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WIL WHEATON dot NET
WIL WHEATON dot NET

50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

Category: Books

five quick things I think you’ll like

Posted on 8 January, 2010 By Wil

I'm doing something fun and geeky this morning, but I need to close some tabs before I can really get into it, so I'd like to tell you all that John Scalzi's book Your Hate Mail Will Be Graded, for which I wrote the introduction, is now available in trade paperback. I genuinely loved this book, and they even quoted me on the back:

John also wrote an absolutely brilliant dark fantasty novella called The God Engines, which recently became available. He put the first chapter on his blog for everyone to enjoy.

Remember John Carpenter's The Thing? It's one of my favorite Sci-Fi movies of all time, and I just loved reading a story from The Thing's point of view.

I found some basic advice to self-published authors from a book publicist. This is getting printed out and added to my personal reference library.

Finally, in the comments to my last post, reader Michael asked:

As a writer, do you find yourself looking at the world a bit differently than before? Do you catch yourself being a bit more observational — trying to take in all of a given place/scene/moment instead of just "being" somewhere? Have you caught yourself running through the description of a place in your head?

I answered:

All artists are compelled to do what we do, whether it's music or storytelling or painting or whatever. I don't know what it's like for other artists, but I'm only happy when I'm creating things. A big part of creating things as a writer is staying open and observant, so when I need to create something for a reader, I have memories and experiences to draw upon. This is especially important as a narrative non-fiction writer, where I can't just make something up to bridge a gap or make a story better.

I struggle sometimes to find a balance between just "being" somewhere and mentally recording what it's like to be there, butI don't really have a choice in the matter; I was doing this as an actor long before I was a writer, because I needed to have as big a mental library as possible to aid in the creation and realization of characters, and I'll keep on doing it until my last breath, I imagine.

But, to answer your question more directly: on the one hand, staying observant and really keeping all of my senses as heightened and open as I can is just part of my life, but on the other hand, it *can* make me feel like I'm the guy with the video camera who is in the room, but not really part of what everyone is doing.

I'm reprinting it here because it's a a fairly frequently-asked question, but also because I want to hear if other writers/actors/creators feel the same way.

Okay, I'm off to get my geek on. I should have something geeky and awesome to show off later today.

In which the audio versions of Happiest Days and Just A Geek get a new home

Posted on 5 January, 2010 By Wil

I've had such a great experience using Lulu to sell Sunken Treasure and Memories of the Future, Volume One, I have decided to start out 2010 by moving the audio versions of The Happiest Days of Our Lives and Just A Geek to Lulu. It made a lot of sense to me to keep all of my self-published work together in one place, and hopefully this will make ordering even faster and easier than it already was.

Now, for the sake of completeness and making a post that's more than 70 words, here's a little bit about my audiobooks, which I yanked from the Audiobooks tag on Wil Wheaton Books dot Com:

The Happiest Days of Our Lives

You can buy the audio version of The Happiest Days of Our Lives right here, for just $19.72. "Why $19.72?" You ask? Because that's the year I was born, and since nobody else is the boss of me, I can do that sort of thing. "How long is it?" You say? "That's what she said!" I reply. Then I tell you that it's about three and a-half hours long, and we laugh and laugh before the episode ends with a hilarious freeze frame.

Like the audio version of Just A Geek, this is a super-annotated edition, filled with tons of what I call "audio footnotes" for lack of a less stupid-sounding term. I hope we've created something that's more like sitting down in a room with me while I tell you stories, than it is a typical audiobook. I don't think a traditional publisher would let me get away with doing it this way, which is a big reason I do these things on my own. If you've ever heard meperform my work at a show, or listened to any of my podcasts, you should have some idea of what you're getting into.

Just A Geek

I'm very proud of this, my first audio book. I've talked in the past about what a huge letdown my experience wih O'Reilly was on the print version of the book, and much of the joy I'd hoped to feel with its release has instead come from the recording of the audio version, which ended up being a performance, with asides, commentary, and reflections on the material that aren't in the print version of the book. I guess it's like I'm reading the book to you, and occasionally setting it down to give some meta-commentary on various passages.

So if you liked the print book, my PAX keynote, my performance of The Trade, or if you like my podcasts, I'm pretty sure you'll dig the audiobook.

