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50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

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WIL WHEATON dot NET
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50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

I will pour you w00tstout tonight in Pasadena

Posted on 28 October, 201328 October, 2013 By Wil

Wil Wheaton Tap TakeoverAttention Pasadena and surrounding villages! Tonight, I’m joining my friend Greg Koch for a special tap takeover at the Stone Company Store!

We’re pouring a bunch of very special and rare Stone beers (2004 Double Bastard, anyone? How about the 03.03.03 Vertical Epic?) including our very own Stone Farking Wheaton W00tstout. I’m going to get behind the bar and pour beers, and I’ll probably drink some beers, too.

It’s going to be a whole lot of fun, it’s going to benefit the Pasadena Humane Society, and Anne’s going to be there with some of our 2014 celebrity pet adoption calendars for sale and autographing.

We’re doing our thing from 6-8pm tonight at 220 South Raymond. You can take the Gold Line to the Del Mar station, or if you’ve wanted an excuse to use Uber, they’ll give new customers $20 off your ride if you use the code “PHS” when you sign up.

some kind of verb, some kind of moving thing

Posted on 28 October, 201328 October, 2013 By Will Hindmarch

This guest post was written by Will Hindmarch, a freelance writer and designer of games and fiction. Read more at his blog at wordstudio.net.

A few years ago, inspiration struck me a few times in a row and I started work on a new tabletop game. It was a story game about journeys. I knew that much. Sitting down at my kitchen table, writing in my notebook, ideas collided and threw off sparks that I distilled in handwriting as quick as I could.

One idea sparked another. I wrote down design questions and then answered them, right there on the spot. Not every answer was right. I learned that much. Actually playing the game showed me new questions and confounded some of my answers. No worries, though, that’s just the way that goes. Onward.

A few months ago, I described this game to a friend of mine who digs these sorts of things. I discovered as I talked that the game felt pretty finished. I’d been testing it for years, playing it with a myriad of new players, but I didn’t know how to tell myself it was ready to show people. So when I described the game to this friend of mine and he said “That sounds great!” it gave me the jolt I needed to turn my notes into a manuscript.

I’d been sort of writing this thing, in bits and pieces in my head, for a year. I knew what I wanted to say but I had been slow to turn my thoughts into text. Part of it was fear: this was a new kind of game for me and I’d be measured against giants when it was done. Another part of it was … also fear: what if what I wrote sucked out loud? I write for a living and I still feel that way sometimes.

Odyssey by Will Hindmarch
Odyssey by Will Hindmarch

A few hours ago, I launched the crowdfunding campaign to pay artists (and me) to finish the game book. The game’s called Odyssey. I think it’s pretty good.

I wanted to make this thing. I’ve wanted to make this thing for a while. What I needed was to get excited. It was a spark of enthusiasm — from a friend I wanted to inspire — that helped make this thing.

We participate in the creation of so many things, sometimes without knowing it. I don’t know if my friend knows that his casual enthusiasm powered this project’s creation like a life-giving bolt, but it did. Sparks start engines.

I will rejoice as the madness consumes him.

Posted on 28 October, 2013 By Wil

Tonight, Anne and I took some friends who are visiting from out of town to ride the Ghost Train in Griffith Park. Unlike the Haunted Hayride, it’s not designed to be scary, just to be fun. We had a great time, and it was delightful. HOWEVER  …

…while we waited in the line, we were subjected to a nightmarish collection of Kidz Bop Halloween songs. This unspeakably horrible experience lead me to resolve that, when I am King Of The Universe, the asshole who made Kidz Bop a thing will be forced to live the rest of his life in a dark, damp, inescapable pit of misery where the Kidz Bop music he vomited upon an innocent and undeserving world plays on infinite repeat.

I will rejoice as the madness consumes him.

remembering lou reed and marcia wallace

Posted on 27 October, 201327 October, 2013 By Wil

So in 24 hours, two people who were hugely influential on my life have died.

I almost wrote “passed away” or “left us” because they feel more gentle, while “died” feels more raw, more uncompromising, more brutal, more … final. But that’s the way I feel this morning, so I’m leaving it. It’s an interesting example of how different words can mean the same thing but say it in distinctive ways.

I wasn’t into Velvet Underground when I was a kid, but I fucking loved Bowie. When I learned that there would probably not be a Bowie without Lou Reed, I dug into his catalog. I was in my early 20s, and mostly listening to punk and electronic music at the time. I fell in love with The Velvet underground, though, and it was very common for me to listen to Lords of Acid’s Lust, Tool’s Opiate, and the Velvets’ The Velvet Underground & Nico back to back to back.

I’ve written before about my introduction to The Simpsons when I was about 17 or maybe 18. Those first five season of the show, along with Ren and Stimpy, Beavis and Butthead, and MST3K basically created my sense of humor at a time when I was looking to cast off the trappings of youth and don the mantle of adulthood, not realizing that I was still very much a child.

