Category: Television

Cirroc Lofton played Jake Sisko on Deep Space Nine. I played Wesley Crusher on The Next Generation.

And before this week, he and I never talked about it, which is something that’s been on my mind since we saw each other at the Star Trek: Picard season 3 premiere.

This week, things finally lined up and I was a guest on his show, The 7th Rule. We talked about The Game, our space families, and what it means to be the og star trek kids.

I’ve embedded it below, or you can follow this link to watch it.

And while I have your attention, I wanted to share this exciting bit of news: I narrated Bill Gates’ memoir, Source Code.

Here’s the description:

The origin story of one of the most influential and transformative business leaders and philanthropists of the modern age

The business triumphs of Bill Gates are widely known: the twenty-year-old who dropped out of Harvard to start a software company that became an industry giant and changed the way the world works and lives; the billionaire many times over who turned his attention to philanthropic pursuits to address climate change, global health, and U.S. education.
 
Source Code is not about Microsoft or the Gates Foundation or the future of technology. It’s the human, personal story of how Bill Gates became who he is today: his childhood, his early passions and pursuits. It’s the story of his principled grandmother and ambitious parents, his first deep friendships and the sudden death of his best friend; of his struggles to fit in and his discovery of a world of coding and computers in the dawn of a new era; of embarking in his early teens on a path that took him from midnight escapades at a nearby computer center to his college dorm room, where he sparked a revolution that would change the world.
 
Bill Gates tells this, his own story, for the first time: wise, warm, revealing, it’s a fascinating portrait of an American life.

I didn’t want to let the work get dry and academic, which is a real possibility when doing someone else’s memoir, so I treated it as if I were playing a character, the character of Bill Gates, who is telling you this story of his remarkable young life, and the founding of his company. I got into his head, into his character, and did all the work I would have done if I were playing him on camera or on stage. I’m so proud of how it all turned out. I would never be cast to play him on camera, and it’s the kind of work that isn’t really recognized in my industry the way on camera is, but that doesn’t diminish it in any way. I am so grateful that I got to do it.

It released last week, and I am intensely proud of it. We talk about it a bit in this podcast, that I feel like I leveled up my skills when I was doing Source Code (and Picks & Shovels, and When The Moon Hits Your Eye), and it’s some of the best work I’ve ever done.

There’s a post in r/startrek collecting some of the more memorable stories we have told, and fans have remembered, over the decades.

I added one of my own, which I know I’ve written about before, but not here, I don’t think.

It’s about Patrick Stewart tugging on his tunic top, which always wanted to ride up when he (or anyone wearing the uniform) sat down. Because Patrick can’t do anything halfway, he made it very dramatic. Over time, he began to use it as a little bit of business in appropriate moments.

This is a story about that.

We were filming on the bridge. The scene started with Wesley standing, and after half a page or so, he sits down at the conn and I think plots a course or something.

Whenever Wesley sat down, he pulled his jacket tight, just like Picard always did. If you look, you’ll see that we all do that. That’s an important bit of context: we all did that.

So it was like take four of the scene. After we cut on take three, this producer came into the set and stood off camera, just to the right of the viewscreen, as we were looking at it. We do take four, and while we are resetting for take five, this producer comes over to me, leans down so nobody can hear him, and says, “You can’t pull your tunic down like that. That’s the Picard Maneuver, and only Picard can do that.”

So, first of all: this guy is so far out of his lane, he isn’t on the map. If anyone is ever going to talk to an actor, especially in between takes, it always goes through the First Assistant Director, and the Director. It’s a matter of professional respect, and it’s important for our work. If anyone can come up and give us notes or whatever, we will end up with all these conflicting notes, unsure which one to actually listen to.

I’m just 17 or so, and even I know all of this, but I don’t want to get in trouble, so I just say, “…okay. How am I supposed to stop it from riding up to my tits when I sit down? Because that’s what happens.”

He looks so annoyed at me, and sort of bark-whispers, “Just don’t touch it.” And he scurries away into the darkness of the stage.

I am so tired of being treated differently than these same people treat the adults, and I still haven’t learned how to speak up for myself, directly. But I am about to engage in a bit of malicious compliance, the only form of resistance I know how to employ.

We reset, they roll, and when Wesley sits down, his tunic comes all the way up, just like I said it would. It exposes my fake muscle suit, my bracers holding up my trousers, and absolutely ruins the take.

“Cut!” The director calls from offstage.

“Wil, you have to pull your tunic down,” he says, with this tone of utter confusion. Like, obviously.

“Yeah, I know,” I say, looking straight at the guy who is about to wish he’d stayed in his lane, “but [his name] told me that I wasn’t allowed to do the Picard Maneuver, so…” and I shrug, the tunic still bunched up.

That guy turned so bright red, he lit up in the darkness. Everyone on the entire crew looked at him. He sputtered something, and quickly fled the stage.

I made eye contact with Brent and with Frakes. They both looked back at me, communicating their approval. It felt great.

I can’t say for sure that we printed the next take and moved on, but it’s a great way to end the story so let’s go with that.

That guy never gave me a note again. If I recall correctly, my little tunic tug (similar to, yet legally distinctly different from the Picard Maneuver) is in the final cut of the episode