Skip to content
WIL WHEATON dot NET WIL WHEATON dot NET

50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

  • About
  • Books
  • It’s Storytime with Wil Wheaton
  • My Instagram Feed
  • Tumblr
  • Radio Free Burrito
WIL WHEATON dot NET
WIL WHEATON dot NET

50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

Category: Books

From the Vault: see this place where stories all ring true

Posted on 17 March, 2011 By Wil

This morning, while driving around town, Anne and I heard Green Grass and High Tides on the radio. It was part of a set of songs with "green" in the title, on account of it being St. Patrick's Day. It's a stretch, but any excuse to play a great song on the radio — especially a song that's nearly 10 minutes long — is fine with me.

After a minute or two, I said, "it feels kind of weird to just listen to this song, and not feel worried about failing out of it before it's over."

"Is this that song from Rock Band?" She asked.

"Yeah."

"I totally remember you and Ryan playing it over and over a couple years ago."

"Well, it's –"

"and over and over"

"I know. It's a really great song," I said, "it's just so … evil … at the end."

We drove on and just listened to it, until there were about three minutes left in the song.

"This is where it gets brutal," I said. In my mind, I could see the bar on the left side of the screen turning yellow, then red. I kept my hands on the wheel and resisted the urge to reflexively activate Overdrive, which we will always call Star Power, no matter what music game we're playing (even DJ Hero, which doesn't make any sense at all.)

I realized that my heart was beating harder than it should have, and I felt flush.

"Oh my god," I said, "I'm getting stressed out! It's like I have Rock Band PTSD!"

"Nice," she said. "You want to slow down?"

"What?"

I looked at the speedometer and realized I was going … a little too fast for the street we were on. I took my foot off the gas and gently applied the brake.

"Whoops."

Speaking of Rock Band and Green Grass and High Tides, here's a story I originally wrote about it in 2008, which is included in the Chapbook I did for GenCon last year, called Games Matter.

Ryan goes back to school in just under 2 weeks, and I've been bugging him to play the Endless Setlist with me on Rock Band before he leaves.

If you're unfamiliar with Rock Band's multiplayer thing, the Endless Setlist is the last thing you unlock in the game when you're playing as a band. It is exactly what it sounds like: a concert featuring all 58 songs that come with the game. It takes about six hours to play if you don't take any extended breaks.

Today, Ryan and I tackled it on expert. He played guitar, and I played bass. It was awesome. We got five stars on pretty much everything for the first 20 or so songs, including three gold stars. I got the authentic strummer thing and 99% on about half of them.

We were seriously having a good time, striking the rock pose, putting our backs together while we jammed through epic songs, bonding through the power of rock.

Then, with five songs left to go, we got to Green Grass and High Tides.

For those of you unfamiliar with Rock Band, this is a fantastic southern rock song by the Outlaws. It's also one of the hardest in the game, and the longest, weighing in at around 10 minutes. It's a song that you don't play as much as survive, and it does its best to really beat you down. If a song could kick you in the junk, this would be it. If this song were a poker game, it would be Razz.

So, after already playing for 5 hours, (and not exactly conserving our energy) we started to play this rock epic, knowing it would be the greatest challenge we'd faced yet.

Our first time through, we failed at 84%. It was entirely my fault for holding my guitar too high and deploying our emergency overdrive when we didn't need it.

"Sorry about that," I said as we lost 360,000 fans. "I blame my guitar."

Ryan looked at me.

"Okay, I blame myself."

Ryan laughed and said it was no big deal. He was confident we'd get it on the next try, and when we started the song, I could see why. He was in the zone, nailing 97% of the first solo. I wanted to holler about how awesome he was, but I felt like it would have been the same as talking to my pitcher in the middle of a no-hitter, so I stayed quiet and did my best not to screw things up.

I screwed things up, and we failed the song at 96%. We lost another 360,000 fans, almost wiping out the million we'd picked up when we did the Southern Rock Marathon last week. Compared to the nearly 5 and a half hours we'd spent playing, that 18 minutes wasn't that long, but it sure felt demoralizing, especially because it was, again, entirely my fault we'd failed. See, there's this bass phrase that's repeated over and over and over, and if you're just a tiny bit off (like I was) you're screwed, and . . . well, you get the point.

