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WIL WHEATON dot NET
WIL WHEATON dot NET

50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

Category: movies

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sensual daydreams to treasure forever (can’t you just see it?)

Posted on 27 August, 2026 By Wil

I swear to all the gods, the Grim Reaper is really fucking up. It’s like he caught Mitch McConnell and decided to take the summer off, leaving some intern in charge who just does not understand the assignment.

While we were reeling from the loss of Dolly Parton, we found out that Tim Curry had passed away. Late last night, I heard that he passed on the same day as Dolly, but his estate kept the news private, so as not to step on her memory. That’s such a wonderful thing to do, and it doesn’t surprise me; as far as I can tell, listening to people who knew him, that’s exactly what he would have wanted.

Like a lot of Gen X theater kids, my introduction to Tim Curry’s existence was in a midnight showing of Rocky Horror Picture Show. I have never talked about it, ever, but one of the things I took away from my first viewing (my first experience, really) is that drag is more fun than you could ever imagine. I always wanted to do a full-on face and stuff, when I went to a show, but I never had the courage to risk my dad seeing me. So I’d borrow black lipstick and eyeliner from on of my friends, and put it on in the car.

My friend and I are going to a screening soon, and we are both going in full costume. She’s thinking Magenta, and I’m thinking Frank. We’ll see how it goes, and there will be pictures if it does.

Speaking of Gen X theater kids (we never really stop being those kids, do we?), Rocky Horror reassured me that there were lots and lots of weirdoes just like me, and they weren’t the scary deviants the news and my parents told me they were. They were lovely people who welcomed everyone with open arms into a safe place where we could all just … be.

(Don’t dream it, be it, right?)

Way back in 2008, when I was a baby writer, finding my voice and figuring out how I could tell stories like the storytellers I admired, I wrote a couple of blogs that helped me level up. One of them was about the first time I ever saw Rocky Horror Picture Show, when I was a weird teenager who desperately need to belong somewhere.

Today, as we remember and celebrate Tim Curry, I wanted to repost it as a tribute to a man who meant so much to so many.

A few days after my sixteenth birthday, I lost my Rocky Horror virginity with my best friend, in a shitty little duplex theater in Van Nuys.

Iโ€™d wanted to see Rocky since I was ten or eleven on my way to an audition and my mom drove us past a marquee advertising a midnight showing every Saturday. My parents couldnโ€™t or wouldnโ€™t tell me what it was about (my memory is hazy on that specific detail) but anything that happened at midnight on a Saturday sounded great to me. The creepy lettering and word โ€œhorrorโ€ in the title only increased my antici . . . pation.

Darin and I were at a place on Van Nuys Boulevard called Cafe 50s. These fifties cafes were everywhere in the eighties (some blame Stand By Me and Back to the Future for their popularity) but this particular one was my favorite. Though Iโ€™ve never actually been in a diner in the fifties, this one felt the most authentic, which means it copied what Iโ€™d seen in movies better than anything else, and had Del Shannonโ€™s Runaway on the jukebox.

We gorged ourselves on patty melts and chocolate shakes and vanilla Cokes while we talked about all the things that seemed important after you discovered girls, like how to actually, you know, talk to one and convince her to take an unforgettable trip with you to second base for sixteen seconds of passion. We argued about the time travel paradoxes in Back to the Future, confirmed that quoting Monty Python to the 24 year-old waitress is not the best way to get a stand up double when youโ€™re sixteen (or ever) and admitted that Michael Keaton was a vastly superior Batman than weโ€™d been prepared to give him credit for. In other words, it was a Saturday night like any other, and as midnight (and the restaurantโ€™s closing) drew near, our attention turned toward that most important of teenage activities: doing anything but going home.

โ€œHave you ever seen Rocky?โ€ Darin asked.

โ€œGod, I hate that stupid movie,โ€ I said. โ€œAnd the sequels are even worse. Itโ€™s like, we know heโ€™s going to win, so why waste our time wi โ€“โ€œ

โ€œI mean Rocky Horror.โ€ He said.

