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50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

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WIL WHEATON dot NET
WIL WHEATON dot NET

50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

Category: Music

The boat is still moving, even though I am not on it. But there was music when I was on the boat.

Posted on 28 February, 2012 By Wil

I've gotten much worse at writing relevant titles since an hour ago. Oh well, circle of life.*

Previously, on Battlestar Galactica my blog: 

Holland America goes to this private island in the Bahamas that is everything you'd expect from a private beach in the Caribbean, if you were expecting a beautiful white crescent beach with a giant pirate ship on it, and inside the pirate ship is a bar.

We spent the day playing Frisbee and Ball on the beach, with occasional breaks to visit the pirate ship.

"This is the best in the world," I said to Ryan while we were swimming in the ocean. In February.

"Yeah, it totally doesn't suck," he said.

And now, the exciting conclusion to that day…

We swam back to shore and traded the Frisbee for Ball. Ball is what we call this sort of smooshy ball Anne and I bought when we were in Hawaii last year. It's slightly bigger than the palm of your hand, waterproof, and skips off the water when you throw it. I don't know why it's as much fun to play with it as it is, but holy crap Ball is probably the best thing you can do on the beach that doesn't risk getting sand into your neither regions.

After hours of Frisbee and Ball (where we were joined by, at one point, seven or so Seamonkeys), it was time to get back on the boat and set sail for Aruba. We bid the beautiful beach a fond farewell, and rode a tender back to the ship. Which I prefer to call a boat, because it really annoys people who fancy themselves nauticalists, which is a word I just made up to annoy them further.

When we got back on the boat, we cleaned ourselves up and headed into the main theater, to enjoy the Paul and Storm musical programme, featuring the musical music of popular musicians Paul and Storm.

They performed their newest songs, which as it turns out are pleas to creators of popular culture named George.

BEHOLD THIS VIDEO THAT IS NOT FROM THE CRUISE BECAUSE NOBODY HAS UPLOADED ANY YET, BUT FEATURES A SONG CALLED THANKSGIVING THAT YOU WILL ENJOY!

(Fun fact: the Han Solo ice cube tray Storm talked about was bought for me, and given to me as a gift. It's currently filled with frozen water in my freezer.)

AND ALSO ENJOY THIS ONE BECAUSE I COMMAND IT!

Ahhh. Wasn't that nice? Some of the great works from canon were performed. Panties were thrown. Then, it was time for a song about pirates! Featuring the additional vocals of me! And a lot of cover band jokes! ARRRR!

WOULDN'T IT BE GREAT TO SEE IT HERE? SORRY IT CAN'T HAPPEN COME ON NERDS GET ON THIS SHIT ALREADY IT'S BEEN TWO DAYS MY GOD AHHH.

Okay, after Paul and Storm and a little bit of me, there was a brief intermission, and then we had our first actual rock performance by an authentic rock and roll musician: Chris Collingwood, who some of you may know as the guy from Fountains of Wayne, performed a set for all of us. He was super nervous about not being relevant to our interests (I know, right? I don't know why he thought that, but there you go) but he was amazing. And then Paul and Storm got to sing Stacy's Mom with him, which was pretty freaking awesome.

BEHOLD THE VIDEO FOR THAT SONG!

Neat!

All kidding and excessive use of all caps aside, Chris was just amazing. He was kind to me and my family, his set was beautiful and fun to listen to, and if I hadn't already been a huge fan of his band (because I was introduced to Fountains of Wayne by John Kovalic, by the way, which is interesting and name-droppy) I would have become a fan for life.

He closed his set with Hey Julie, which is my favourite** Fountains of Wayne song. 

"Anyone who wants to sing backup with me can come up on stage right now," he said.

This wave of increduility washed over the audience. "Really?" A girl near us said.

A few people — about a dozen, I guess — found their courage and made their way to the stage, where they sang with him.

The wonderful thing about this, that made me smile so much my face was in danger of splitting apart like I was in some kind of Japanese horror movie, was seeing the girl who'd said "Really?" who was probably around my sons' age, singing and dancing and being the physical embodiment of pure joy. It was obvious that she loved this song, knew all the words, and loved getting to sing it on stage with the guy who wrote it. Maybe I'm just a little too sentimental, but seeing how joyful she was made me #FuriouslyHappy, and even more grateful to be part of the cruise than I already was.

I mean, think about this for a moment: where else could you see a real rock and roll musician perform music you love and then invite you onstage to sing with him?

It turns out that this was just the beginning of the awesome things that were going to happen in this theater, and on this boat, for the next seven days and six romantic nights.

More later…

*If you're looking for footnotes to make sense, you've come to the wrong place, Chachi.

