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50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

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WIL WHEATON dot NET
WIL WHEATON dot NET

50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

Category: WWdN in Exile

The party started at eight. Why are we going to a bar at ten?

Posted on 16 March, 2006 By Wil

Trent: They’re gonna give daddy the Rainman suite, you dig that?
Mike: Do you think we’ll get there by midnight?
Trent: Baby, we’re going to be up five hundy by midnight!
Mike: Yeeeeaaaaahhhhhh!
Trent: Vegas baby! Vegas!
Mike: Vegas!

-Swingers

The briefest of updates: I heard back from my manager about the Sci-Fi hosting gig. It’s all very good news, but I can’t talk about it until Monday.

Okay, maybe I can talk about it a little bit: They really liked me.

There are still about a million things that have to happen before it turns into a job for me, but at least I know that they liked me, and liked what I did. That’s all I can ask for, right?

state of the exile

Posted on 16 March, 2006 By Wil

The day I got the WWdN database fixed, and had all the old WWdN entries rescued and readable was the day I found the path out of Exile.

Now that I know there are two ways out of this prison (in a pine box, or through that large opening over there that we all like to think of as "off limits, as a favor to me,") it doesn’t make a whole lot of sense to me to stay here.

Which brings me back to the Typepad vs. MT w/plugins issue. I spent a lot of time thinking about what I like about Typepad, that MT 3.2 doesn’t have out of the box, and I came up with three things: Typepad has a great WYSIWYG editor, it easily and seamlessly handles uploading images and enclosures, like the RFB files, and all those little things on the right side are so easy to add and remove and update, I can’t believe I ever did any hand-coding of tables and filled them with php includes (which I also had to create and edit by hand.)

But I miss WWdN, and all its lameness and non-W3C-compliance. I miss its out of date FAQ and musical suggestions. I miss its clunky archives and the sense that, even though it’s a shitty house, it’s my house, goddammit.

Redesigning issues aside, can I move back to WWdN and still have as much control as I have right now? And most important: will it be easy?

I’ve been playing around with three different editors that all have WYSIWYG editing, and various other features:

  • Flock, which is a browser that is built on top of Firefox with integrated blogging tools.
  • Performancing, which is a Firefox extension that puts a WYSISYG editor into your browser.
  • ecto, which is an editor and publishing tool that lets you compose and edit entries outside of your browser.

Flock is pretty cool. It’s got a nice editor, and I especially like how it seamlessly integrates Flickr images and del.icio.us bookmarks into your blogging experience. It integrates lots of tools and appears geared toward blogging and anything which involves a tag. If I was all about that sort of thing, I’d be really into flock, but since I’m not, I can’t see myself using it.

Performancing is also really nice. I love that it easily inserts technorati tags and adds del.icio.us bookmarks whenever you update one of your blogs, (if you want it to), and I love that it lets you see a ton of information on the page you’re viewing. It’s a free Firefox extension, and free is good.

But I think ecto is the way to go for me. It does all of the things that the other two do, and adds in too many features for me to list here. I was introduced to ecto when Xeni told me she uses it to update boingboing, and even though I have to buy a license for it, if it’s good enough for boingboing, it’s totally good enough for me.

Last night, while I was goofing off with ecto, I ended up quasi-live-blogging part of an episode of TNG:

I’m watching one of my favorite (and most heartbreaking) episodes of TNG, The Offspring. It’s one of the best episodes we ever did, and it nearly reaches  —

UGH!
There I am in the ugly grey space suit on Stage 9. I’m not acting very
well right here, even though the scene is really about the Admiral.
Nice package on Wesley, though. Eww. Gross.

Gods. Data
has to say good bye to Lal now. This always makes me cry a little bit.
Lal says, "I love you, father," and Data just looks at her and says, "I
wish I could feel it, too."

It’s such a testament to the writing
in this episode (and the actors in the scene) that Data didn’t end up
doing a cheesy "I love you too," thing. It’s so true to his character
that he remains emotionally unattached, because Data doesn’t have
emotions. (I always thought it was an insanely stupid fucking move to
give Data his emotion chip, like giving Geordi sight. Weak.)

Heh.
I just said, "Course is set, sir." See? That’s why I hated working on
TNG in those days. Even though the episode is great, just saying those
stupid lines bored me to. fucking. death.

Now G4 is running an
ad for Star Trek 2.0, which I think is going to be the dumbest thing to
happen to the original series in 40 years. And now, it’s time for
Futurama on [adult swim].

So I have three things left to do before I can return to WWdN (in this order):

  1. Find an editor that I like, that’s easy to use and reliable. I’m pretty sure I’ve done that.
  2. Figure out a way to easily update modular content for the non-blog areas of the site. This feels like it should be fairly easy, but I haven’t put all that much time into reading the MT forums or digging through the plug-ins. I suspect the answer is to use MT-Includes that are files linked to various MT Templates. Alternatively, I can figure out some sort of web-based php backend that will let me update all that information without having to go into an html editor offline, and ftp the damn thing whenever I want to make a chance. And don’t even talk to me about ssh-ing into the server and using vi from a shell prompt. Those days are long behind me. This is, I think, the stickiest widget.
  3. Complete the re-design. We’re working on this, and once we figure out a couple more things, it will go live very quickly.