I dropped my hands to my side and let the guitar hand around my neck. My arms were tired, my legs hurt, and my vision was getting blurry.

"I think I've identified the weak link in our band, and it's me," I said. "I'm really sorry."

"It's okay," Ryan said, "but I think I want to take a break."

"Good idea," I said. "Let's pause this, go out for something to eat, and come back later."

Ryan walked into his room and turned on his shower. I unplugged my guitar so we didn't have to worry about our dogs knocking it down and starting the game again while we were gone.

In my memory, the next few moments happen in slow motion:

  • I pick up Ryan's guitar, the wireless PS2 guitar from GHIII.
  • I hold down the button to get the control screen.
  • The dashboard comes up, and it gives me the option to cancel, turn off the controller, or turn off the system.
  • I click the strum bar to select "turn off the controller."
  • I set the guitar on the ground — carefully — and reach up to click the green fret button.
  • I hear the Xbox beep.
  • I push the button.
  • I realize that the beep was the strum bar clicking one more time when I set the guitar down, selecting "Shutdown the System."
  • The system shuts down, taking all of our progress with it.
  • Time resumes to normal. For the next 120 seconds, I use every curse word I know, until my throat is raw. It takes everything I have not to grab the guitar and get all Pete Townshend on it.

Ryan came out of his room.

"What happened?" He said.

I told him.

What happened next was astonishing to me: Ryan didn't freak out. He didn't get upset. Instead, he told me, "Calm down, Wil. It's just a game. We can do it again."

I was still really upset. It was an accident, yes, but it was my fault. In my head, I kept replaying all the different ways I could have powered down his guitar that were more careful. I really felt like an asshole, because I screwed up twice and caused us to fail both times. I felt like an asshole, because I screwed up and lost all the progress we'd made. Mostly, though, I felt like an asshole because I really wanted to accomplish this feat with my son. I really wanted to have that memory.

What I got, though, was better than what I'd hoped for. I got to see Ryan exhibit one of the key values I'd raised him with: he kept everything in perspective, and found all the good things in the experience, like the gold stars we scored, the fun we had playing all the other songs, and the time we spent together. He reminded me that it's not about winning, it's about playing the game.

If you've read my blog for any amount of time, I'm sure you can appreciate how great it felt to hear my words and my values come out of my son's mouth.

I don't write about my boys very often these days. Their friends read my blog, and they sometimes read my blog. They're not little kids any more and I feel like it's not cool to talk about everything we do together with the Internet . . .

. . . but in this case, I'm making an exception.

You can hear me read this story on Radio Free Burrito Episode 20, if you're into that sort of thing.

HUNTER is in the Kindle Store for 99 cents

Posted on 9 March, 2011 By Wil

Project Kindle Store Get Books In has begun:

I started with Hunter because it was already in .mobi format, and it's my most recent thing (it's still in pay-what-you-want-even-nothing format, incidentally.) Assuming the world doesn't implode around me, I'll get Sunken Treasure in the Kindle store next.

Also, while I did this, I made myself an Amazon Author's page. Neat!

here i dreamt i was an architect

Posted on 8 March, 2011 By Wil

My brain desperately wants to write some stories, so I've been digging through the pile of Ideas That Didn't Quite Make It to see if anything in there inspires me, or is at least worth dusting off and poking with a sharp stick. So far, two stories look promising, though one of them needs a fairly serious rewrite. I also have this Batman story that I really want to write, that I know is going to be extremely awesome, but I doubt would ever find life at DC. It refuses to let go of my creative forebrain, though, so I may end up writing … fan fiction. Ahem.

During my travels though the pile, I found ePub versions of a few of my works, and I used Calibre to convert them into DRM-free .mobi format. Everything seems to be okay in the conversion, so I put Hunter and Sunken Treasure into the Kindle Store for 99 cents and 2.99, respectively. It looks like they'll get through the system there by the end of the week. If they do well enough, I'll make it a priority to get Memories of the Future Volume 1 and Happiest Days converted and published there before I go back to Eureka next month.

