Category Archives: From The Vault

From the Vault: An Open Letter to That Guy

ESPN is running a wonderful and heartbreaking documentary called Catching Hell, about Steve Bartman and the Chicago Cubs in 2003.

If you don't have any idea what that means, you can skip this post.

For the rest of you, here's a repost of something I wrote to him back then, when he was Public Enemy Number One for Cubs fans:

An Open Letter to That Guy

Originally published at WWdN on October 16, 2003

Dear That Guy,

Like you, I am a huge Cubs fan. Like you, I've been telling people "next year! Next Year!" as long as I can remember. Like you, I am crushed that they aren't going to the World Series. Again.

Unlike you, most of Chicago (and the world, really) could give a shit about me. That's where this letter, from some guy you'll never meet and could probably care less about, comes in. See, I think we have a few things in common, and I just wanted to take a minute here and tell you that I think you're getting a bunch of shit that you don't deserve.

I used to be on this big cult TV show that had lots of very passionate fans. Many of those fans absolutely (and irrationally) hated the character I played on that show. Most of them wrote me nasty letters and heckled me whenever I'd show up at one of their events, they never called my house, or tried to hurt me, but I can sort of imagine what you're going through. That thing that makes a sports fan wear only paint and a diaper to a ball game when it's 15 degrees outside? It's the same thing that makes a Star Trek fan wear the same unwashed uniform for 5 days in a row at a big ass con.

I've read that just about every Cubs fan in the world is giving you hell for going after that foul ball. Well, That Guy, last time I checked, baseball fans like to catch foul balls. It's something we do, like paying too much for terrible beer and screaming at a player for not picking up that slider that we're so certain we'd be able to hit if they'd just put our fat asses in the game. Hell, I've been going to 20 or 30 games a season at Dodger Stadium for almost 30 years, and I try to catch a foul ball every single time I'm there. I've even had my hot wife flirt with the teenage bat boy in a pathetic effort to score one. To date, I am still empty-handed. But that bat boy, Jesse, is convinced that my wife's going to leave me just as soon as he gets out of high school.

Anyway, That Guy, enough about me. This is about you.

It's not your fault that the Cubs lost game 6. It's not your fault that Dusty Baker probably left Prior in too long, or that Alex Gonzalez chose game 6 to make his 11th error of the whole freakin' year. It's not your fault the Cubs stranded 7 runners. It's not your fault that they lost game 7. It's not your fault that Kerry Wood, normally one of the best pitchers in baseball, just couldn't get it together in game 7. (That was a sweet fuckin' homerun though, wasn't it?! I was screaming and cheering so loudly I scared both of my dogs!)

In short, it's not your fault the Cubs lost three in a row. As a matter of fact, I'm pretty sure it's the players fault they lost three in a row. Even Dusty Baker said, "We didn't lose the pennant, the Marlins won it. We were close and the Marlins took it from us, it's as simple as that." You'll notice that he didn't say "That Guy took it from us."

Yep. You know, now that I think about it, I'm positive that it wasn't your fault, and I'm pretty mad at anyone who's giving you shit about the loss.

It's pretty fucked up that those jackals in the news media printed your name, That Guy, and it's even more fucked up that they disclosed your workplace and forced you to change your phone number. But don't quit coaching the little league team, okay? Since you're not a dad, you're probably not coaching that team for your own personal glory, or doing it because it's the only way you know how to relate to your son. You're probably there for those kids, and you're probably having a positive impact on their lives. What are they going to learn if they lose their coach, That Guy?! Think of the children, okay? Don't be a quitter!

Tell you what. You keep coaching that team, and if you ever come to Los Angeles, I'll get some hired goons, and we'll take you out for a beer at one of the best pubs in the city. If anyone tries to fuck with you, those hired goons will kick their punk asses while we exchange high-fives. It will be sweet!

In the mean time, when someone gets in your face about the Cubs losing, you can say, "Hey! Wil Wheaton says back the fuck off!"

When they look confused and say, "Who the hell is Wil Wheaton?" you can just smile and laugh at them, because you know something they don't.

Rock on,

Wil Wheaton
Life-long Cubs Fan, 
living in Los Angeles

My life has changed so much, and gotten so much better, since 2003… I hope that, wherever he is, Steve Bartman can say the same thing.

