a few memorable moments on the set at big bang theory

Posted on By Wil

A sharp knock on my door, seconds before it opened. The assistant director poked his head into my dressing room and told me they were ready for me on the stage.

I closed my book. “Here I go!”

We walked into the stage together, and I continued on into the set where we were rehearsing this particular scene. Kaley and Johnny were already on there when I sat down next to them.

“You should never take that hat off,” Johnny said to me.

I looked at him to see if he was being sincere, or giving me the business. Before I could figure out which one it was, he said, “it looks really good on you.”

I smiled. “You are one of my fashion heroes, so that really means a lot to me.”

Inside, I secretly felt cool for almost three whole seconds.

“I mean it,” he said.

“Thank you. That was very kind.”

Kaley dramatically put her script down. “WOULD YOU TWO GET A ROOM ALREADY?!”

I gave Johnny a sly look that he did not return. “Do you want to just sit on that couch together?” I asked.

We all laughed together, and the director called for quiet.

We ran the scene, and I killed a joke*. We ran it a second time, and I nailed the beats I needed to nail. I felt calm and focused and — for the first time I think, ever, since I started working on the show — like I really and truly deserved to be there. I’m not gonna lie to  you, Marge: it felt really good.

I thanked the director for the notes he gave me, and returned to my dressing room where I waited to be called back to the stage, to bring Evil Wil Wheaton (who is decidedly less evil than he used to be) back to life.

Later, I saw Melissa and Kaley waiting to run one of their scenes. “Let’s take a picture for the Internet,” I said.

“I really like that hat on you,” Melissa said.

“Thanks,” I said, “I was just lazy this morning and didn’t want to do my hair, because it’s just a tiny bit too long and I can’t get it to behave. But I’m getting compliments, which is pretty awesome.”

I held out my camera, and we took a silly picture that I put on Twitter.

The writers all came into the stage, and we ran the entire episode for them. Everyone laughed really hard in all the right places, and it’s pretty clear that this episode works. I can’t wait for the audience to see it on Tuesday, and I am so grateful that I get to be part of this wonderful experience.

 

*Note that this means I wrecked the joke, because I delivered the line poorly. This can be confusing to normal people who hear us talk about comedy, because when a joke works, we say that the joke “killed”. So: killing a joke is bad, but making a joke that kills is good.

Comedians are obsessed with death, I guess, or at least dying on stage.

midnight highway

Posted on By Wil

The second song on the Kill Bill Volume 1 soundtrack is a fantastic rockabilly number called That Certain Female. It has this great thick guitar riff with a lot of echo and delay and, for me, it conjures up images of Route 66 under a new moon, windows down and radio blaring as a ’58 Chevy puts miles between its mysterious driver and Chicago as fast as he can lay them down.

This music fills the dark and bug-spattered spaces between Amarillo and Tucumcari, staccato white lines flashing by in the headlights, the smell of exhaust and old tobacco swirling with dust.

Is he running toward something or away from something? Or is it a she behind the wheel? What’s in the trunk? What’s in the backseat? When we see the driver’s eyes in the rear view mirror, briefly lit by the glowing cherry of a cigarette, are they determined? Resigned? Afraid? Tear-stained? Vengeful?

Maybe they are all these things.

The road goes on.

 

 

Guest Post by Will Hindmarch: The Record

Posted on By Will Hindmarch

Will Hindmarch is @wordwill, a writer and designer of games, fiction, and more. He blogs at Gameplaywright and wordstudio.net. 

This is both a plug and a confession. Wil Wheaton is back on dry land, so I’ll make this quick. I’m terrible at interviews.

Almost ten years ago, at the foot of an unfinished Atlanta high-rise, I interviewed architect Turan Duda for Atlanta magazine. My assignment was for a one-page spotlight on creative people doing exciting work in the ATL — one page including a picture of the skyscraper. So it was more like one column of text.

I kept Mr. Duda trapped in that interview for an hour.

We talked about spatial design, about his history and his vision, about Atlanta in general. It was a good talk for the first 35-45 minutes, before I realized how long we’d been talking. Before I realized, I didn’t know how to end an interview. (Spoiler: It’s easy. End it like a conversation, maybe.)

Mr. Duda was very generous, obliging, and impressive to this newbie interviewer. I learned a lot that day about architecture and interviews … and almost none of it helps me when I’m interviewed myself.

Interviews with me make me nervous, whether they’re in person or in text. I’ve done a few interviews lately for my new tabletop RPG, Dark. (The Kickstarter ends today!) I talked online with the Misdirected Mark podcast and I was interviewed via email for this piece at The Escapist. I ramble and I talk too fast and I’m concerned that I’ll say something — something insipid or casual or thoughtless — that will undo or overshadow a work that I’ve spent a long time crafting.

John Updike once put it like this to Terry Gross:

Once you’ve put yourself on record in an interview, and you’re sort of thinking fast and saying the first thing that pops into your mind, basically, anything to fill up the air time or the reporter’s time, it’s a little disconcerting, when you’re younger than I, to realize that these remarks which you toss off, once they’re in print, have an equal weight with all the words that you’ve labored to polish and make come out exactly right.

[via]

Part of it, for me at least, is my Impostor Syndrome. Why should anyone be listening to what I think, right? Who the hell am I?

Here’s what helped me out: the live-lit storytelling scene. I co-produce a show in the Story Club series and we have an open-mic component to our events. It’s never been wasted. Everyone has stories to tell —  I’ve known that for a long time — and I think everyone should get a chance at a mic to talk about their passions, their projects, their past, and their plans. Some of these mics are mics, some of them are blogs, some of them are Twitter, some of them are cameras — whatever.