**That's for you, Canadians. I love you.

Internet (a love song)

Posted on 13 February, 2012 By Wil

So this is pretty rad:

 

Thanks to Felicia Day, who brought this to my attention

Today the US Senate is considering legislation that would destroy the free and open Internet.

Posted on 17 January, 2012 By Wil

“Why is it that when Republicans and Democrats need to solve the budget and the deficit, there’s deadlock, but when Hollywood lobbyists pay them $94 million dollars to write legislation, people from both sides of the aisle line up to co-sponsor it?”

        –Reddit Founder Alexis Ohanian on CNBC.

I put this on my Tumblr thing earlier today, but I'm reposting it here, because it's important to me. If you don't know what SOPA and ProtectIP are, read this technical examination of SOPA and ProtectIP from the Reddit blog and come back when you're done.

SOPA Lives — and MPAA calls protests an "abuse of power."

The Motion Picture Association of America (MPAA) has looked at tomorrow’s “Internet blackout” in opposition to the Stop Online Piracy Act (SOPA)—and it sees only a “gimmick,” a “stunt,” “hyperbole,” “a dangerous and troubling development,” an “irresponsible response,” and an “abuse of power.”

“Wikipedia, reddit, and others are going dark to protest the legislation, while sites like Scribd and Google will also protest. In response, MPAA chief Chris Dodd wheeled out the big guns and started firing the rhetoric machine-gun style. 

“Only days after the White House and chief sponsors of the legislation responded to the major concern expressed by opponents and then called for all parties to work cooperatively together, some technology business interests are resorting to stunts that punish their users or turn them into their corporate pawns, rather than coming to the table to find solutions to a problem that all now seem to agree is very real and damaging.”

Can I interrupt for a moment? Thanks. When you complain that opponents didn’t “come to the table to find solutions”, do you mean that we didn’t give NINETY-FOUR MILLION DOLLARS to congress like the MPAA? Or do you mean that we didn’t come to the one hearing that Lamar Smith held, where opponents of SOPA were refused an opportunity to comment? Help me out, here, Chris Dodd, because I’m really trying hard to understand you.

“It is an irresponsible response and a disservice to people who rely on them for information and use their services. It is also an abuse of power given the freedoms these companies enjoy in the marketplace today. It’s a dangerous and troubling development when the platforms that serve as gateways to information intentionally skew the facts to incite their users in order to further their corporate interests.”

Oh ha ha. Ho. Ho. The MPAA talking about “skewing the facts to incite” anyone is just too much. 

“A so-called “blackout” is yet another gimmick, albeit a dangerous one, designed to punish elected and administration officials who are working diligently to protect American jobs from foreign criminals.”

Except for the part where this is completely false, it’s a valid point.

“It is our hope that the White House and the Congress will call on those who intend to stage this “blackout” to stop the hyperbole and PR stunts and engage in meaningful efforts to combat piracy.”

Riiiiiiight. Protesting to raise awareness of terrible legislation that will destroy the free and open Internet is an abuse of power, but buying NINETY-FOUR MILLION DOLLARS worth of congressional votes is just fine.

I’m so disappointed in Chris Dodd. He was a pretty good senator, wrote some bills (like Dodd/Frank) that are genuinely helping people, and is going to be on the wrong side of every argument as the head of the MPAA. What a wasted legacy.

===

I am 100% opposed to SOPA and PIPA, even though I'm one of the artists they were allegedly written to protect. I've probably lost a few hundred dollars in my life to what the MPAA and RIAA define as piracy, and that sucks, but that doesn't come close to how much money I've lost from a certain studio's creative accounting.

The RIAA and MPAA are, again, on the wrong side of history. Attempting to tear apart one of the single greatest communications achievements in human history in a misguided attempt to cling to an outdated business model instead of adapting to the changing world is a fucking crime.

A free and open Internet is as important to me as the bill of rights. I don't want the government of one country — especially the corporate-controlled United States government — to exert unilateral control over the Internet for any reason, especially not because media corporations want to buy legislation that won't do anything to actually stop online piracy, but will expand the American police state, and destroy the Internet as we know it.

Please contact your Senators and US Representatives, and tell them to vote NO on SOPA and ProtectIP. The future of the Internet — and the present we take for granted — depend on it.

tamed by the purr of a jaguar

Posted on 5 July, 2011 By Wil

Thank you to everyone who commented on my last post. I had no idea so many new readers were visiting my blog; I'd just assumed that the Internet had gotten bored with me, moved on to whatever the new hotness is, and I was writing for the few, the proud, the geeky who had been here forever.