From the Vault: see this place where stories all ring true

This morning, while driving around town, Anne and I heard Green Grass and High Tides on the radio. It was part of a set of songs with "green" in the title, on account of it being St. Patrick's Day. It's a stretch, but any excuse to play a great song on the radio — especially a song that's nearly 10 minutes long — is fine with me.

After a minute or two, I said, "it feels kind of weird to just listen to this song, and not feel worried about failing out of it before it's over."

"Is this that song from Rock Band?" She asked.

"Yeah."

"I totally remember you and Ryan playing it over and over a couple years ago."

"Well, it's –"

"and over and over"

"I know. It's a really great song," I said, "it's just so … evil … at the end."

We drove on and just listened to it, until there were about three minutes left in the song.

"This is where it gets brutal," I said. In my mind, I could see the bar on the left side of the screen turning yellow, then red. I kept my hands on the wheel and resisted the urge to reflexively activate Overdrive, which we will always call Star Power, no matter what music game we're playing (even DJ Hero, which doesn't make any sense at all.)

I realized that my heart was beating harder than it should have, and I felt flush.

"Oh my god," I said, "I'm getting stressed out! It's like I have Rock Band PTSD!"

"Nice," she said. "You want to slow down?"

"What?"

I looked at the speedometer and realized I was going … a little too fast for the street we were on. I took my foot off the gas and gently applied the brake.

"Whoops."

Speaking of Rock Band and Green Grass and High Tides, here's a story I originally wrote about it in 2008, which is included in the Chapbook I did for GenCon last year, called Games Matter.

Ryan goes back to school in just under 2 weeks, and I've been bugging him to play the Endless Setlist with me on Rock Band before he leaves.

If you're unfamiliar with Rock Band's multiplayer thing, the Endless Setlist is the last thing you unlock in the game when you're playing as a band. It is exactly what it sounds like: a concert featuring all 58 songs that come with the game. It takes about six hours to play if you don't take any extended breaks.

Today, Ryan and I tackled it on expert. He played guitar, and I played bass. It was awesome. We got five stars on pretty much everything for the first 20 or so songs, including three gold stars. I got the authentic strummer thing and 99% on about half of them.

We were seriously having a good time, striking the rock pose, putting our backs together while we jammed through epic songs, bonding through the power of rock.

Then, with five songs left to go, we got to Green Grass and High Tides.

For those of you unfamiliar with Rock Band, this is a fantastic southern rock song by the Outlaws. It's also one of the hardest in the game, and the longest, weighing in at around 10 minutes. It's a song that you don't play as much as survive, and it does its best to really beat you down. If a song could kick you in the junk, this would be it. If this song were a poker game, it would be Razz.

So, after already playing for 5 hours, (and not exactly conserving our energy) we started to play this rock epic, knowing it would be the greatest challenge we'd faced yet.

Our first time through, we failed at 84%. It was entirely my fault for holding my guitar too high and deploying our emergency overdrive when we didn't need it.

"Sorry about that," I said as we lost 360,000 fans. "I blame my guitar."

Ryan looked at me.

"Okay, I blame myself."

Ryan laughed and said it was no big deal. He was confident we'd get it on the next try, and when we started the song, I could see why. He was in the zone, nailing 97% of the first solo. I wanted to holler about how awesome he was, but I felt like it would have been the same as talking to my pitcher in the middle of a no-hitter, so I stayed quiet and did my best not to screw things up.

I screwed things up, and we failed the song at 96%. We lost another 360,000 fans, almost wiping out the million we'd picked up when we did the Southern Rock Marathon last week. Compared to the nearly 5 and a half hours we'd spent playing, that 18 minutes wasn't that long, but it sure felt demoralizing, especially because it was, again, entirely my fault we'd failed. See, there's this bass phrase that's repeated over and over and over, and if you're just a tiny bit off (like I was) you're screwed, and . . . well, you get the point.

I dropped my hands to my side and let the guitar hand around my neck. My arms were tired, my legs hurt, and my vision was getting blurry.

"I think I've identified the weak link in our band, and it's me," I said. "I'm really sorry."

"It's okay," Ryan said, "but I think I want to take a break."

"Good idea," I said. "Let's pause this, go out for something to eat, and come back later."

Ryan walked into his room and turned on his shower. I unplugged my guitar so we didn't have to worry about our dogs knocking it down and starting the game again while we were gone.

