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50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

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WIL WHEATON dot NET
WIL WHEATON dot NET

50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

Category: Television

i am from space and the future

Posted on 30 November, 2007 By Wil

I’m putting the finishing touches on my long-overdue Datalore story for TV Squad. It’s taken so long, because it just wasn’t coming together the way I wanted it to, and I couldn’t figure out why until this morning. I’d written some really funny raps for Picard, but they just didn’t fit in with the rest of the story. It’s funny, but it wasn’t serving the larger piece, so it had to go.

Talk about killing your precious babies! This is part of what I sent upstate to live on a farm with other words:

I’m Jean-Luc Picard, I’m chillin’ in my yard
Underneath my chrome dome in the ship I call my home
Kickin’ it with Data, my homeboy, my brotha
I wanna get freaky with Wesley Crusher’s motha!

It’s hilarious to me, but that’s probably because I can hear the music in my head (and other voices that want me to do bad things, but I won’t! I’ll show them! I’ll show them all! HAHAHAHAHAAAAaa!!11)

Cutting out all the rapping let me write stuff that’s far more amusing to me, like:

Riker looks around the bridge, sees all the commissioned officers he has available to him, does a quick scan of the ship’s manifest to see who’s on duty . . .  and decides to send Wesley Freakin’ Crusher to "discreetly" sneak a peek at Data. Worf says, "Uh, excuse me, Commander, but since I’m kind of in the security department and all, and I’m a big old Klingon, shouldn’t maybe I go check this out?"

Riker replies, "I’m not going to lie to you, Worf: we all know that if there’s anything funky going on down there, you’re just going to get your ass kicked. So I’m sending the Boy Wonder and his giant brain instead."

Wesley jumps up from his console and shouts, "Wheee! I’m in Starfleet!" as he runs like a pixie to the turbolift.

Worf growls, but inside he’s secretly grateful that he’s staying safely on the bridge.

Lore, disguised as Data, is contacting the crystalline entity when Wesley shows up, and discreetly checks up on him thusly:

Wesley: Hi Data! Look at how totally in Starfleet I am!
Lore: Hello, Wesley! I am not Lore, I am Data! Look at Lore who is on the floor while I, Data, am standing here doing nothing suspicious!
Wesley: Wow, that sure does look like Lore! Neat! I’d better not call security or anything since nothing suspicious is going on here. Oh, before I leave, here are all the reasons I, and everyone else on the ship would suspect that you were actually Lore, disguised as Data, contacting the crystalline entity so it could come and eat our brains.
Lore: Hey, it’s not unreasonable, I mean, it’s not going to eat your eyes.
Wesley: Hey, did you know that I’m in Starfleet? I talk to the captain! I think I’ll go talk to him now! Wheeee!
Lore: Thanks for dropping in and observing that there’s nothing suspicious going on here. Run along now, you little scamp!
Wesley: Wheeee!

I also realized that my memory of Datalore is as divorced from reality as George W. Bush. I liked this episode a lot when it first aired, but watching it now, all I can see are gigantic plot holes and inconsistencies that never should have made it past the first draft. Gene is credited as the writer on this one, but it was done at a time when his health was rapidly failing, and I see Maurice Hurley’s hacky fingerprints all over it.

I’m turning it in to my editor at TV Squad later today, and I’ll link it when he pushes it live.

Can media conglomerates afford to pay the writers?

Posted on 28 November, 2007 By Wil

As someone who hopes to be in the WGA one day, and as a current SAG member (and former member of the Board of Directors) I am in complete and total solidarity with the Writer’s Guild. It’s quite heartening to me, also,  to see that so many people refuse to be fooled by the lies that the six companies who control all of the media have been trying to spread.

The AMPTP has been successful (and helped by the news media they own) in spreading FUD about the things the writers are asking for. This post at United Hollywood puts some important numbers into perspective:

"But can the corporations really afford to pay you what you’re asking for?"

Let’s
set aside for the moment the issue of what the congloms say in their
press releases to us (which is basically "There’s no money! Ever! And
if there was, we spent it all on other projects that lost money so it’s
gone! Forever! We’re broke! We’re having to rent our yachts!") and focus on some hard numbers thoughtfully provided by Jonathan Handel on the Huffington Post yesterday.

He
writes an excellent (I think) and even-handed analysis that takes into
account the effect pattern bargaining will have in calculating real
numbers of what we’re asking for, and what it will cost the companies,
individually, to pay us.

It comes, by his calculation, to $125 million per conglomerate per year — if we got every single thing we’re asking for.

That, by the way, is less than the $140 million Disney spent to fire Michael Ovitz for 15 months of work.

Also, Carson Daly is still an epic douche.

Also, also:

And finally, a meager contribution from the actor half of me:

Speechless

186, and some other NUMB3RS

Posted on 21 November, 2007 By Wil

The good news is that I packed and labeled 186 books to be shipped. Of  those 186, about 30 are international orders that still need customs forms and postage, but the rest are ready to go. This brings us to the bad news, which is that I just finished now, an hour after the post office closed, the day before a holiday. So if you were in the first 186 and you’re in the US, your book will ship Friday morning. If you were in the first 186 and you’re somewhere other than the US, it will ship by Saturday. (According to my fuzzy math and hazy memory, the first 186 would be between noon and 2pm PST on Sunday, if you’re wondering.)

Ryan’s coming home for Thanksgiving, so I think I’ll have non-computer priorities until he goes back to school on Sunday, so this is a weekend farewell from me. Thanks for being part of an awesome (if short) week, and if you’re traveling in the next few days, I hope it’s as hassle-free and enjoyable as possible. Airborne is sugary crap; take Emergen-C. And wash your hands. A lot.

Oh! I keep forgetting to mention: I’m on NUMB3RS this Friday night. The episode is called "Graphic." I’ll have a post at TV Squad about working on the show sometime on Friday.

Colbert Report writers on the strike

Posted on 16 November, 2007 By Wil

Yesterday, The Daily Show writers gave us their take on the WGA strike, and today the writers from The Colbert Report share some Truthiness:

Quoth John Scalzi: This is why it’s not smart to get into a snit fight (or labor dispute) with a writer. Because they write. Which means they know how to make you look bad.

Not the Daily Show explains the writer’s strike

Posted on 15 November, 2007 By Wil

If I haven’t made it clear already, I fully support the Writer’s Guild of America. I’m happy to note than a clear majority of Americans does, too.

If you’re unclear on the main reasons the WGA is on strike, allow one of the writers from The Daily Show to explain it.

Uh, you should actually watch it, uh, anyway, even if you already understand the issues behind the strike, because it’s the closest we’re going to get to The Daily Show for quite some time, I fear:

Man, I miss The Daily Show. Those guys are awesome writers, and they deserve better than they’re getting from the AMPT.

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