 

laugh all you want but if you call too soon you might scare off a nice baby who’s ready to party

Posted on 15 March, 2006 By Wil

Mike: So how long do I wait to call?
Trent: A day.
Mike: Tomorrow.
Sue: Tomorrow, then a day.
Trent: Yeah.
Mike: So two days?
Trent: Yeah, I guess you could call it that, two days.
Sue: Definitely, two days is like industry standard.
Trent: You know I used to wait two days to call anybody, but now it’s like everyone in town waits two days. So I think three days is kind of money. What do you think?
Sue: Yeah, but two’s enough not to look anxious.

-Swingers

The audtion yesterday was fantastic. I thought I’d be there for thirty minutes or so, but I ended up working with them for almost three hours (and making it home too late for my Tuesday night poker game.) I read with six different women who are all in the running to co-host the show, and I was shocked at how much fun I had. If I book the job, I’d be the geek, she’d be the babe, and everyone in the audience would have something to enjoy.

In fact, when I got home, I told Ryan, "Dude. I had the best afternoon: I got to sit with beautiful women and talk about Sci-Fi! Three of them were former Miss USA contestants, and one of them was Playmate of the Year for 2005."

"Dude." He said. "You are my hero."

I have this post-audition ritual: after I leave, I find the first trashcan and dump my sides in it. It’s how I let go of the whole thing, because I’ve already done everything I can do, you know? I’ve pushed my chips into the pot with the best of it, and now I have to wait for five cards to come out and hope that I win when it’s all over.

This time, I did dump the sides and my note cards (I have the notes on my Powerbook for easy re-printing, should I get called back) and I’ve tried to get on with my life . . . but holy shit is it hard. I had so much fun while I was there, and the prospect of getting a weekly gig where I get to geek out about Sci-Fi stuff — and get paid to do it! — is just too much. I’ve already called my manager twice today to see if we’d gotten any feedback.

"I haven’t heard anything, yet," he said, the second time I called. "Normally, I’ll call the next day, but if they don’t call . . ."

"It’s like you just met a girl in a bar, and you don’t want to screw it up by calling too soon, isn’t it?" I said.

He laughed. "Yeah, it’s exactly like that."

"So . . . are we calling today?"

"I think it’s best to wait until tomorrow, because they have to take your tapes to executives, get approvals, and all sorts of things."

"So, what, two days?" I said.

"Yeah, there’s a lot of things that have to happen before they give us any feedback, so we’ll just have to wait until we hear from them." He said. "Then there’s the whole negotiation thing, too."

"You’ll call me, right?"

"I’ll call you right away." He said.

I hung up the phone and looked at the calendar. I thought about drawing a circle around the 17th. I may have done it.

I’m sure I’m going to feel like a real jerk if this doesn’t happen, but
I love this feeling of excitement and optimism that I have right now. It’s much nicer than the usual alternative.

delivery for i.c. weiner

Posted on 15 March, 2006 By Wil

I absolutely love that one particular kind of pepperoni pizza that you get at the mini golf course.

You know the one: it’s cardboardy, the pepperonis are usually burnt a
little bit, and the cheese burns the everlovingfuck out of your mouth
when you bite into it, just before it slides off in one whole piece and
sticks to your chin or falls onto your Journey concert shirt.

If I could eat that pizza while I listened to Hall & Oates and
played Space Invaders, I could be in fourth grade for the rest of my
life.

Grand Slam 2006 – Day Three

Posted on 13 March, 2006 By Wil

Riley woke me up at 6 on Sunday morning. Then Ferris re-woke me up at 7:30. I finally gave in and got out of bed at 8. On a Sunday. So very, very wrong.

I moved in ultimate slow motion and didn’t get to the convention until just before noon. I set my stuff up on my little table, sat down, and thirty seconds later discovered that I really didn’t want to be there. It was cold, I was tired, the crowd was very, very small, and the people on stage were too interesting to miss.

So I packed up my stuff, trucked it back to my car, grabbed my camera and iRiver, and did something I haven’t done for years: I walked around the Grand Slam convention as a fan.

I listened to astronauts talk about doing for real what I used to do for fakes, which was nothing new for me (I’ve had the great fortune to meet and talk with several different astronauts over the years) but is also something I will never, ever, take for granted. These guys have been telling the same stories for nearly forty years, but whenever they talk about blasting off, or looking back at Earth from orbit, they could have just stepped out of the capsule after landing. Their enthusiasm for science and their ability to infect their audience with the same is something everyone should get a chance to experience at least once. I’m thrilled that Creation is bringing astronauts to their shows, and I hope they do more in the future.