In my memory, the next few moments happen in slow motion:

  • I pick up Ryan's guitar, the wireless PS2 guitar from GHIII.
  • I hold down the button to get the control screen.
  • The dashboard comes up, and it gives me the option to cancel, turn off the controller, or turn off the system.
  • I click the strum bar to select "turn off the controller."
  • I set the guitar on the ground — carefully — and reach up to click the green fret button.
  • I hear the Xbox beep.
  • I push the button.
  • I realize that the beep was the strum bar clicking one more time when I set the guitar down, selecting "Shutdown the System."
  • The system shuts down, taking all of our progress with it.
  • Time resumes to normal. For the next 120 seconds, I use every curse word I know, until my throat is raw. It takes everything I have not to grab the guitar and get all Pete Townshend on it.

Ryan came out of his room.

"What happened?" He said.

I told him.

What happened next was astonishing to me: Ryan didn't freak out. He didn't get upset. Instead, he told me, "Calm down, Wil. It's just a game. We can do it again."

I was still really upset. It was an accident, yes, but it was my fault. In my head, I kept replaying all the different ways I could have powered down his guitar that were more careful. I really felt like an asshole, because I screwed up twice and caused us to fail both times. I felt like an asshole, because I screwed up and lost all the progress we'd made. Mostly, though, I felt like an asshole because I really wanted to accomplish this feat with my son. I really wanted to have that memory.

What I got, though, was better than what I'd hoped for. I got to see Ryan exhibit one of the key values I'd raised him with: he kept everything in perspective, and found all the good things in the experience, like the gold stars we scored, the fun we had playing all the other songs, and the time we spent together. He reminded me that it's not about winning, it's about playing the game.

If you've read my blog for any amount of time, I'm sure you can appreciate how great it felt to hear my words and my values come out of my son's mouth.

I don't write about my boys very often these days. Their friends read my blog, and they sometimes read my blog. They're not little kids any more and I feel like it's not cool to talk about everything we do together with the Internet . . .

. . . but in this case, I'm making an exception.

You can hear me read this story on Radio Free Burrito Episode 20, if you're into that sort of thing.

It’s like there’s a monkey on my back. A gaming monkey, and he’s rattling dice in my ear.

One more From The Vault, because I'd completely forgotten about it, and it made me laugh out loud when I read it.

While Anne and I drove down the freeway today, Just Like Heaven came on the radio.

"This was my first CD," I said.

"I know," she said. "You tell me that every time we hear a song from it."

"And one day, you'll hear it, and I won't be here for some reason or another, and you'll wish I was here to tell you."

While we both pondered the macabre nature of that particular thought,
I realized that not only was this album forever linked to my first CD
player, but it also gave me hypernostalgic memories of gaming with my
group of friends in high school.

"I don't know what it is," I said, "but lately, I've wanted to get
together with geeks and do a weekend of serious nonstop gaming."

She glanced over at me. "Oh?"

"Yeah. But this is more than the usual 'I want to play Car Wars'
thing. This is a serious –" I searched for the exact word to describe
the overwhelming longing, approaching psychophysical need to play, and settled on, "Jones. Like an addict, you know?"

I wiggled around in my seat, and faced her, "It's like there's — hey, aren't we taking the 110?"

"Whoops." She said, as she quickly changed lanes.

"It's like there's a monkey on my back. A gaming monkey, and he's rattling dice in my ear."

"Like he's shaking them in a Yahtzee cup?" She said.

"Gamers don't use Yahtzee cups," I said, as patiently as I could.
"It's more like he's holding a bag of dice in his hand." I held my hand
up, and felt the invisible bag in my palm. "And he's rattling the dice
around."

"Is it your bag of dice?" she said.

"Yeah! It's totally my bag of dice!" I paused for a moment, and
added, "but he's not opening it. Because if he opens it, and touches my
dice, I will fucking kill that monkey."

This is totally going into the gaming chapbook for GenCon.

From the Vault: there is more than one thing that makes us who we are

I'm bringing a limited-edition chapbook of gaming stories to GenCon, so Andrew and I have been digging through old entries and columns to put it together. This weekend he found and sent me the following old post, with the note: "Nothing to do with gaming, but it's REALLY short and I think we could both use the reminder from time to time"

He's right. I think we can all use the reminder from time to time.

(Imagine the sound of The Vault opening)

It drove me crazy, during the marketing and promotion of Just A Geek,
that I couldn't convince the publicity department to stop it with the
"It's a Star Trek Bio! Sci-Fi! Sci-Fi!" message and tell readers what I
wanted them to get out of the book.

