JCCC2: in which I “sing” Karaoke on a boat.

So this is a thing that happened.

It has everything Karaoke should traditionally have: not-very-good singing, not-very-good dancing, fucking up of lyrics, and the obligatory small glass of magic juice* responsible for the entire thing.

Enjoy… if you dare:

On our performer mailing list, John Hodgman kept saying that he was going to turn this into a Murder Cruise… none of us believed him, but I can see that he was successful, because I just murdered that poor song. Well played, Hodgman. Well played indeed, sir.

Very special thinks to KatyHaile for sharing my shame with the world, and preserving it for future generations.

*A type of "sauce" if you will.

I’m on a boat: Stupid Cell Phone Videos

I’m on JoCoCruiseCrazy 2, and I’m taking an Internet vacation until I get home. So every day while I’m gone, something from my archives will post here automatically, for your entertainment. I had a lot of fun picking these different things out, and I hope you enjoy them again, or for the first time.

Today, I'm linking to the first stupid cellphone videos I did. If you're as easily amused as I am, you can watch them all on my YouTube channel.

We Can't Rewind, We've Gone Too Far

Originally published September 2010.

I'm home for a few days before I go back to Vancouver to finish out the season on Eureka. It's nice to sleep in my own bed, actually see my family, and work in my actual office, instead of sitting at a desk in a hotel.

Doctor Parrish was very heavy in the last episode I shot, so I worked 5 of 6 days, an average of 14 hours each day. It was exhausting work, but I loved every second of it. I wish I could get into the details of it, but that is right in the middle of Spoilertown, so I'll just say that it was a lot of fun, and I got to do a lot of origami.

There's this saying, possibly apocryphal, that actors work for free and get paid to wait. One of my days last week, I was called to the studio early, and then ended up not working for about seven hours. This sometimes happens when the scene before me takes longer than anyone expected, or it turns out that they're not going to see me in the background of a shot like they thought. Rookie actors tend to bitch about this sort of thing, but salty veterans like me have learned to be grateful for the job, appreciate that I'm getting paid to wait, and pack a Bag of holding that's filled with books and games and diversions. (Back in the old days, I'd bring tons of stuff, but now I just bring my iPad and a book.)

On this particular day, I played the hell out of Plants Vs. Zombies HD, re-read Metatropolis, spent some time looking for the end of the Internet, and actually started to get bored.

Once I started to get bored, my brain spit out an idea, that went something like this: "Hey, your cell phone has a video camera on it. You should make stupid videos with it, and upload them to YouTube!"

This sounded like a brilliantly stupid idea, so I did as my brain commanded, producing this:

I told Twitter about it, and there was much rejoicing. A few hours later, I did this:

Then I was finally called to set, where I was no longer bored, and my cretive energy was directed into the very useful and productive task of bringing Doctor Parrish to life.

I was pleasantly surprised to see that my stupid videos had been viewed about 7,000 times. "See, we're entertaining more people than just ourselves," my brain said, "let's make more stupid cell phone videos!"

"Yes, sir, Mister Brain," I said. I enlisted the help of some friends, and made this:

I don't know how long this will last, but it's easy, it's amusing to me, and it's a lot of stupid fun, so I'll keep doing it until I lose interest or get distracted and chase a red balloon down the street. If you want to see these stupid things as they become available, you can subscribe to my YouTube channel.

The Adventures of Lil’ Cthulhu

Because this is too awesome not to share:

(Thanks to Amy Brown for the link!)

Today the US Senate is considering legislation that would destroy the free and open Internet.

“Why is it that when Republicans and Democrats need to solve the budget and the deficit, there’s deadlock, but when Hollywood lobbyists pay them $94 million dollars to write legislation, people from both sides of the aisle line up to co-sponsor it?”

–Reddit Founder Alexis Ohanian on CNBC.

I put this on my Tumblr thing earlier today, but I'm reposting it here, because it's important to me. If you don't know what SOPA and ProtectIP are, read this technical examination of SOPA and ProtectIP from the Reddit blog and come back when you're done.

SOPA Lives — and MPAA calls protests an "abuse of power."

The Motion Picture Association of America (MPAA) has looked at tomorrow’s “Internet blackout” in opposition to the Stop Online Piracy Act (SOPA)—and it sees only a “gimmick,” a “stunt,” “hyperbole,” “a dangerous and troubling development,” an “irresponsible response,” and an “abuse of power.”