If you get the chance to tell your stories, take the chance. And if you get a chance to interview someone, to help them tell their stories, try it out. Ask your friends friendly questions. When you meet people, politely ask about them. Let’s get more stories told, more perspectives shared, and more voices at the mic.

It’s like what Wil did this week. He invited people to speak in his absence. He shared stories he might not have been able to tell on his own. Thank you, Wil.

Speaking of which, he’ll be back any minute and I’ve got to clean up. Think he’ll notice if I use his 3D printer to replace all the beer we drank?

 

Guest Post by Ryan Wheaton: Lawst Balloon, Part Two

Posted on By Ryan Wheaton

Ryan Wheaton is an aspiring fiction writer and graphic novelist. He’s been trying to grow a beard too. So there’s that.

(This piece was written in response to a prompt “about a lost balloon.” Part one appears here.)

“Fiona, please,” her mother said. “We’re already late and we don’t want to upset your Grandf—,” a trumpet cracked over an unseen intercom.

“Well, would you look at that,” a voice called out. “My, my, my, my, MY what a beautiful girl. You’ve grown up quite a bit my little Potato.” Fiona’s eyes widened in utter confusion.

“Honey, look up there,” her mother crouched down and pointed at a factory window. A dusted silhouette of a man waved frantically.

“My word, you’re even more majestic than I remembered. Please, please, come in, come in.” The trumpet sounded once more as the man disappeared from the window. Not a second later, a small hatchway swung out from the middle of the monstrous steel doors. Fiona stepped back as her mother dropped her hand and rushed forward. A balsa-framed man shuffled under the half-sized door frame and popped upright.

“Hello, hello, hellOOO,” he said, spinning in place.

“Oh, Grandfather. It’s been far too long,” Fiona’s mother said, bent halfway down, and embraced him. Her shoulder smashed into his nose and jostled his small spectacles.

“Oof,” he said.

Fiona hadn’t moved an inch forward and, in fact, had been slowly tip-toeing her way back to the car. She hoped that the displacement of her Grandfather’s glasses by her mother’s clumsy shoulders would allow her to flee beneath the cover of temporarily muddled vision.

“Fiona,” her mother said. “Fiona, get over here this second and give you Grandfather a hello and a hug.”

Fiona stopped mid-tip and set her toe back to the earth.

“Excuse me, young lady.” It was once her mother resorted to florid address that she knew any objection led only to public abjection. “Fiona Loreli Lawst, you turn right around, march over here, and give your Grandfather a hello and a hug immediately!”

Fiona grumbled before contorting her furrowed face into a plasticine smile.

“Hello Grandfather!” She curtsied before skipping toward him with a stomach full of molten disdain. Despite requiring a pink and purple step stool to reach most anything, Fiona’s Grandfather needn’t kneel nor crouch to greet her. Rather, he bent slightly at the waist and patted her head.

With his eyes squinted and a contented grin he said, “A happy hello to you, my sweet Potato.”

The blurred frantics of her mother’s hand signed, “hug hug hug!” Fiona begrudgingly leaned forward in the hopes this singular hug might suffice for any future expectations of expressed affection, but she groped only air. He had walked away.

“Come now, we have a few things to see, some things to do, and much, MUCH fun to be had. Now,” the double-steel doors howled on their hinges as he continued. “Now, I know it may not appear as ample in amusement on the outside,” his voice trailed a bit as he swung into a shadowed recess on the left wall. Fiona heard crunching gears and clacking buttons. Her mother stood beside her, clapping with anticipation. “… but, aren’t we taught never to,” he trailed off once more. Blue and red lights spun against the furthest wall while whistles and horns screeched and bonked. Her mother squeaked as she bounced in place barely able to keep herself contained. “… a book by her cover,” Grandfather bellowed. He cartwheeled out from behind his magic curtain cheering and dancing as the ceiling almost thirty feet above shattered into thousands of balloons that cascaded onto them in a kaleidoscopic hail storm. The stone wall they faced groaned as it began tottering and teetering. Fiona vaulted back as the immense slab slammed into the ground enveloping her in a cloud of soot and sand. Her mother wailed in delight. Tears sprinted from her eyes as she collapsed in ecstasy.

“It’s… it’s more wonderful, more exquisite than I recall,” her mother choked through tears. Her Grandfather rested his hand on her trembling shoulder. She whirled about, still on her knees, clasping his hand in both of hers.

“May — may I please,” she begged.

“Of course, my dear. There has never been a time you weren’t welcome to come back,” he beamed. She rose, still clutching his hand, “Thank you, oh thank you, Grandfather,” she stammered. “Fiona, Fiona, oh my sweet Fiona. You must come see. You must,” her mother’s eyes were shiny with hysteria.

“Go on, my dear. Fiona and I will only be a moment.” Grandfather removed a handkerchief from within his jacket and handed it to Fiona, “Here little Potato, wipe the dust from your eyes.” She gratefully took it and rubbed with ferocity. Through the cloudy sting and wobble of teardrops, her eyes refocused just as her mother vanished into the mass of dancing, flashing, laughing, singing, and spinning that had revealed itself. It was a golden-glazed paradise. It was in that moment Fiona understood that any prospect of happiness fate had attentively and thoughtfully laid out for the remainder of her life had been stomped out, extinguished, utterly ruined by comparison to the raw bliss that now ensnared her.

Her Grandfather rested his chin on her shoulder and whispered, “Breathtaking, isn’t it?”