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50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

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WIL WHEATON dot NET
WIL WHEATON dot NET

50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

a million seconds of perspective

Posted on 29 October, 2013 By Wil

We’re having work done on our house, and today they’re in the attic over my office. It’s so loud I can’t think in there, so I’m in my bed with my laptop, still in my jammies at 1:30pm. Talk about dressing for the job you want! I’m living the dream, surrounded by my very happy dogs and one very unhappy cat.

Our cat, Luna, is all black, so she spends October 28-November 1 inside every year, for her safety, because some people really suck. This doesn’t really bother her on the 28th, but by the middle of the day on the 29th, she makes it really clear that she hates us and would very much kill our faces in our sleep with murder death.

Now, because of the loud work in the house, and the construction crew walking in and out the front door, Luna is confined to the bedroom with me and the dogs, where she can let everyone know how truly and completely pissed off she is.

For much of the last hour, she has: tried to lay down on top of my hands while I type, made pancakes on my stomach while showing me her butthole, groomed my beard, bitten my chin, hissed and swatted at two of our three dogs (which Marlowe thought was an invitation to play, which was quite a disappointment to them both.)

Now she seems to have temporarily tantrumed herself out, and she’s at the foot of my bed, pointedly facing away from me, ears shoved back in righteous indignation and furious anger.

And people wonder why I’m a dog person.

Anyway, I’ve just taken a break from writing to watch some YouTube, including one of the most important videos I’ve ever seen from John Green. It’s something I needed to see today, and I think it’s something at least some of you will want to see, too. Take a few minutes and watch it, and I think you’ll be glad that you did.

I will pour you w00tstout tonight in Pasadena

Posted on 28 October, 201328 October, 2013 By Wil

Wil Wheaton Tap TakeoverAttention Pasadena and surrounding villages! Tonight, I’m joining my friend Greg Koch for a special tap takeover at the Stone Company Store!

We’re pouring a bunch of very special and rare Stone beers (2004 Double Bastard, anyone? How about the 03.03.03 Vertical Epic?) including our very own Stone Farking Wheaton W00tstout. I’m going to get behind the bar and pour beers, and I’ll probably drink some beers, too.

It’s going to be a whole lot of fun, it’s going to benefit the Pasadena Humane Society, and Anne’s going to be there with some of our 2014 celebrity pet adoption calendars for sale and autographing.

We’re doing our thing from 6-8pm tonight at 220 South Raymond. You can take the Gold Line to the Del Mar station, or if you’ve wanted an excuse to use Uber, they’ll give new customers $20 off your ride if you use the code “PHS” when you sign up.

some kind of verb, some kind of moving thing

Posted on 28 October, 201328 October, 2013 By Will Hindmarch

This guest post was written by Will Hindmarch, a freelance writer and designer of games and fiction. Read more at his blog at wordstudio.net.

A few years ago, inspiration struck me a few times in a row and I started work on a new tabletop game. It was a story game about journeys. I knew that much. Sitting down at my kitchen table, writing in my notebook, ideas collided and threw off sparks that I distilled in handwriting as quick as I could.

One idea sparked another. I wrote down design questions and then answered them, right there on the spot. Not every answer was right. I learned that much. Actually playing the game showed me new questions and confounded some of my answers. No worries, though, that’s just the way that goes. Onward.

A few months ago, I described this game to a friend of mine who digs these sorts of things. I discovered as I talked that the game felt pretty finished. I’d been testing it for years, playing it with a myriad of new players, but I didn’t know how to tell myself it was ready to show people. So when I described the game to this friend of mine and he said “That sounds great!” it gave me the jolt I needed to turn my notes into a manuscript.

I’d been sort of writing this thing, in bits and pieces in my head, for a year. I knew what I wanted to say but I had been slow to turn my thoughts into text. Part of it was fear: this was a new kind of game for me and I’d be measured against giants when it was done. Another part of it was … also fear: what if what I wrote sucked out loud? I write for a living and I still feel that way sometimes.