The thing is, a lot of readers who expected that sort of book were
pissed because it wasn't what they got, (a few of them were pleasantly
surprised, but the ones who wanted a gossipy Star Trek tell-all let me know what
an asshole I was for misleading them and wasting their time) but readers who were at least marginally
familiar with my blog, who were looking for something different, grokked
a different fundamental story in the text. A few days ago, WWdN reader
Stephanie wrote me the following, which I reprint with her permision:

What
I took from your book is that you shouldn't let one thing you do in
your life define you – because we do several different things in our
lives and there is more than one thing that makes us who we are.

That's
a really big part of my story. I'm really glad you grokked it,
Stephanie, and I hope it inspired you and others to follow your dreams,
whatever they may be.

(Imagine the sound of The Vault closing)

light fuse, put on ground, and get away

I'm in Portland, working on Leverage. There is so much Cha0s in this episode, I've worked very long hours, and haven't had the time or energy to write about production (that's a good thing), and my plan to recap the week yesterday was foiled by complete exhaustion and a Doctor Who marathon.

If you're interested in keeping up with what I'm doing in Portland and on the set, I suggest , where I've been posting quick updates and sharing pictures.

Until I have the time and energy for a proper post, I thought I'd take a moment to share a timely repeat, since it's the Fourth of July and everything.

I've written hundreds of thousands of words over the years, but this remains one of my all-time favorites, so I like to revisit it every year. It was originally written and published on July 5, 2002, which usually feels like years and days ago all at once, but this year actually feels like a lifetime away.

Fireworks

When I was growing up, we always spent Fourth of July with my father's aunt and uncle, at their fabulous house in Toluca Lake.

It was always a grand affair and I looked forward to spending each Independence Day listening to Sousa marches, swimming in their enormous pool and watching a fireworks show on the back patio.

This fireworks display was always exciting because we were in the middle of LA County, where even the most banal of fireworks – the glow worms – are highly illegal and carried severe fines and the threat of imprisonment, should we be discovered by LA's finest. The excitement of watching the beautiful cascade of sparks and color pouring out of a Happy Flower With Report was enhanced  by the knowledge that we were doing something forbidden and subversive.

Yes, even as a child I was already on my way to being a dangerous subversive. Feel free to talk to any of my middle-school teachers if you doubt me.

Each year, the older children, usually teenagers and college-aged, would be chosen to light the fireworks and create the display for the rest of the family.

I was Chosen in 1987, three weeks before my fifteenth birthday.

The younger cousins, with whom I'd sat for so many years, would now watch me the way we'd watched Tommy, Bobby, Richard and Crazy Cousin Bruce, who always brought highly illegal firecrackers up from Mexico.

I was going to be a man in the eyes of my family.

This particular 4th of July was also memorable because it was the first 4th that was celebrated post-Stand By Me and at the time I had become something of a mini-celebrity around the family. Uncles who had never talked to me before were asking me to sign autographs for people at work, older cousins who had bullied me for years were proclaiming me “cool,” and I was the recipient of a lot of unexpected attention.

I was initially excited to get all this newfound attention, because I'd always wanted to impress my dad's family and make my dad proud, but deep down I felt like it was all a sham. I was the same awkward kid I'd always been and they were treating me differently because of celebrity, which I had already realized was fleeting and bullshit.

Looking back on it now, I think the invitation to light fireworks may have had less to do with my age than it had to do with my growing fame . . . but I didn't care. Fame is fleeting . . . but it can get a guy some cool stuff from time to time, you know? I allowed myself to believe that it was just a coincidence.

The day passed as it always did. There were sack races, basket ball games and water balloon tosses, all of which I participated in, but with a certain impatience. These yearly events were always fun, to be sure, but they were standing directly between me and the glorious excitement of pyrotechnic bliss.

Finally, the sun began to set. Lawn chairs were arranged around the patio, wet swimsuits were traded for warm, dry clothes, and I bid my brother and sister farewell as I joined my fellow firework lighters near the corner of the house. I walked casually, like someone who had done this hundreds of times before.

As the sun sank lower and lower, sparklers were passed out to everyone, even the younger children. I politely declined, my mind absolutely focused on the coming display. I wanted to make a big impression on the family. I was going to start out with something amazing, which would really grab their attention. I'd start with some groundflowers, then a Piccolo Pete and a sparkling cone. From then on, I'd just improvise with the older cousins, following their lead as we worked together to weave a spectacular tapestry of burning phosphor and gunpowder for five generations of family.