I would very much like to be one of those people who are making mountains of money self-publishing through the Kindle store, but I'm not all that keen on learning about sparkly vampires and bullshit, so it may be more like molehills for me. Still, the idea of being able to reach a zillion people as easily as "go to the Kindle store" in their Kindle menu is pretty awesome.

A question before I dive back into the pile of Ideas That Didn't Quite Make It: The Complete Works DVDs I took to ECCC were snapped up pretty quickly, and I probably could have sold twice as many as I took with me. I had a lot of fun putting them together, making the little sleeves and putting the seals on them and all that stuff, so I was considering making some more and selling them online, right here. Are you interested in that? Leave a comment for me so I can get a sense of what, if any, demand there is for that sort of thing, okay?

If you got one of the DVDs, I'd love to hear what you thought about it, and if you are happy with your purchase, too.

My Emerald City Comicon schedule, and an ultra-limited merchandise thingy

Posted on 2 March, 2011 By Wil

Tomorrow, I head up to glorious Seattle for the Emerald City ComiCon. I'm doing the usual storytellings and autograph signings, though I have to leave on Saturday due to an unfortunately-timed family commitment. I'm hosting an Awesome Hour on Friday at 4pm, and I'll be on The Guild panel with Amy Okuda and Felicia Day on Saturday at noon, flattening out the OMG HOTNESS curve.

I've shipped up some copies of The Happiest Days of Our Lives (expanded edition), The Day After and Other Stories, Sunken Treasure, and Memories of the Future Volume One. I'll also bring along some 8x10s for people who want that sort of thing.

I always try to make a nifty Chapbook for cons, but the thing is, I've been working as an actor so much, I haven't had much time to be a writer, and there isn't anything new that is polished enough to release in Chapbook (or any other) form. HOWEVER, I've been kicking an idea around for a few months, and I thought I'd go ahead and give it a trial run at ECCC.

A bunch of my friends who are musicians release their entire catalogs on a USB drive (Paul and Storm, and Jonathan Coulton are two who you probably know), which lets people get a whole bunch of stuff on something that's small enough to fit in their pocket, and has the added bonus of being a nifty USB drive that can be used for TOTALLY DIFFERENT THINGS once the files are copied off of it. I know, right?! Isn't the future amazing?!

I have a bunch of work that's in multiple formats, including text, audio, and video, so I thought I'd collect as much of it as I could and offer my own USB drive thingy at cons, w00tstocks, and maybe as a big old honkin' zipfile at Lulu or something later this year.

I'm not sure anyone wants this sort of thing, though, so I haven't invested in the number of USB drives I'd need to purchase to make it cost-effective. I'm testing the waters at ECCC with an extremely limited number of DVDs containing something I'm calling The Complete Works of Me, Wil Wheaton (being an incomplete collection of the audio, video, and textual works of me, Wil Wheaton).

It's pretty much what it sounds like. Here's the README I created, which will make people who write and rely on actual README files twitch a little bit:

Congratulations, dear sir or madam! You are now in possession of a truly remarkable collection, guaranteed to restore even the most ill-humoured man, woman, or child to gaiety and mirth.

Included in this delightful volume are three separate collections. They are as follows:

Text: For the gentleman or lady who wishes to escape the hum drum modern world, we offer these portals to the past … and the future! These turgid tales of mirth and marauder can be read off an automatic teletype device, or given to a reputable printer for conversion to portable paper format.

Audio: Voices and music appear, as if drawn by magic from the aether itself, or perhaps from a more sinister locale beyond! A warning to the faint of heart or soft of spirit: some of these recordings are of a most uncouth and ribald nature! Let the listener beware!

Video: Pictures that appear to magically move, transporting the viewer to locations mundane and fantastical. 

The buyer is cautioned that these files are for personal use, and unless expressly and explicitly noted, are not to be reproduced for commercial or personal gain.