“Wikipedia, reddit, and others are going dark to protest the legislation, while sites like Scribd and Google will also protest. In response, MPAA chief Chris Dodd wheeled out the big guns and started firing the rhetoric machine-gun style.

“Only days after the White House and chief sponsors of the legislation responded to the major concern expressed by opponents and then called for all parties to work cooperatively together, some technology business interests are resorting to stunts that punish their users or turn them into their corporate pawns, rather than coming to the table to find solutions to a problem that all now seem to agree is very real and damaging.”

Can I interrupt for a moment? Thanks. When you complain that opponents didn’t “come to the table to find solutions”, do you mean that we didn’t give NINETY-FOUR MILLION DOLLARS to congress like the MPAA? Or do you mean that we didn’t come to the one hearing that Lamar Smith held, where opponents of SOPA were refused an opportunity to comment? Help me out, here, Chris Dodd, because I’m really trying hard to understand you.

“It is an irresponsible response and a disservice to people who rely on them for information and use their services. It is also an abuse of power given the freedoms these companies enjoy in the marketplace today. It’s a dangerous and troubling development when the platforms that serve as gateways to information intentionally skew the facts to incite their users in order to further their corporate interests.”

Oh ha ha. Ho. Ho. The MPAA talking about “skewing the facts to incite” anyone is just too much.

“A so-called “blackout” is yet another gimmick, albeit a dangerous one, designed to punish elected and administration officials who are working diligently to protect American jobs from foreign criminals.”

Except for the part where this is completely false, it’s a valid point.

“It is our hope that the White House and the Congress will call on those who intend to stage this “blackout” to stop the hyperbole and PR stunts and engage in meaningful efforts to combat piracy.”

Riiiiiiight. Protesting to raise awareness of terrible legislation that will destroy the free and open Internet is an abuse of power, but buying NINETY-FOUR MILLION DOLLARS worth of congressional votes is just fine.

I’m so disappointed in Chris Dodd. He was a pretty good senator, wrote some bills (like Dodd/Frank) that are genuinely helping people, and is going to be on the wrong side of every argument as the head of the MPAA. What a wasted legacy.

===

I am 100% opposed to SOPA and PIPA, even though I'm one of the artists they were allegedly written to protect. I've probably lost a few hundred dollars in my life to what the MPAA and RIAA define as piracy, and that sucks, but that doesn't come close to how much money I've lost from a certain studio's creative accounting.

The RIAA and MPAA are, again, on the wrong side of history. Attempting to tear apart one of the single greatest communications achievements in human history in a misguided attempt to cling to an outdated business model instead of adapting to the changing world is a fucking crime.

A free and open Internet is as important to me as the bill of rights. I don't want the government of one country — especially the corporate-controlled United States government — to exert unilateral control over the Internet for any reason, especially not because media corporations want to buy legislation that won't do anything to actually stop online piracy, but will expand the American police state, and destroy the Internet as we know it.

Please contact your Senators and US Representatives, and tell them to vote NO on SOPA and ProtectIP. The future of the Internet — and the present we take for granted — depend on it.

Just in time for Halloween: the animated Dark Dungeons

If you're of a certain age, you may remember the infamous Jack Chick tract Dark Dungeons. For those of you who don't, here's the tl;dr from the Escapist:

Dark Dungeons is possibly the most widely distributed piece of anti-game propaganda in the history of gaming. It was first produced by Chick Publications in 1984, during the heyday of anti-RPG paranoia, and print copies were available on request from Chick as recently as the mid-90s. Chick Publications, headed by reclusive comic author Jack T. Chick, also brings us booklets on the evils of everything from Catholicism and Buddhism to Halloween and reincarnation. Chick takes no prisoners, and isn't interested in playing nicely; they'd much rather convert you to their narrow world view, and possibly get you to sprinkle the world liberally with more of their pamphlets.

Dark Dungeons touches many of the bases of mid-80s anti-RPG paranoia. Most of the cliches and urban legends are here; the dark, seductive lady who acts as DM for a group of younger players, the gamers who identify far too much with their characters and become deeply troubled when a character dies, the "real spells" contained in the books, the obsessive playing at the cost of a healthy social or spiritual life, the eventual induction into a witches coven, and of course, the inevitable suicide. About the only legends they miss are drugs, rape, murder, and lead figures that scream when you throw them into the fire. But to be fair, you can only give so much story in 21 pages.

Now, for all of us… an animated adaptation from the mad geniuses at Boolean Union Studios that will amuse and delight you!

Part one: