Skip to content
WIL WHEATON dot NET WIL WHEATON dot NET

50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

  • About
  • Books
  • My Instagram Feed
  • Bluesky
  • Tumblr
  • Radio Free Burrito
  • It’s Storytime with Wil Wheaton
WIL WHEATON dot NET
WIL WHEATON dot NET

50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

the night is dark and full of terrors

Posted on 27 July, 2015 By Wil

My sleep tracker says that I slept for 8 hours last night, but it’s lying. I slept for about 3 minutes, because I spent the rest of the time I was in bed trapped in a stress dream that touched nightmare territory from time to time, but was so weird it’s worth sharing.

I was in a play, but I didn’t know my lines, or what I was supposed to do. This is a very common theme in my stress dreams.

The play was being performed in a pop-up banquet tent at my Aunt Val’s house in the valley. The geography of the house was distorted in that weird way that dreams distort things to make them fit together in ways that would never work in our waking world. In this case, her back yard was big enough to hold about two hundred audience members in the tent.

So far, this is just a standard stress dream, and this is where it gets weird and worth writing about.

  • The play was a version of Star Wars.
  • This version of Star Wars had been adapted to fit inside the Welcome to Night Vale universe.
  • The entire cast was playing characters from Welcome to Night Vale, but none of them were the actual Night Vale cast members.
  • I was playing R2-D2. My costume was a blue hoodie.

In the dream, we had one rehearsal, while the tents were being set up. I saw my lines in the script, but I couldn’t get them to stay in my head. I don’t know why R2-D2 spoke instead of beeping in this version of Star Wars, but I suspect that it had something to do with it being set in Night Vale.

Time shifted, like it does in dreams, and the tent was full. The play was happening, and I was waiting to go on stage with two other actors. I think one of them was playing a version of Yoda or a Luke/Yoda hybrid for some reason. Again: Night Vale. The plastic wall of the tent (I’ve just now realized that the tent may have been selected by my brain because I’ve been reading The Martian) parted, and the three of us entered the scene together.

Only I was supposed to be on my knees, so I was, and I couldn’t move. You know, the way you can’t move in dreams sometimes.

So I’m R2-D2, in a Star Wars play that’s set in theĀ  Welcome to Night Vale universe, being performed at my dead great aunt’s house for an audience that’s far too big to fit in her back yard, and I’m stuck in the curtain, unable to move.

One of the other actors whispers to me that I need to follow her, and I’m doing my best to shuffle along on my knees, keeping my arms straight to look like R2’s legs, and I realize that the other actors are just standing there, waiting for me. I don’t know my lines, I don’t know when I’m supposed to say them, but I recognize the scene from the movie. We’re in the blockade runner, waiting for the Empire to board the ship. We’re in the end of a corridor … and that’s all I know. The other actors say their lines, look at me expectantly when I’m supposed to say mine, and I improvise whatever I think is supposed to go there. The scene lurches along for a few minutes, until I just decide that I’m done with it, and exit right through the back wall of the stage.

Once I get backstage, I take off my hoodie, and I make a decision: I’m going to just disappear. R2 isn’t that important to this version of the story, and it’s going to be better without me in it. So I stand up, and I walk down the side of my great aunt’s house toward the street, and I find myself on the side yard of the house I grew up in. According to the rules and physics of dreams, this makes complete sense, so I start walking around the house, pacing, as I try to talk myself into staying off the stage. Somehow, I end up inside my great aunt’s kitchen without actually walking into the house, and I realize that I can just find a script, put whatever my lines are into my short term memory, and muddle through the show. I can hear the other actors on the stage. The audience is silent. In fact, I realize now, that maybe the audience is entirely dead people (though that may be my awake version of making the story better, not like it needs help being weird).

But I can’t find a script, so I keep walking, and I’m starting to really freak out. I should be on the stage because I owe it to the other actors, but I really don’t want to go out there and embarrass myself and not know what I’m supposed to do. But I basically know the story, so maybe I can just go out there and say , “Beep beep boop” when I have lines. It will probably throw the other actors off a bit, but the audience won’t know and maybe it’ll even be funny.