Knowing that there are a significant number of you who are new to my words is incredibly inspiring to me, and I woke up early this morning (not my choice – more on that in a second) feeling pretty excited to fire up Typepad and write in my blog. I haven't felt like that in a long, long time. So thank you to those of you who have been here for a while, and thank you to those of you who are recent arrivals. I hope to make it worth your while to spend some of your time with me.

So let's talk about this morning, shall we? Last night, I celebrated the 4th of July the way the founding fathers intended: I went to the Hollywood Bowl with my wife, our son, his girlfriend and our good friend BURNS! (his actual name, with the ! and everything) to see Hall & Oates perform with the Hollywood Bowl Orchestra.

It was a very short concert, because of the 10pm noise curfew, but it was still a whole lot of fun. Initially, Ryan and I thought that Darryl Hall looked like Hasselhoff, but we later decided that he actually looks sort of like Thor, if Thor were a rocker. Oates doesn't have his epic moustache, and I'm not going to lie to you, Marge: a little bit of me died inside when I saw that.

But then I was clapping along with Private Eyes (CLAP!)* and I didn't seem to mind all that much.

Even though we took the Red Line to Hollywood like intelligent people who don't want to spend an extra fifty hours** waiting to get the hell out of Hollywood, we still didn't get home until almost 11. We were all pretty amped up from the fireworks and clapping along with Hall & Oates, so we were all awake well after midnight. I actually ended up reading comic books in bed until almost 2, before drifting off to sleep to dream of maneaters and the M-E-T-H-O-D-O-F-L-O-V-E.

Four hours later, at six fucking o fucking clock in the fucking morning, my asshole cat decided that he was going to chase a ping pong ball around my bedroom, jump up onto my bed and attack my feet, and then make that one particular sound all cat — I almost said "owners" but we all know the correct term is "staff" — hear when the cat wants to go outside. So I dragged myself out of bed and opened the door for him to go do whatever the hell a cat does at six fucking o fucking clock in the fucking morning … which, as it turns out, is make that same noise again ten minutes later until I let him back into the house.

And that's the story of how I only got six four*** hours of sleep last night, but don't really care because I woke up feeling energized and excited, knowing that writing silly stuff in my blog is actually worth the effort, because you — yes, you — are still coming around to read it, even if it's only a stupid story about my cat.****

* They're watching you (CLAPCLAP!)

** Duration possibly exaggerated for comedic and editorial effect.

*** Okay, maybe I'm a little more tired than I originally thought. Also, math is hard.

**** But the writing is the thing, even if it's something stupid about my cat. I have to get this stuff out of the way so I can write the good stuff.

three incredible indie bands you should listen to

Posted on 21 April, 2011 By Wil

My brother has been making these cool time lapse videos of life on his ranch in Montana. In a recent video, he used music that I instantly loved … but he didn't say who it was.

Luckily for me, I live in the future, so I fired up Shazam on my Android, let it do its thing, and in less than a minute, I was streaming Telekenisis' album Telekinesis! from Rhapsody through my Sonos.

While I listened to my new favorite album, I read Jeremy's blog. That led me to another video of his where he played music from a band called The Smith Westerns. Again, I went straight to Rhapsody, and added Dye It Blonde to my Sonos playlist. I had those two albums on repeat for much of the day, yesterday.

Seriously, living in the future is awesome, even if I still don't have a jet pack, death ray, or a flying car.

Those of you who are good at math will have noticed by now that I said there were three bands, but I've only linked to two. Good job, give yourself a gold star and a check plus!

The third band is actually on the page I linked above for Telekinesis. They are called The Love Language. I heard them about a year ago, when I got an e-mail from Merge records offering to share some new music with me, based on my loudly-proclaimed love of similar-sounding bands. I've been meaning to play The Love Language on Radio Free Burrito forever, but as I am reminded at least once a day, I haven't done a new RFB in months. (Also, if you like Camera Obscura and She & Him, spend some time at Merge; they have a ton of great artists you probably haven't heard, yet.)

Anyway, I wanted to use this experience as evidence that the music industry should make it easy for people to discover music this way. People like my brother who aren't looking to profit in any way from using music (and podcasters, and YouTubers and other bloggers) should be able to do it without applying for expensive licenses and bullshit. It's valuable – and free – promotion, Music Industry Guys! I don't listen to the radio very much, and when I do, it's mostly oldies stations that play music from my youth (FML). I don't like pop music at all, so I find new indie music via recommendations from friends, or when I tell LastFM to build me a station based on some band I already like. Because Jeremy played music from The Smith Westerns and Telekinesis on his videos, I was able to discover them, buy their albums, and hopefully introduce a few thousand other new listeners to their music. That's awesome.

Now, about that death ray and jet pack…

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