โ€œOh.โ€ I said. โ€œNo, but Iโ€™ve always wanted to.โ€

โ€œItโ€™s playing across the street at midnight. We should go.โ€

As quickly as Iโ€™d gotten excited to see it, I lost my nerve. Through the pre-internet grapevine that gave teens of my generation the truth about Mikey from Life cereal (โ€œOhmygod he died by eating pop rocks and drinking cokeโ€) Iโ€™d heard about Rocky virgins being deflowered in horrifying ways (โ€œOhmygod this guy I know went to see it in Santa Monica and they made him take off his clothes and wrote VIRGIN on his chest in lipstick!โ€)

โ€œDonโ€™t they do horrible things to people who havenโ€™t seen it?โ€ I said in my most nonchalant voice, grateful that it didnโ€™t crack.

โ€œNot really,โ€ he said, โ€œbut if youโ€™re worried about it, we wonโ€™t say anything.โ€

โ€œOkay,โ€ I said, my excitement returning.

The waitress came back by our table. โ€œCan I get you guys anything else?โ€

Before I could demand a shrubbery, Darin said, โ€œCould we get some slightly burnt white toast?โ€

The waitress and I gave him the same curious look. He smiled enigmatically.

Twenty minutes later, we bought our tickets, burnt toast in my pocket, butterflies rising in my stomach. We stood in a line that grew to about two dozen people and waited for the theater to open. I made nervous smalltalk with Darin, talking a little too loudly about the great cast they had in . . . I think I chose Huntington Beach.

The doors opened a few minutes before midnight, and we walked into a theater that, Tardis-like, seemed bigger on the inside than it appeared on the outsider: dirty blue and orange curtains hung on the walls. Two aisles separated three groups of squeaky blue seats. The floor was painted a dark navy blue โ€” blue seemed to be a recurring theme in this particular theater โ€” and was appropriately sticky. We chose seats on the aisle near the back. I should have been freaked out when a guy sat down a few aisles in front of us and lit a cigarette, but being rebel-adjacent excited me.

The theater quickly got as full as it was going to get. It seemed that most of the audience knew each other, especially the four people who huddled together at the front of the house, next to the screen.

A dude with long black hair and bright red lipstick emerged from the group, and spoke to the audience. I canโ€™t remember what he said, because when he began, a hand tapped me on the shoulder. I looked up and saw the most phenomenally beautiful girl in the world standing in the aisle. She had short black hair in a Bettie Page cut, bright green eyes, full red lips. She wore a red corset that fit her . . . perfectly.

She bent over and said, โ€œare you a virgin?โ€

I was, in every way that mattered, and in that moment I would have pushed my mother in front of a train on its way into a lake of fire if it meant that this girl would remove from me this . . . condition.

If Iโ€™d been standing, Iโ€™m certain I would have fainted. โ€œW-what?โ€ I stammered.

She extended one hand and caressed my face. She repeated herself, even more seductively than the first time.

My voice cracked as I said โ€œYES!โ€ a little too loudly.

Her eyes flashed and she squeaked โ€“ squeaked! โ€“ a little. โ€œThis is going to be fun.โ€

She stood up abruptly and hollered, โ€œI have a virgin!โ€

โ€œA VIRGIN!โ€ Replied much of the audience.

Before I knew what was happening, she stood me up, had me repeat some oath that Iโ€™ve sinceforgotten, and spanked me. I remained fully clothed, but by the time I was done, I was soaked through after everyone in the theater sprayed me with their squirt guns and spray bottles. As quickly as it started, it was over, and she disappeared before I could get her number.

My deflowering was, like most peopleโ€™s, nothing like Iโ€™d hoped for or expected, but it was still magical. I loved every second of it.

While other regulars repeated similar rituals with a few other virgins in the audience I looked at Darin. He looked back, mirroring my disbelief.

โ€œThat was awesome!โ€ I said. Not only had a girl practically showed me her boobs, sheโ€™d touched my face! Seductively! And talked to me! And squirted me with a squirt gun! I was beside myself, and the movie hadnโ€™t even started yet.