I’m in the driveway of the house I grew up in. The car my mom drove in 1978 is parked in front of me. It’s hot and there’s a lot of dust everywhere. I can hear the actors on the stage improvising a scene because I’m not there. I’ve missed my cue. I panic and run toward the back yard. I go into the backstage area, which is in the side yard of my great aunt’s house. A stage manager is there, and she says, “you are supposed to be in this scene! You’re supposed to be on stage! They’re waiting for you! Go! Go! Go!”

I realize that I’m only wearing white underwear briefs, because that was the last element that was missing from my stress dream.

I don’t go onstage, because the actors move to the next scene without me. They come off stage, and I try not to make eye contact with them. I feel terrible. I know I messed up. I want to apologize, but I’m ashamed and embarrassed. They walk past me, and I see a big poster board, like the ones you use to make projects in elementary school. It has an invitation to the wrap party, and everyone’s name is on it, except mine.

The scene changes, and I’m in a park near my childhood home. It’s present day, and the whole thing has been developed. There are lots of condos and offices and other buildings along the perimeter of the park. This is a place my brain takes me in my dreams all the time, and it never looks the same, even though I know where I am.

Something is wrong. Something is sinister. Something is profoundly scary about this place, but I’m in a car or something, so I can at least drive past it in relative safety … but there is something or someone in almost every building, looking at me, and I’m terrified of whatever it is.

I wake up, because the alarm is going off. The weirdness and unsettled feeling of the dream is going to stay with me all day, like it always does.

wake me up i’m deep dreaming

Posted on 24 July, 2015 By Wil

I have to run out to work (I’m finishing an audiobook job today), but before I go, I wanted to share this gallery of super weird and interesting things I made yesterday using Google’s Deep Dream.

Gilligan's WTFIt’s surprisingly satisfying to make these things, and it’s a whole lot of fun to tweak the various settings to figure out what they do.

This is an incredible honor.

Posted on 23 July, 2015 By Wil

My performance of Ready Player One has been named one of the ten best narrator and audiobook pairings of all time on Goodreads!ten best narrator and audiobook pairings of all time

 

nothing up my sleeve

Posted on 22 July, 2015 By Wil

I’ve loved magic since I was a little kid — In fact, I still have some of the magic-show-in-a-box sets that my aunt Val gave me when I was growing up — and I always wanted to be a member at the Magic Castle, but I couldn’t, because I wasn’t a real magician. Recently, though, the Castle changed its rules, and started allowing a select number of non-magicians to join as associate members … and I was allowed to join! So now I can go and watch magic whenever I want, which is awesome.

Last Friday, Anne and I went on a double date with Chris Hardwick and his girlfriend, Lydia, to the Magic Castle. We had a nice dinner, and then we spent the evening watching magic shows, including a mind-blowing closeup show that we saw from the front row.

While we were sitting in one of the shows, laughing and gasping and marveling at the magician on the stage, I realized that the real power of magic, and the reason that I still love it now, at 42, as much as I loved it at 8 and 10 and even into my surly teens, is that when we get to watch a magician perform, we can feel the same sort of wonder and delight and joy that we felt the first time we saw magic when we were kids.

I think I’m going to dig out my books on sleight of hand (for you fellow magic enthusiasts out there, it may please you to know that I still have my original copies of Now You See It, Now You Don’t) and see if I can rediscover some of the skills I once had. Maybe I’ll take some classes at the Castle, too, when I have time.

Ah, time. If I were a real magician, I’d wave my magic wand and create more time for myself. That’s a trick worth learning.

there were errors

Posted on 21 July, 201521 July, 2015 By Wil

The entire purpose of this post is to get the error warning off the top of my blog. Apparently, this theme doesn’t like whatever was going on with the photo I posted yesterday. For the handful of you who care about things like this: It turns out that there was a URL shortening plugin installed that was causing the warning and the strange insertion into the header. I deactivated it, and reactivated the native one, so hopefully that will fix things.

  • Previous
  • 1
  • …
  • 112
  • 113
  • 114
  • …
  • 775
  • Next

Search the archives

Creative Commons License

Ā 

  • Instagram
©2025 WIL WHEATON dot NET | WordPress Theme by SuperbThemes