All files are copyright 2010-2011 Wil Wheaton. Some files are released under Creative Commons Attribution-Non-Commercial-Share-Alike license. For more information, please visit creativecommons.org

There are three different directories, described thusly:

Audio

This directory contains the following:

Audiobooks:

Just A Geek

This is an audio performance of my first book Just A Geek. It is the super-bonus-holy-crap-is-it-really-nine-hours-long version because my friend David and I ended up including a lot of asides and what I called “audio footnotes”. You could think of it as the Director’s Extended Cut That Runs in Parallel With The Regular Cut, if you like.

The Happiest Days of Our Lives

I was so happy with Just A Geek, David and I got together again to do this one. It’s similar to Just A Geek, but David added in some nice interstitial music between each chapter. You know, for kids.

Podcasts:

Memories of the Futurecast Episodes 1-13

In the weeks leading up to the release of Memories of the Future Volume One, I started a promotional podcast. Each week, I read an excerpt from the book, and added some of my own comments. I’m especially proud of this podcast, and if you enjoy it, you’ll certainly enjoy Memories of the Future, which is in the text directory. All the shownotes and links are at http://memoriesofthefuturecast.com

Radio Free Burrito Episodes 0-4 and 9-31. 

Let me save you some searching: I never did an episode 2, and for some reason skipped straight to episode 3. I’m not sure exactly why, that’s just how we did things back in those days.

I left out Episodes 5-8 because the really, really suck. If you are determined to hear them, they are online. After Episode 9, though, the show starts to come together as I get comfortable and have more and more fun each time.

In addition to almost all the RFBs, I included Lakeside Shadow as a stand alone track, and Radio Free Burrito’s Mixtape (Volume One).

All files are .mp3, except for RFB episode 9, which is an enhanced podcast that apparently only plays on Apple devices. Sorry about that; I was young and foolish then (I feel old and foolish now). Just for shits and giggles, another short original tune I made, JazzyJazzJazz is also included. Don’t ever say I never gave you something for shits and giggles, kids.

All the shownotes and other neat-o things can be found at: http://radiofreeburrito.com

W00tstock from Los Angeles

This is an audience recording of the third w00tstock we did, at Largo. I think it’s hilarious and awesome, and I hope it inspires you to come see us to w00tstock in person whenever we come to a town near you. More information about w00tstock is at http://www.w00tstock.net

The Criminal Minds Production Diary

In July 2008, I worked on Criminal Minds, in episode 404, titled Paradise. I played serial killer and all around Very Bad Man Floyd Hansen. I keep a diary during production, which was printed in Sunken Treasure. I recorded it as a standalone audio thingy, with my usual asides and additional comments.

Video

Moments With Wil

One day I got it into my head that it would be amusing to make these little 30 second videos where I did something stupid, and then thanked the viewer for “spending this moment with me.” The problem was, they just didn’t work on their own, and I ended up showing the 15 I made to a few friends, before forgetting about them.

When we were putting together w00tstock, and the decision was made to include some short silly films, I knew that Moments With Wil had finally found a home. This is the first time all of them have been collected into one place and viewed by anyone who doesn’t also live in my house.

Stupid Cellphone Videos

While working on Eureka in 2010, I had one of those days where I was called in early, but ended up not working for almost seven hours. Sure, it was nice to earn a paycheck for sitting around and playing Plants Versus Zombies all day on my iPad, but I eventually got bored … and these stupid cellphone videos were born. It’s basically the Moments With Wil concept, without the fancy-smanchy titles and credits. As of this collection, there are 14 of them.

Text (which I wanted to call Text-eo, but didn't, because I'm apparently a chicken)

This directory contains nearly all of my writing, with the notable exception of Just A Geek and Dancing Barefoot, to which I sadly do not own the electronic rights. The Happiest Days of Our Lives is also absent, because a decent electronic version simply does not exist at the moment.

HOWEVER! What is here is pretty swell:

The directory HUNTER contains three different formats of my short tale Hunter (see how that works?), which is a short sci-fi story, set in a dark and desperate world. 

I have also included several chapbooks. They are:

Sunken Treasure – Wil Wheaton’s Hot Cocoa Box Sampler. 

This is just what it sounds like: a sample collection of all the different types of writing I do. I often suggest this book to people who are unfamiliar with my work, as it gives them a chance to find out if they’re going to like my work, and if they do, where they’d like to go next.