The lights went down, and the show began. I didnโ€™t know any of the lines, but I quickly figured out what to yell at Brad and Janet. I threw my toast. I did the Time Warp. I watched the girl whoโ€™d taken my Rocky virginity play Magenta, which is probably why Magenta is still my favorite character in the whole show to this very day, twenty years later.

When it was over, we drove back to La Crescenta in my slightly-better-than-Patrick-Stewartโ€™s Honda Prelude, blasting New Order the whole way with the sunroof open and the windows down. I dropped Darin off at his house, and though I got back to mine around 3, I didnโ€™t fall asleep until the sun came up, I was so loaded with caffeine, sugar, adrenaline.

The movie, of course, was campy and not especially good, but that wasnโ€™t the point. It was a shared experience, a place for misfits of all stripes to gather once a week, and fly our Transylvanian freak flags. For the next two years, Darin and I lead an ever-growing group of our friends to Rocky at least once a month, usually more, at the Rialto theater in South Pasadena. I havenโ€™t been since 1991 or 1992, but those years โ€” and the film itself โ€” hold a very special place in my memory. Maybe, just once, I’ll go back to a midnight showing, just so I can do the Timewarp again.

I never did go to a midnight showing. I would be brutal on my middle-aged body to even try to stay awake that late … but caffeine exists, and there’s an energy that can infect and propel you all that way into the gloaming dawn, if you allow it. So … maybe. Maybe.

This story was fun to write back then, even though I can see all the incredibly rough edges now, that my experience and I want to sand off and rewrite. I suppose that’s part of its charm? Sure, we’re gonna go with that.

If you have a Tim Curry, or Dolly Parton, or Rocky Horror story you care to share, I’d love to hear it; I think all of us theater kids could use a big hug today, you know?


Hi, I’m Wil. I write this blog, and I’m glad you’re here. If you want to get my updates in your email, here’s the thingy:

I narrate short speculative fiction stories every week for my podcast, It’s Storytime With Wil Wheaton. This week’s episode is a gorgeous story called The Flaming Embusen by Tade Thompson. I also co-host the official companion podcast for Stuart Fails To Save The Universe with Felicia Day. Episodes for both shows are available wherever you get your podcasts.

blog

IFC Midnight Acquires Retro Thriller โ€˜Rent-A-Palโ€™

Posted on 12 May, 2020 By Wil

I am so excited to share this with all of you.

About a year ago (or ten years ago, what even is time amirite) I worked on a FANTASTIC movie called Rent-A-Pal. It’s a retro thriller, and I am intensely proud of the project as a whole, and my work in it.

The thing about movies is, making the thing is just a small part of the whole process. The real barrier is distribution, so people can actually see the thing you worked so hard to make. It’s not uncommon for a film to be made and finished, yet never get a chance to find its audience, because it can’t find a distributor.

So it’s extra exciting for me to learn that Rent-A-Pal has been picked up by IFC Midnight! You can see this fantastic little movie I’m in, from the safety and convenience of your own home!

Here’s a little bit from the press release:

“Inspired by the real-life VHS tape, Rent-A-Friend: The Original Companion, Rent-A-Pal is set in 1990 and follows a lonely bachelor named David (Brian Landis Folkins). In a pre-Tinder media era, David is looking to find an escape from the day-to-day drudgery of caring for his aging mother (Kathleen Brady). While seeking a partner through a video dating service, he discovers a strange VHS tape called โ€‹Rent-A-Pal bosted by a charismatic gentleman named Andy (Wil Wheaton). The tape offers him much-needed company, compassion, and friendship but Andyโ€™s friendship comes at a cost โ€” and David is desperate to pay that price. Amy Rutledge also stars.”

You can read the whole release at Deadline.

Film

destroy all monsters

Posted on 30 May, 201912 November, 2021 By Wil

My friend does this thing where he smokes some cannabis, takes a few puffs of his delta 8 vape, and watches movies that I guess are enhanced by his altered state of mind.


I know, I know, you’re like, “So what? We all have that friend, and it is me!” I hear you. The thing is, my friend writes reviews of these movies, and they are fantastic. Witness:

 


Lanceโ€™s Movie Joint Perhaps you think Marvel pulled off the worldโ€™s greatest film crossover event by designing a 10-year, multi-film, multi-character movie arc that would lead everyone to the same place at the same time, but I must respectfully disagree because I have seen the world greatest film crossover event and it happened in 1968. Consider that in one 90-minute film (not two 3-hour bladder contests) you get Godzilla, Rodan, Mothra, Gorosaurus, Manda, King Ghidorah, Anguirus, Kumonga. and Godzilla Jr. (aka Godzooky) all in one film battling each other for world monster supremacy. And that film is Destroy All Monsters. I need to pause here and express a warning if youโ€™re planning on smoking a doob or two and settling back with a party size bag of Doritos and a 6-pack of Coke Zero and watch this film and that warning is do not try to make sense of this film in the context of any other Toho kaiju movie because this one stands alone. Whereas in some other cinematic universes there exists a thread – however tenuous – that ties them all together through references and backstories, no such thread exists here other than โ€œhey there are gigantic monsters on the Earth and sometimes they get pissed off.โ€ I actually tried to piece together some kind of puzzle of all the other films leading up to this one to see how all the monsters ended up on the same island and why only Mothra needs two tiny women singing to him (her?) whereas the others act independently and do the monsters like humans or nah and why always Tokyo (though in this case they also destroy Moscow, Paris, and New York for good measure) but then I got higher and thought to myself, fuck it, nothing matters anyway. While the (SPOILERS!) costumed actors portraying this variety of monsters do their humble best to stomp all over the carefully and lovingly crafted sets of tiny buildings and real working vehicles, the real stars here are the set designer and the dubbing actors who manage somehow to be even more unbelievable (and awesome) than the monsters. Several times I had to rewind the film to re-experience a line or a look or, like, Godzilla performing some expert karate moves, and what higher praise can I give than that this film managed to overcome my brainโ€™s fuzziness several times to provide things that were crazy awesome amazeballs? Youโ€™ll be tempted to talk over the dialog as the monsters engage in one of many, many, many scenes of Thunderbirds-like destruction, but donโ€™t do it! The very next line uttered could be the best one yet – followed by an even better one. It struck me how much these films rely on an uneducated audience, and how much we all know about physics and space travel and gravity that we didnโ€™t (care about) in 1968. Nothing makes much sense, but itโ€™s all pretty and camp and awesome. [5/5 Weeds] (Currently streaming on The Criterion Channel, and you must watch the dubbed version for the full THC effect.)


So I have never been a huge fan of Kaiju movies, but I think it’s because I never saw the right ones. I saw the Matthew Broderick Godzilla, which is damn close to unwatchable, and I vaguely recall being a teenager and seeing some Kaiju movie that was all about annoying little kids singing songs at a Kaiju monster while someone talked into a wristwatch. (It is distinctly possible that my brain has invented a single movie from random bits of TV I saw on weekend afternoons when I was growing up).

But after reading Lance’s review of Destroy All Monsters, I decided that I would give this movie a chance to be my proper introduction to Kaiju … and holy shit I loved it. It was so weird and so over the top and so badly dubbed and such a goddamn delight to watch! If this is a fair and representative sample of what Kaiju movies are like, I’ve TOTALLY been missing out for, like, my entire life.

 


If you, like me, are new to this genre, or are curious about it, I can’t recommend Destroy All Monsters enough. It’s got a TON of exposition so you don’t have any FOMO about complext character backstories or whatever (if any) thread connects the larger Kaiju film world together. There are no children singing songs, at all, and the Kaiju do a goddamn delightful job destroying all the carefully-constructed cities they stomp around in. There are no silly breakdancing moves, and everything in it is grounded in some version of reality, so I never felt like it was insulting my intelligence by pandering to any section of the audience with dumb fan service like, oh to pick a random example out of thin air, the final season of Game of Thrones.


The big brains at SyFy wire have you covered, too, if you are like “I want to watch one of these movies, but I don’t want to risk a three dollar investment because I am a savvy consumer.” Check out this Really Big List of Ways To Watch Kaiju Movies Online, and if you partake of the wacky tobacky, get ready to enjoy a sublimely weird and totally satisfying, supremely fun 90 minutes.

blog

โ€œMemoryโ€™s fog is rising.โ€

Posted on 24 October, 2017 By Wil

I wrote this last night.