Dusk arrived, the family was seated, and the great display began. Some of the veteran fireworks lighters went first, setting off some cascading fountains and a pinwheel. The assembled audience cheered and gasped its collective approval, and it was my turn.

I steeled myself and walked to the center of the large patio, casually kicking aside the still-hot remains of just-fired fountains. Casually, like someone who had done this hundreds of times before.

My hands trembled slightly, as I picked up three ground flowers that I'd wound together. My thumb struck flint and released flaming butane. I lit the fuse and became a man. The sparkling fire raced toward the ignition point and rather than following the directions to “LIGHT FUSE, PUT ON GROUND AND GET AWAY,” I did something incredibly stupid: I casually tossed the now-flaming bundle of pyrotechnics on the ground. Casually, like someone who'd done this hundreds of times before.

The bundle of flowers rolled quickly across the patio, toward my captive and appreciative audience.

Two of the flowers ignited and began their magical dance of colorful fire on the cement, while the third continued to roll, coming to rest in the grass beneath the chair of a particularly old and close-to-death great-great-great aunt.

The colored flame which was creating such a beautiful and harmless display on the patio was spraying directly at this particular matriarch, the jet of flame licking obscenely at the bottom of the chair.

The world was instantly reduced to a few sounds: My own heartbeat in my ears, the screams of the children seated near my great-great-great aunt and the unmistakable z
ip of the now-dying flowers on the patio.

I don't know what happened, but somehow my great-great-great aunt, who'd managed to survive every war of the 20th century, managed to also survive this great mistake of mine. She was helped to her feet and she laughed.

Unfortunately, she was the only one who was laughing. One of my dad's cousins, who was well into his 20s and never attended family gatherings accompanied by the same date, sternly ripped the lighter from my hand and ordered me back to the lawn, to sit with the other children. Maybe I could try again next year, when I was “more responsible and not such a careless idiot."

I was crushed. My moment in the family spotlight was over before it had even begun and not even the glow of pseudocelebrity could save me.

I carefully avoided eye contact, as I walked slowly, humiliated and embarrassed, back to the lawn, where I tried not to cry. I know the rest of the show unfolded before me, but I don't remember it. All I could see was a mental replay of the bundle of ground flowers rolling across the patio. If that one rogue firework hadn't split off from its brothers, I thought, I would still be up there for the finale, which always featured numerous pinwheels and a Chinese lantern.

When the show was over, I was too embarrassed to apologize and I raced away before the patio lights could come on. I spent the rest of the evening in the front yard, waiting to go home.

The following year I was firmly within the grip of sullen teenage angst and spent most of the festivities with my face planted firmly in a book -Foundation or something, most likely- and I watched the fireworks show with the calculated disinterest of a 15-year-old.

That teenage angst held me in its grasp for the next few years and I even skipped a year or two, opting to attend some parties where there were girls who I looked at, but never had the courage to talk to.

By the time I had achieved escape velocity from my petulant teenage years, Aunt Betty and Uncle Dick had sold the house and 4th of July would never happen with them again.

The irony is not lost on me, that I wanted so badly to show them all how grown up I was, only to behave more childishly than ever the following years.

This 4th of July, I sat on the roof of my friend Darin's house with Anne and the boys and watched fireworks from the high school. Nolan held my hand and Ryan leaned against me as we watched the Chamber of Commerce create magic in the sky over La Crescenta.

I thought back to that day, 15 years ago and once again I saw the groundflower roll under that chair and try to ignite great-great-great aunt whatever her name was.

Then I looked down at Nolan's smiling face, illuminated in flashes of color.

"This is so cool, Wil!” he declared, “Thanks for bringing us to watch this."

"Just be glad you're on a roof and not in a lawn chair,” I told him.

"Why?"

"Well . . . ” I began to tell him the story, but we were distracted by a particularly spectacular aerial flower of light and sparks.

In that moment, I realized that no matter how hard I try, I will never get back that day in 1987, nor will I get to relive the sullen years afterward . . . but I do get to sit on the roof with my wife and her boys now and enjoy 4th of July as a step-dad . . . at least until the kids hit the sullen years themselves.

Then I'm going to sit them in lawn chairs and force them to watch me light groundflowers.