For the Lulu release of Just A Geek: The Audiobook, I was able to include a PDF scan of the booklet I created for its previous release, which I think is pretty cool. (If you already own the audio version of JAG and would like a copy of the PDF booklet, just e-mail me and I'll get it to you as quickly as I can.)

My audiobooks are quite different from traditional audiobooks. Rather than create a dramatic interpretation of the literal text, which is what I do when I voice another author's book (Like Peter & Max: A Fables Novel, which I did for Bill Willingham), I am able to use my experience as an actor to bring the words and characters to life while adding my own commentary. The result is much closer to hearing or seeing me perform my material live than getting an audio version of the text.

For both of these books, I worked with my friend David Lawrence, who in addition to producing them, participated in some interesting conversations along the way. In fact, we added so much material through our conversations and my additional commentary, we only half-jokingly call them superannotated versions of the books. It's the sort of thing that I doubt I'd be able to get away with if I wasn't doing this entirely on my own, and I'm really glad that we did the books this way, because I think it makes them special and unique. The feedback I've gotten from customers is overwhelmingly positive, and it appears that my goal of making the listener feel like we're sitting down together while I read to them has been successfully achieved.

Okay, before I sign off, I'm going to address a couple of FAQs that usually come up when my aubiobooks are mentioned:

Q: How about some stats, man?

A: Happiest Days is $19.72, about 3.5 hours long, and is about a 200MB download. Just A Geek is $20.00, about 9 hours long, and is about a 400MB download.

Q: Why is Just a Geek only 28 cents more if it's so much longer?

A: That's what she said! Oh, um. Sorry. Because it's been available for so long, and the old pricing model we used when it was originally released needed to be updated. Look, I know that people can just steal it if they want to, so I figured it was better to make it more affordable for people who want to be honest.

Q: How about a discount if I get them together?

A: I wish I could do that, but I'd have to make a whole new project at Lulu, and I don't think there's enough market demand for that.

Q: Can I get this from Audible?

A: Not right now.

Q: Why not?

A: Two main reasons: Audible takes a huge cut of the purchase price, and for an indie guy like me it's not worth it. Audible also requires DRM, which I'd like to avoid as long as possible. Now, to be super-clear: if Audible could somehow open up my work to tens of thousands of new customers, I think it would be a fair trade off. However, my experience in traditional publishing leads me to believe that that isn't going to happen. I think I can reach 

Q: So why not do it anyway? Why not sell them directly yourself and also use Audible?

A: Hurm. That's a good question, and I can't come up with a very good reason that's more comprehensive than, "because I don't want to deal with the hassle and potential rejection from Audible." 

Q: So you're going to eventually do that?

A: Well … it seems silly not to, now, doesn't it? Tell you what: once I get everything I need to do under control and I'm not behind on a crapton of deadlines, I'll look into Audible, assuming that they'll even be interested in having me.

Q: So should I just wait, then?

A: Facepalm.

Q: Are you going to do audio versions of your other books?

A: I've meant to do a Dancing Barefoot for years, and just never got around to it. If enough people are interested, though, I will. I bet I could give Barefoot a really neat superannotated treatment, especially since I've leveled up so much since I wrote it.

Q: What about Memories of the Future?

A: I really don't know. It takes a lot of time and energy to produce an audiobook, and I don't know if there are enough buyers to make it worth the time it would take to create a Memories audiobook all at once. I've thought about doing it episodically, so if only 20 people are interested, I've only wasted two hours instead of forty, but I'm not sure that would work. But there's always the Memories of the Futurecast, guys.

Q: Hey, is it weird to essentially have a conversation with yourself and present it as a FAQ?

A: Keep your questions on-topic, please.

Q: It's just that, I think it's kind of weird.

A: That isn't a question.

Q: Oh, so the voice in your head can say you're awesome and you'll let that slip by, but if I point out that it's a little weird, you're just going to blow me off?

A: Pretty much. Yes. Okay, um … you in the back?

Q: Hey, I don't have a question, but I just wanted to say that you're awesome.

A: Why thank you. That's very kind of you.

Q: And tell us, once again, where we can get these fabulous audiobooks, please?

A: Great question. You can go to my storefront at Lulu to find just about everything I've recently published, or you can go directly to Just A Geek: The Audiobook or The Happiest Days of Our Lives: The Audiobook.

Annnd, scene. Thanks for reading and (hopefully) listening. Remember to tell all your friends, and be sure to drink your Ovaltine.

a couple of book-related things

Posted on 28 December, 2009 By Wil

Memories of the Future got :

There’s one thing that Wil Wheaton wants to make very clear: “Memories of the Future” is not, repeat, NOT a “tell-all” book about his time working on “Star Trek: The Next Generation.”

“It was extraordinarily important to me that this was not some kind of stupid, gossipy book,” Wheaton said. “I despise that kind of thing. I just hate it. It’s the reality television of literature, and I absolutely cannot stand it.”

Indeed, “Memories of the Future” is instead a funny review of, and a loving tribute to, the first season of “Next Generation,” which began its television run in 1987.

I also saw that Happiest Days of Our Lives was used as an example of one of those new-fangled paper-style books:

Today I picked up a paper book to read just for fun — The Happiest Days of Our Lives by Wil Wheaton. Long-time (since this spring!) Kindle user that I am, I immediately noticed the dashing use of color on its front cover, but when I opened it, I was disappointed that I couldn’t scale the font size down from the default. It seems that paper books have only one font option — what are all these Kindle forum posters complaining about with its six sizes of a single font?

On the very first page, I encountered a word I wasn’t familiar with (Namaste). I thought I knew what it meant from the context clues, and even had the thought that on the Kindle, I could just highlight it and confirm my guess. But my paper dictionary was in the basement, so I didn’t bother looking it up until I wrote this post. (My hunch was reasonably correct.)

Interface-wise, the paper book is solid, and crashes, lockups, or other malfunctions are rare. I have, however, noted severe stability problems when attempting to read outdoors, especially when it’s windy (which, since I live in Kansas, is pretty much always). Pages start turning themselves, even without me making the “turn page” gesture. Sometimes the book will even lose its memory of my last page read. This is rather annoying, and might even involve a lengthy search for a suitable temporary replacement bookmark. Also, I haven’t tried it, but I suspect that the trick of putting a Kindle in a ziplock bag to read at the beach or in the tub without risk of getting it wet would be impractical with a paper book.

That entire post is really funny and clever, and I think you should read the whole thing. Go ahead, I'll wait.

See? Wasn't it funny? I like clever writing that is funny.

Speaking of The Happiest Days Of Our Lives, I know a non-zero number of people have been waiting very patiently for the special edition to be released by Subterranean Press. I wanted to explain, again, why it's been a year: After the book was announced, I spent almost two months digging through published and unpublished material for the expanded parts of the book, then I spent another month or so rewriting and polishing the stuff that made the cut. After that, I wrote additional introductions and notes to go with each chapter. That was the first delay (and, honestly, I thought it was entirely reasonable, since the book was announced as a pre-order) The biggest delay, and the first serious problem, though, was a software compatibility issue between me and the copy editor. OpenOffice and Word don't track notes the same way, but neither of us knew this until we'd both spent a lot of time working in our respective suites, completely oblivious to the work of the other. Finally, we realized what was wrong, and had to go all the way back to the beginning of the copy editing process the old way, printing the entire manuscript out on paper and making notes in the margins. It had a certain nostalgic value, but it took forever to get all that shit straightened out. 

So that process, which should have taken a couple weeks, took close to three months. Then, once we got that all squared away, I had to get a bunch of pictures together, caption them, fact-check the captions with my parents and siblings, then get all that stuff to Subterranean Press. I also held up this part of the process for a couple more weeks while I looked for even more unpublished pictures that neither me nor my mom could find. 

Finally, I asked my son Ryan (who is a creative writing student) if he wanted to write an afterword. He said he would, but it would take some time because he's in college and has his own responsibilities. I was willing to wait, because I thought it would be awesome to have his contribution to in the book, and I figured at this point (August) another couple weeks didn't make that big a difference. It ended up taking about 6 or 8 weeks, but I think it will ultimately be worth the delay (please note that I am not an objective source of information in this regard.)

Finally, the manuscript was turned in, the pictures were approved, the layout was all set … and then the signature pages arrived. I had to sign something like 2500 pages, and it was important to me that each one looked like it was the only one I'd signed. I could have blown through it, of course, and gotten it done in a couple of days, but that would have guaranteed disappointment to everyone who bought the book and waited almost a year to get it. So I limited myself to between 50 and 75 pages at a "session," and it took several weeks to work my way through them all.

Oh, also, keep in mind that during all of these months, I was working on other projects, including several television shows that took me away from the Happiest Days project for weeks at a time.