Games Matter

This is a collection of gaming-related essays and stories. It was prepared for GenCon in 2010. I’m really proud of this little book, and I plan to give it a wider release in 2011, with some additional material, including my two keynotes to PAX and PAX East.

Memories of The Future Volume One

Part memoir, part episode guide, part behind-the-scenes, all told from the perspective of a guy who is looking though his high school yearbook, facepalming and declaring “I can’t believe I thought that was cool.”

Volume One covers the first season of Star Trek: The Next Generation from Farpoint to Datalore. Volume Two, which goes from Angel One to The Neutral Zone will be released in 2011.

The Day After and Other Stories

A short collection of short fiction, originally released as a chapbook at PAX in 2009. In order to get over my fear of writing and publishing short (and eventually longer) fiction, I released it as a print book in December 2010 for just 10 days, then released it as an eBook in January 2011. It is presented here in PDF and pub formats.

140 – The Stupid Twitter Book

I had this idea to make a short, small book, like the little Tao and Zen books you see in card stores and car washes. It would contain 140 of my stupid little Twitter things that made me laugh. I spent the better part of a day putting it all together, and then realized that Lulu, where I do most of my self-publishing, was going to charge something like $60 per copy, because it was a full color printing process for some strange reason. I didn’t think it was worth $60 (or anything more than $5, really) so I shelved the project. It’s not the same to read it as an eBook, but it’s still funny, and I think it’s kind of cool. For the moment, you’re one of 11 people in the world to see it, which includes the 9 other people who bought this DVD at Emerald City Comic Con (assuming I sell all 10) and my wife.

I did some quick math, and figured out that if these things were to be bought separately, the Moneybags who collected them all would end up spending about $85. In light of this being an ultra-limited edition of just 10 — did I mention that? That's kind of important, so let me say it again: this is a signed, numbered edition of 10, in a spiffy little paper sleeve with a silly picture that I created entirely by myself at bighugelabs.com and sealed with actual sealing wax — I have decided to sell them for $100 each. I'm not sure if anyone will want to buy them (and if I have any left over, I'll sell them online, right here, to the first people who do want them), but I think it's a pretty neat collection that I had a whole lot of fun putting together. Hopefully, it will be successful enough to warrant investing in a hundred or so USB drives to carry around to my various convention and w00tstock gigs this year.

 

in a sea black with ink

Posted on 18 February, 2011 By Wil

The greatest reward I can receive as a writer is the knowledge that something I wrote affected someone who read it. Earlier today, a HUNTER reader e-mailed the following:

I'd like to make a request: Please don't make it so dark next time.

I know just how foolish it is to "make a request" about your writing — I'm not your muse, your boss, your editor or your conscience. I understand that the darkness is actually the reason for the actions of the characters in Hunter (i.e. it isn't gratuitous), and that without it, it would have been a completely different story. I understand that the degree of darkness in Hunter is nothing compared to some of the other mainstream fantasy/sci-fi fiction that's out there in bookstores.

I just don't like it. It makes me feel very sad when I read dark stories like that, and it makes me want to curl up and recover from it.

There's enough real evil in the real world; please don't add more fictional evil to it. 

HUNTER is just 2700 words, but it affected this reader so much, he/she/it wrote me this e-mail, and I've been walking on air all day because of it. HUNTER is set in a dark and desperate world, where good and evil is really a matter of perspective, and if readers left that world feeling really good, I either didn't hit the target I was aiming for, or I'm going to keep my distance from that reader if it's at all possible.

Every day, I struggle with the Voice of Self Doubt. When I get a note like this — that isn't condescending, demanding or unkind, but is sincere and thoughtful — I hold onto it, because it's worth +5 to my attacks (and grants 5d20 damage) against The Voice.

Mystery Reader who sent this: Thank you for reading, and thank you for writing. When I visit a world that isn't as dark as Goa, I hope you'll come along for the ride.

  • Previous
  • 1
  • …
  • 27
  • 28
  • 29
  • …
  • 73
  • Next

Search the archives

Creative Commons License

 

  • Instagram
©2026 WIL WHEATON dot NET | WordPress Theme by SuperbThemes