30 years ago today, John Carpenter’s Prince of Darkness was released.

That means that 30 years ago tonight, I was at the AMC 10 in Burbank.

Today, that part of Burbank is filled with businesses and chain restaurants and street performers. 30 years ago, there was the theater, a parking garage, a Fuddruckerโ€™s (thatโ€™s still there and still terrible), and not much else. It was quiet when you went outside, especially after a movie that started late.

We went to a show that started around 10 or 1030pm. The air was cool, and it was so foggy, we couldnโ€™t see the streetlights, just their glow. I went with three of my friends, who were all older than me and could drive. We listened to Van Halen in the car.

I remember that the movie wasnโ€™t what I wanted it to be, and I was disappointed. It wasnโ€™t scary, and the effects seemed cheesy. I wanted it to scare me the way The Thing scared me, and it didn’t do that. But it was foggy as hell that night, which is something that doesnโ€™t happen in Burbank very often, and that made the post-showing silence especially eerie, and worth the drive. The walk to the car was more satisfying to me than the movie was.

On the way home, we went on streets instead of the freeway, because it would take us longer to get home that way, and thatโ€™s what being out at night with your friends is about when youโ€™re fifteen. We listened to Some Great Reward on the way home. I lamented that the girl I had a huge crush on would never know I existed, and my friend, Ryan, told me (as he always did) to go talk to her or shut up about it forever. We drove through Glendale and Montrose, and on the way up the hill to my house, we drove out of the fog. I remember looking out toward Los Angeles when we got out of the car, and seeing that blanket of fog, broken by the Verdugo mountains, glowing orange from the streetlights beneath it. I remember wishing the movie had lived up to the atmosphere. I remember wishing that I’d asked Hailey to go with me to the movie.

Tonight, itโ€™s hot and dry outside, and I am in the home I own, that I bought with my wife. I drove my Mini today and listened to Depeche Mode. My wife is asleep in our bed. Our son is asleep in our guest room. I feel like that teenager I was thirty years ago isn’t even a real person, just a foggy memory that’s painful to visit more often than it is not.

A lot of my teens blurs together, because I worked all the time and I was so unhappy, I spent my twenties trying to forget them. But this is one of the things that I can remember pretty clearly, because of the fog.

The fog. In literary symbolism, we use fog to represent mystery, the inability to see clearly, and uncertainty. It’s interesting to me that the fog is the only reason I can remember anything about that night, thirty years ago, and that tonight I can recall so much of it so clearly.

Time is weird. Memory is weird. Life is strange.

blog Photo Credit Tony Case on Flickr

One year ago, I rebooted my life. Has it worked?

Posted on 29 September, 201629 September, 2016 By Wil

Sometimes, I feel like I don't look terrible in a photo.
Sometimes, I feel like I don’t look terrible in a photo.

Just about one year ago, I took an honest look at myself and I didn’t like what I saw. I needed to reset a lot of habits, make some significant changes to the way I approached just about everything in my life, and keep working at it, even when it was hard.

I can’t even believe that it’s already been a year, and that it’s only been a year, because time feels like that when you’re 44, I guess.

Here are the things I decided to address:

  • Drink less beer.
  • Read more (and Reddit does not count as reading).
  • Write more.
  • Watch more movies.
  • Get better sleep.
  • Eat better food.
  • Exercise more.

Some of these things have been easier than others, and from month to month (and even day to day) what happens to be easy and what happens to be hard are constantly changing. I know that’s an obvious thing, but I say it because we can forget that, and consequently be unfairly rough on ourselves when we don’t live up to our expectations.

But most of the time, I look like this.
But most of the time, I look like this.

I know a lot of you who are reading this have been doing reboots of your own, and I want you to know that, no matter where you are in your personal journey, I am super proud of you. I’m not the boss of you or anything, but I give you permission to be proud of yourself. Go you!!

So let’s dive in here and see how things are going:

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