50,000 Monkeys at 50,000 Typewriters Can't Be Wrong
Based on the responses I got to my very important question, it looks like I'll be performing something from Memories of the Future, maybe something from Memories of the Future Volume 2, something from Happiest Days, something from Dancing Barefoot.
I am also canceling the Wil Wheaton Anti-Formal Not Formal Unformal For Formally Being Not Formal due to lack of interest. Also I have to get some fancy clothes for me and my family now. #firstworldproblems
I’ve resisted using Facebook for years, mostly because I have a huge problem with the privacy policies. I’m really happy using a combination of Twitter, Tumblr, and Google Plus to do all my social media public life stuff, and I don’t really want to add something else.
But I’ve talked with friends who I trust and respect, people who create and produce awesome things for the Internet, and they have all told me that even if I don’t like Facebook personally, having at least some kind of Facebook presence is an important part of our public lives, especially because there are thousands and thousands of people who get online and never really leave Facebook… so I asked Felicia Day to help me figure out Facebook, and with her help I think I made the privacy things work as best as I can, so I can have a Facebook… thing. Page. Whatever. Like This. Something.
I know that a PR person would tell me to “spin” this as something I think is totally awesome, and brand something and interact with synergy excitement Bieber, but the truth is: I feel weird and not entirely comfortable doing it. I feel like I’m compromising something I’d rather not compromise. But I’m there because I know that even though I’m not crazy about Facebook, a lot of people are, and it’s silly to ignore all those people because I’m a cranky old man. Also, being on Facebook affords me some business opportunities that I wouldn’t otherwise have, and being able to support my family is more important to me than shaking my fist at a windmill every day.
I told my wife, “I know that I’m an adult, because I made a compromise that made me uncomfortable, because it was in my family’s best interest.”
Then I said, “But it still feels weird.”
So I have a Facebook thing, which I hope to turn into something cool, or at least interesting. If you care about that sort of thing, now you know about it.
Just so you know what to expect if you subscribe to it:
I have currently connected Twitter and Tumblr and occasionally my blog to the Facebook thing, so all my things are in one place. This means that there will occasionally be a huge flood of Twitter things or Tumblr things posting here automagically. Also, I say "thing" a lot.
I'm happy with this, and I honestly like having one place on the Internet that holds all of my stupid things together. I realize, however, that not everyone shares this opinion, and if you're one of those people, you should probably unsubscribe; no big deal.
A few other things you should probably know:
I've been there about a week, and I don't completely hate it. I read as many comments there as I have time to read, and I'm not able to respond as often as I'd like.
However, love it when some silly or stupid thing I did sparks a conversation between people who have nothing in common other than reading whatever that thing is. Maybe some of you will become real life friends, and come to a w00tstock together, and then you'll be all, "Hey, we met because we both liked that thing, and now we're here together." Then we'll all high five, take a picture, and post it online.
Okay, that's all. If you still want to subscribe to it, I hope it's worth your time.
Since I started tabletop gaming mumblecough years ago, I've always found storytelling inspiration from the RPGs. From designing my character and developing his back story, to building a world and populating it with allies and adversaries, the games I've played have lived on in my imagination long after I've gotten up from the table and put the dice back in their bag. But it wasn't until recently that I heard Steve Jackson say "all games are role playing games, in their own way", and I realized that there's just as much inspiration to be found in tabletop boardgames as there is in tabletop RPGs.
I've been playing the hell out of the tabletop and iOS versions of the game Elder Sign. In addition to having a whole lot of fun trying (and frequently failing) to save the world from The Ancient Ones, it's inspired me to dive ever deeper into the world that HP Lovecraft created in the 1920s. I've been reading his stories, listening to their audio versions, and nudging my subconscious toward developing my own short story set in his world. Whenever my mind wanders these days, it veers dangerously close to the Mountains of Madness.
If you'd told me a few weeks ago that a boardgame that takes 45 minutes to play (and its iOS version that takes about 20 minutes to play) would capture my imagination and inspire me to try my hand at writing a Lovecraftian story, I would have thought you'd uncovered a Secret Man Was Not Meant To Know… but here we are.
This is one of the wonderful aspects of gaming, that I think gets overlooked: when we play games, we're using our imaginations to bring cardboard and plastic to life. If we're lucky, that spark can start a fire that burns long after the game has been put away.
By the way, if you're interested in Lovecraft, but don't know where to start, you may want to check out the incredible collection of Lovecraft's complete works that Cthulhuchick put together, and listen to the fantastic Stuff You Should Know episode about the Necronomicon. I can't recommend Neil Gaiman's I, Cthulhu enough. I also found this collection of Lovecraft audio works at archive.org that's pretty comprehensive and very well produced.
Saturday, I'm heading down to America's Wang to get on a boat, because JoCoCruseCrazy 2: Cruise Crazier is setting sail on Sunday.
I hope that it lives up to this video that one of the cruisers (who named themselves Sea Monkeys) created:
I know, right? Check out the video he made last year, based on the Superfriends.
I know, right!? RIGHT?!
We had a great time last year, and I'm lucky and grateful to be invited back for more shenanigans and mirth-making.
If you're going on the cruise, I have a very important question for you: I get to perform one night on the cruise, and I'm building my set list. I already have some stories picked out that I think you'll enjoy, but I'd really like to know from actual audience members what you'd like to hear from me. You can pick anything from any of my books or blog posts, so feel free to dig into the archives, if you have time and interest.
Also: There are two formal nights on this cruise, which means you have to take a tuxedo or a suit with you, taking up valuable luggage and cabin space, just so you can wear it two times. When you're on vacation. Seriously.
I am totally going to get all formal'd up for the Paul F. Tomkins Memorial Moustache Formal and Fextacular, but I'll be damned if I'm going to let a cruise line tell me that I have to dress up for their stupid fancy dinners. Indeed, I have taken a stand against fanciness, and on the formal nights, I will be hosting the Wil Wheaton Anti-Formal Not Formal Unformal For Formally Being Not Formal in the extremely fancy Lido Buffet. Come as you are, (but, seriously, at least wear a clean shirt) and we will dine like triumphant Viking warriors. In fact, I think it would be hilarious if we dressed very nicely, right up to the edge of formality, but just short of it, to make a precious little point that nobody will really care about except us.
Seriously, people: we're going to be on a boat in less than a week.
So this is pretty rad:
Thanks to Felicia Day, who brought this to my attention