So all of those delays stacked up on top of each other, until everything was finally finished about six or eight weeks ago. I realize that this is a very long time to wait for something, and I also realize that I've probably killed any chance of doing other special editions with Subterranean Press because this one took so long, but I sincerely believe that it will be worth the wait, because I've seen it, and it's something very special.

a brilliant, genius, incredible idea: “…if only the bookstore could come to us”

Posted on 17 December, 2009 By Wil

Catching up on my RSS subscriptions earlier today, I saw this at Boingboing:

JC Hutchins — he of the boundless energy! — has assembled a free "holiday sampler" of excerpts from great new books, handily bundled together in a handsome PDF, well suited to loading onto your device or printing out for your Xmas holiday.

Some of my favorite authors are in this compliation, including my friend Cherie Priest, Scott Sigler, Cory Doctorow, and of course JC himself. Seth Godin (whose Purple Cow
helped form the foundation of my little self-publishing thing, which has grown into what I've recently begun half-jokingly calling "Wil Wheaton, Incorporated" with some of my friends) included an excerpt from Tribes, (plus something from a forthcoming book called Linchpin), and I can't wait to read the other authors I probably wouldn't have come across entirely on my own.

This is such an incredibly good idea, and I salute the authors who were smart enough to include some of their work in it. I'm not going to lie to you, Marge, I wish I'd thought of this, or at least written something worthy of inclusion (he says, as an unfulfilled goal for 2009 is reborn for 2010.) They have even included links right in the pdf that will take you to retailers, should you enjoy one of the excerpts so much, you simply must have a copy of the full work for your very own to love and keep and pet and call George. This. Is. Genius.

If you're interested, head on over to JC Hutchins' site, where you can check out the contents, and grab a copy for yourself or some lucky person you know.

in which the secret identity of wesley crusher is revealed

Posted on 11 December, 2009 By Wil

Imagine if Television Without Pity recappers had been writing about TNG back in 1987, only with more swearing, more digressions and more geeky in-jokes, plus behind-the-scenes memories for every episode. That’s what Vol. 1 does for the first half of the first season of TNG, from “Encounter at Farpoint” to “Datalore” — it’s just the thing for people who love TNG and snark. – Tracy V. Wilson, How Stuff Works.

I mentioned on one of the Memories of the Futurecasts that writing Memories of the Future Volume One was unintentionally cathartic, as I was able to examine and gain further understanding of what I will call (without further definition) the Airlock Enthusiasts' Society. I didn't realize it while I was working on the book (I was just trying to write something funny and entertaining) but after fourteen weeks of Futurecasts, I can see evidence of that side quest spread out across the entire manuscript. In fact, several readers have commented on it, and now I kind of wish I'd seen it before the book went to press, so I could have smoothed it out a little bit more. Well, live and learn.

While I work on Volume Two, though, I've noticed a real change in Wesley in the second half of the season: it's almost like he takes that uniform seriously, and though he's still an annoying kid, he's not nearly as consistently obnoxious as he was in the first half. 

I mention all of this as prelude to a damn hilarious post on the How Stuff Works blog, which provides an entirely new view of Ensign Pumpkin Sweater:

The Secret Identity of Wesley Crusher

Wil talks about how working on Vol. 1 helped him come to terms with (and understand) the world’s hatred of Wesley Crusher. It’s a hatred I never had. I loved Wesley Crusher. When TNG premiered, I was just starting high school, and I was a serious know-it-all. Seeing a kid on TV who was essentially correcting his teachers, doing science projects and being a huge nerd all the time was kind of awesome. And enabling. I’m sure I was as annoying to the adults around me as Wesley was to adults trying to watch TNG.

But in listening to and reading “Memories of the Future,” I found a whole new reason to love Wesley. In episode 12 of “Memories of the Futurecast” (and the corresponding book chapter), Wil talks about how Wesley repairs the malfunctioning holodeck in “The Big Goodbye” with one zap of a magical holodeck fixing thing. In the middle of my morning train commute, I thought, “Ha ha ha, Wesley has a sonic screwdriver.” Then, accompanied by lots of mental capital letters and exclamation points, and possibly even a ZOMG, came the follow-up thought: “Wesley Crusher is a Time Lord!”

If you're experiencing the same amount of ZOMGLOL that I experienced when I read that yesterday, I think you'll want to check out the rest of the post, because it gets even better.

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