Odyssey by Will Hindmarch
Odyssey by Will Hindmarch

A few hours ago, I launched the crowdfunding campaign to pay artists (and me) to finish the game book. The game’s called Odyssey. I think it’s pretty good.

I wanted to make this thing. I’ve wanted to make this thing for a while. What I needed was to get excited. It was a spark of enthusiasm — from a friend I wanted to inspire — that helped make this thing.

We participate in the creation of so many things, sometimes without knowing it. I don’t know if my friend knows that his casual enthusiasm powered this project’s creation like a life-giving bolt, but it did. Sparks start engines.

I will rejoice as the madness consumes him.

Posted on 28 October, 2013 By Wil

Tonight, Anne and I took some friends who are visiting from out of town to ride the Ghost Train in Griffith Park. Unlike the Haunted Hayride, it’s not designed to be scary, just to be fun. We had a great time, and it was delightful. HOWEVER  …

…while we waited in the line, we were subjected to a nightmarish collection of Kidz Bop Halloween songs. This unspeakably horrible experience lead me to resolve that, when I am King Of The Universe, the asshole who made Kidz Bop a thing will be forced to live the rest of his life in a dark, damp, inescapable pit of misery where the Kidz Bop music he vomited upon an innocent and undeserving world plays on infinite repeat.

I will rejoice as the madness consumes him.

remembering lou reed and marcia wallace

Posted on 27 October, 201327 October, 2013 By Wil

So in 24 hours, two people who were hugely influential on my life have died.

I almost wrote “passed away” or “left us” because they feel more gentle, while “died” feels more raw, more uncompromising, more brutal, more … final. But that’s the way I feel this morning, so I’m leaving it. It’s an interesting example of how different words can mean the same thing but say it in distinctive ways.

I wasn’t into Velvet Underground when I was a kid, but I fucking loved Bowie. When I learned that there would probably not be a Bowie without Lou Reed, I dug into his catalog. I was in my early 20s, and mostly listening to punk and electronic music at the time. I fell in love with The Velvet underground, though, and it was very common for me to listen to Lords of Acid’s Lust, Tool’s Opiate, and the Velvets’ The Velvet Underground & Nico back to back to back.

I’ve written before about my introduction to The Simpsons when I was about 17 or maybe 18. Those first five season of the show, along with Ren and Stimpy, Beavis and Butthead, and MST3K basically created my sense of humor at a time when I was looking to cast off the trappings of youth and don the mantle of adulthood, not realizing that I was still very much a child.

I met Marcia Wallace once, briefly, when I worked with my friend Keith on his live talkshow in a theatre. She was kind and awesome and insanely funny. I never worked with her, but everyone I know who did just loved her. John Dimaggio positively adored her. The voiceover community is very small, much smaller than you’d think, but even within this tiny community there are a couple islands few people ever get to visit, and The Simpsons is one of them. Futurama was another, and it’s not surprising to me that they shared a few very talented performers.

I’m 41, and I have at least another 50 years ahead of me. Hell, by the time I’m an old man, science and medicine will probably done something to extend our lives even longer than that, but when two people who were so fundamental to my coming of age die, it makes me face my own mortality in a way that is a little more visceral than I’d like.

It seems like a lot of us who are in the creative community and in our 40s are hit pretty hard by Lou Reed’s death. By all accounts, he wasn’t the nicest person in the world, and one of those “don’t meet your heroes” kind of guys. But the music he created spoke to us at important times in our lives.

I was never part of the drug culture that Lou Reed wrote about, and I never had any interest in being part of it, but it was positively fascinating for me to read and hear about it from afar. His willingness to write plainly and honestly about being a junkie made me feel like he was saying to me, “Hey, kid, it’s okay to be a weird outsider. Let’s be weird outsiders together.”

I feel the same way about Kurt Cobain, for almost the exact same reason.

I think it’s kind of weird when people die and those of us who didn’t know them feel obligated to memorialize them, but here we are: Thank you, Marcia Wallace and Lou Reed, for being part of my life, even though you never knew you were.

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