After their talks, I wandered over to the dealer’s room, and took a few pictures. I’m happy to say that I only spent $15 before I left, on the coolest bit of geek ephemera I’ve seen in a long time (I purchased the d20 keychain) before heading back over to the main auditorium to listen to Ron Moore speak.

I knew Ron was coming to the show, because I’d read it in his blog late Saturday night, and I hoped that I’d get a chance to talk with him one-on-one, but I didn’t expect that I’d run right into him backstage before he went on.

He lit up when he saw me for the first time in over fifteen years, and my prepared speech about how I didn’t know if he remembered me flew out of my head. In one of those "hand on the car" moments, a series of images flashed through my mind in an instant, as I recalled some of the things he did for my character: Yesterday’s Enterprise, the first time I got to do something really different on the bridge; The First Duty, the first (and only) time we saw Wesley interact with his peers, act his age, and witness his angst-ridden humanity; and Journey’s End, the first (and only) time we saw Wesley as an adult, willing to take a principled stand against his father figure, Captain Picard. I felt a surge of emotion well up in my chest, and before I knew the words were coming out of my mouth, I said, "When we worked together on TNG, I was too young, and too immature to appreciate what you gave me as an actor, and what you did for my character. I know it’s fifteen years late, but I wanted to say thank you."

He smiled warmly. "Thank you," he said. "It really means a lot to me to hear that."

I wanted so badly to tell him how I’d do anything in the world to be on his show, but I couldn’t think of a way to say that without spoiling the moment, or coming off like a schmuck, so I just congratulated him on the success of the show, and asked him if he had as much creative control as he wanted.

"I do," he said. "I’m very lucky to work with great people, and the network is very supportive of what we want to do. Of course, we battle, but they are always good battles that make the show better."

He was called onto the stage before we could talk any longer, and as he stepped through the curtain to absolutely deafening applause, I felt happy. I’ve discovered that all I want to do as an artist (whether it’s acting, writing, or whatever) is make something that matters to people; and I know that to be true for all the artists I know, particularly the writers. Ron, like Joss Whedon, has done that, and I felt happy for him in that weird i-was-just-talking-to-you way when the crowd went nuts for him.

I recorded some of what he said on my iRiver; it’ll be on a future episode of RFB.

When Ron was done, I wandered around the con some more, talked to a lot of people, and managed to completely miss BIlly West’s talk, where I hear he announced that there will be new episodes of Futurama on FOX either later this year or early next year. I spoke with Billy after he was done, and he gave me enough industry-specific details to assure me that this is for real, so get ready for hawesomeness.

By this time, my lungs were gasping for air and —

Sorry. Nerdy MST3K reference that 5% of you will understand. I should also point out that nobody will be admitted during the exciting rock climbing portion of the film.

By this time, I was really hungry, so I grabbed Rod Roddenberry and his girlfriend Heidi, and we went across the street to the Yardhouse for pizza and beer and sashimi and beer and grilled chicken sandwiches and beer. When we were younger, Rod and I goofed off on the set whenever we got the chance, and as we’ve grown older, we’ve spent a lot of time sharing stories about his dad. Rod is an amazing person, and in ways that we both understand but can’t vocalize to anyone but each other, we’re like long-lost half-brothers. It’s always fantastic to spend time with him, and my only real regret for the whole weekend is that we didn’t have more time to catch up and goof off.

After we ate, it was nearly 5:30, and I had to pick the kids up at 6, so I made my way back through the convention hall to say some goodbyes. On my way in, someone said to me, "Frakes was talking smack about you onstage," and I instantly knew that Jonathan told the "you used to be cool" story. I laughed out loud and hoped wished there was some way I could stop time long enough to visit with him.

I found Jonathan backstage, and said, "I can tell, just by looking at you . . . "

"That you used to be cool," he said. He wrapped his arms around me and hugged me.

"W," he said, "it is so great to see you."

"You too," I said.

"Are you on your way out, or are you hanging around?" He said.

"I have to go pick up the kids," I said.

"How are they?"

"They’re great. They’re teenagers now, you know."

He chuckled and shook his head. "Man, we are getting so old!" I noticed that the impish glint I loved when we worked together, and always look for when I see him, was still in his eye.

"Are you well?" He said.

"Mostly," I said. "You?"

"I am great, man."

We talked as long as we could, about kids, and houses, and Star Trek and work and wives and all the things that I never could have talked about when I was younger. I just adore Jonathan, and I was genuinely sad when I saw that I had to leave to get the kids.

"I gotta go, Jonny," I said, "and I hope that it won’t be a year again before I get to see you, but i’m pretty sure it will be."

"You look great, W," he said. Then he pointed at the huge screen that made up the back of the stage. "But not as good as Avery."

Avery Brooks did look great. He looked cooler than Shaft, and more stylish than anyone else in the convention hall.

"He’s really fucking up the cool curve for us, isn’t he?" I said.

"Ah, don’t worry, W," he said with a grin. "I can tell just by looking at you that you used to be cool."

"You too," I said.

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