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50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

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WIL WHEATON dot NET
WIL WHEATON dot NET

50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

Category: Television

Can media conglomerates afford to pay the writers?

Posted on 28 November, 2007 By Wil

As someone who hopes to be in the WGA one day, and as a current SAG member (and former member of the Board of Directors) I am in complete and total solidarity with the Writer’s Guild. It’s quite heartening to me, also,  to see that so many people refuse to be fooled by the lies that the six companies who control all of the media have been trying to spread.

The AMPTP has been successful (and helped by the news media they own) in spreading FUD about the things the writers are asking for. This post at United Hollywood puts some important numbers into perspective:

"But can the corporations really afford to pay you what you’re asking for?"

Let’s
set aside for the moment the issue of what the congloms say in their
press releases to us (which is basically "There’s no money! Ever! And
if there was, we spent it all on other projects that lost money so it’s
gone! Forever! We’re broke! We’re having to rent our yachts!") and focus on some hard numbers thoughtfully provided by Jonathan Handel on the Huffington Post yesterday.

He
writes an excellent (I think) and even-handed analysis that takes into
account the effect pattern bargaining will have in calculating real
numbers of what we’re asking for, and what it will cost the companies,
individually, to pay us.

It comes, by his calculation, to $125 million per conglomerate per year — if we got every single thing we’re asking for.

That, by the way, is less than the $140 million Disney spent to fire Michael Ovitz for 15 months of work.

Also, Carson Daly is still an epic douche.

Also, also:

And finally, a meager contribution from the actor half of me:

Speechless

186, and some other NUMB3RS

Posted on 21 November, 2007 By Wil

The good news is that I packed and labeled 186 books to be shipped. Of  those 186, about 30 are international orders that still need customs forms and postage, but the rest are ready to go. This brings us to the bad news, which is that I just finished now, an hour after the post office closed, the day before a holiday. So if you were in the first 186 and you’re in the US, your book will ship Friday morning. If you were in the first 186 and you’re somewhere other than the US, it will ship by Saturday. (According to my fuzzy math and hazy memory, the first 186 would be between noon and 2pm PST on Sunday, if you’re wondering.)

Ryan’s coming home for Thanksgiving, so I think I’ll have non-computer priorities until he goes back to school on Sunday, so this is a weekend farewell from me. Thanks for being part of an awesome (if short) week, and if you’re traveling in the next few days, I hope it’s as hassle-free and enjoyable as possible. Airborne is sugary crap; take Emergen-C. And wash your hands. A lot.

Oh! I keep forgetting to mention: I’m on NUMB3RS this Friday night. The episode is called "Graphic." I’ll have a post at TV Squad about working on the show sometime on Friday.

Colbert Report writers on the strike

Posted on 16 November, 2007 By Wil

Yesterday, The Daily Show writers gave us their take on the WGA strike, and today the writers from The Colbert Report share some Truthiness:

Quoth John Scalzi: This is why it’s not smart to get into a snit fight (or labor dispute) with a writer. Because they write. Which means they know how to make you look bad.

Not the Daily Show explains the writer’s strike

Posted on 15 November, 2007 By Wil

If I haven’t made it clear already, I fully support the Writer’s Guild of America. I’m happy to note than a clear majority of Americans does, too.

If you’re unclear on the main reasons the WGA is on strike, allow one of the writers from The Daily Show to explain it.

Uh, you should actually watch it, uh, anyway, even if you already understand the issues behind the strike, because it’s the closest we’re going to get to The Daily Show for quite some time, I fear:

Man, I miss The Daily Show. Those guys are awesome writers, and they deserve better than they’re getting from the AMPT.

a different perspective on numb three ers

Posted on 1 November, 2007 By Wil

The art department at Numb3rs created the best fake comic convention I’ve ever seen for last week’s show. The level of detail was phenomenal, including things like a stack of flyers welcoming participants to the con, booths from Wizkids, and WOTC, and appearances by several different real life comic creators.

One of those comic creators, Tony Fleecs (In My Lifetime, POSTCARDS: True Stories that Never Happened) talked to the comic podcast Word Balloon about his experiences on the set. It’s an enjoyable listen for comic readers, and people who just want to know what it’s like to be on the set of a television show from the perspective of someone who doesn’t work in the TV industry every day. He also said some nice things about me, which made my sugar hangover a little more bearable.

(Thanks to reader Ethan J., for the link!)

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