I met Marcia Wallace once, briefly, when I worked with my friend Keith on his live talkshow in a theatre. She was kind and awesome and insanely funny. I never worked with her, but everyone I know who did just loved her. John Dimaggio positively adored her. The voiceover community is very small, much smaller than you’d think, but even within this tiny community there are a couple islands few people ever get to visit, and The Simpsons is one of them. Futurama was another, and it’s not surprising to me that they shared a few very talented performers.

I’m 41, and I have at least another 50 years ahead of me. Hell, by the time I’m an old man, science and medicine will probably done something to extend our lives even longer than that, but when two people who were so fundamental to my coming of age die, it makes me face my own mortality in a way that is a little more visceral than I’d like.

It seems like a lot of us who are in the creative community and in our 40s are hit pretty hard by Lou Reed’s death. By all accounts, he wasn’t the nicest person in the world, and one of those “don’t meet your heroes” kind of guys. But the music he created spoke to us at important times in our lives.

I was never part of the drug culture that Lou Reed wrote about, and I never had any interest in being part of it, but it was positively fascinating for me to read and hear about it from afar. His willingness to write plainly and honestly about being a junkie made me feel like he was saying to me, “Hey, kid, it’s okay to be a weird outsider. Let’s be weird outsiders together.”

I feel the same way about Kurt Cobain, for almost the exact same reason.

I think it’s kind of weird when people die and those of us who didn’t know them feel obligated to memorialize them, but here we are: Thank you, Marcia Wallace and Lou Reed, for being part of my life, even though you never knew you were.

I got better

Posted on 25 October, 2013 By Wil

“Is everything okay?” Anne asked me. She sat at our counter, and I stood on the other side, next to the microwave, watching my bowl of soup slowly turn around inside it.”

“No, it’s not,” I said, “I’m having a terrible day, and I know it’s because my brain is fucked up and I know it’s going to eventually get better but right now I just want to fucking scream because I feel irritable and anxious and overwhelmed and I know that there’s no logical reason to feel any of these things, but I also know that it’s my fucked up broken brain and I can’t do anything about it so I feel helpless and angry.”

I am, as you can tell, the master of the run on sentence.

“I’m trying really hard not to blow up at you for something you didn’t do, or yell at the dogs for barking, or just freaking out at everything … but it is really fucking hard and I’m just sick of this shit.”

The microwave beeped and I reached in to take the soup out.

“OUCH GODDAMMIT MOTHER FUCKER SHIT COCK FUCK SHIT FUCK!” I shouted, which is “Wil’s having a bad depression day” for “This bowl is very hot and I should have used something to protect my hands before I touched it.”

I yanked my hands out of the microwave, and took several deep breaths. “I’m sorry,” I said. “I’m really struggling today.”

“It’s okay,” she said.

“It’s not okay, but I appreciate you being patient with me.” I thought about the years — at least a decade — we were together before I got help for my depression. I thought about all the years that Anne and our kids had to deal with me freaking out at stupid things for no rational reason. I felt guilty, like I always do, even though I know that it wasn’t my fault.

I got a hot pad, and took my soup out. I waited several minutes for it to cool off, and I ate it. It was delicious.

Anne went to bed a little earlier than I did, and Seamus was snuggled up next to her when I got into bed. I slept soundly through the night, and woke up to Marlowe’s little puppy face just a few inches from mine. I kind of love it that she gets it into her head between 930 and 10 every morning that it’s time for me to get out of bed, so I get to wake up to a happy puppy every morning.

I pet her little face, and took a sort of emotional inventory. I noticed that all my systems were running normally, and the Very Bad No Good Day of Depression had passed. I felt as close to normal as I can feel, which is probably about 97% of normal (but who really wants to be completely normal anyway? Normal is boring.)

I got out of bed, made some coffee and oatmeal, and started my day. A few hours later, I went to a very important meeting. I can’t talk about the meeting I had, but it’s for something I love, something I’m super excited and proud to be part of, and something I hope I can talk about soon. The meeting could not have gone better, and as I walked to my car after it was finished, I was grateful for the incredible creative team I’m working with, and excited for our future together.

So I got better, and that’s the reason I’m putting these words down right now. I have depression, but depression doesn’t have me. I have bad days, I have really terrible days, and I have MMMMMARRAAAHHH days, like I did yesterday. Those days suck, but they always pass, and knowing why they happen, even if I can’t control them, gives me a great deal of comfort on the truly awful days.

If you’d told me yesterday, when I was at the nadir of my MMMMMARRAAAHHH that I would spend significant time today sitting in a room with people I like, alternately laughing my ass off and marveling at how clever and creative they are, I probably would have told you to stop being mean to me, because there was no way I’d ever be happy again.

And yet.

Thank you, hundreds-of-thousands-of-people-I’ve-never-met, for being kind to me when I was having a really MMMMMARRAAAHHH day. I hope you have a wonderful weekend.

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