go ahead and open the door after the first rewrite. That’s solid and good advice that is one of my unbreakable rules, and it serves me well for staying motivated and giving myself the freedom to just get to work and write without judgement. But it’s also kind of lonely. It’s like performing to an empty theater.


