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50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

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WIL WHEATON dot NET
WIL WHEATON dot NET

50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

delivery for i.c. weiner

Posted on 15 March, 2006 By Wil

I absolutely love that one particular kind of pepperoni pizza that you get at the mini golf course.

You know the one: it’s cardboardy, the pepperonis are usually burnt a
little bit, and the cheese burns the everlovingfuck out of your mouth
when you bite into it, just before it slides off in one whole piece and
sticks to your chin or falls onto your Journey concert shirt.

If I could eat that pizza while I listened to Hall & Oates and
played Space Invaders, I could be in fourth grade for the rest of my
life.

there are many copies

Posted on 14 March, 2006 By Wil

Cylon
I
have an audition this afternoon to host a Sci-Fi show, and one of the things they’re asking us to do is conduct a mock interview with Edward James Olmos.

If I book this show, I’ll solicit questions from WWdN readers for the interesting guests whenever I can, so, without revealing any spoilers (I’m only on episode 5 of season 2.0),
if you could ask him anything about Battlestar Galactica, what would it be?

To be clear: I’m not actually going to talk with him. It will probably be a casting assistant, but they will want to see that I understand my subject, know how to move an interview along and react to the subject’s natural ebb and flow, and make with the occasional funny. I’m also pretty sure that I’m in a very unique position, with the ability to connect with WWdN readers and take a consensus question (does that make sense?) back to the interviews.

I think I’ll ask him the most controversial question I can come up with: Is Deckard a Replicant?

He won’t answer, but then again, who does?

Update: Thanks for your questions and discussion. For me, personally, I want to know about the father aspects of Adama and find out if it’s intentional that that thread of nurturing and inspiration runs through all of the great characters he’s played over the years (I suspect it is.) I also want to know how he’s dealing with being the new Picard/Kirk/Sisko/Malcolm character, and if he would speak at conventions, and get involved in all that fandom stuff that we all love so much.

I think I’ll present the WWdN consensus as: "Do you feel vindicated that your BSG is widely seen as the best SF series ever, especially since you advised original series fans (who were highly critical before the miniseries even aired) not to watch? Does it feel as cool to be a part of this as we all think it is?" I’ll mix in some comments about how there are TNG parallels, and then I’ll ask him if he’d like to grab a Flaming Moe after he show.

Well, I’m off now, so wish me broken legs!

odeo, eventful, isolatr

Posted on 13 March, 2006 By Wil

I have added Radio Free Burrito to Odeo.com, so if you’re an Odeo user, you can subscribe to the RFB, and do whatever you do when you’re an Odeo podcast listening guy. Or girl. Or flaming-moe-juggler. While you’re at Odeo, you can also listen to a bumper from All Over The Place (which needs a little more cowbell, but is still cool, and was created by the same guy who created the hawesome "trust him, he’s famous" RFB bumper.) Speaking of RFB, I found a band I like so much, I sent an e-mail to their label asking for permission to share one of their songs on a future podcast. I’ll let you know if they laugh at me.

Eventful is a service similar to Upcoming.org, which allows you to find out when an artist or event you dig is coming to a venue near you. What sets Eventful apart is a spiffy feature that allows people to let artists, authors, flaming-moe-jugglers and actors turned bloggers turned writers that there is a demand for them to appear in your hometown.

This is an extremely cool and useful tool for performers and their fans, because it lets us all know where it makes the most sense to schedule an event. For example, right now there is a demand for me to come speak or read or set up a spectacular display of dominoes that displays the Fijian flag and launches a balloon at the end in San Diego. But what if you’re not in San Diego? What if you’re in Phoenix? What if you’re in Chicago? What if you go to college in West Virginia? The cool thing Eventful lets you do is create your own demand, for your own area, and then share that demand (via e-mail or a blog, or an EAM or a complex series of rebus puzzles) with your friends from the same area, so they can join the demand. When enough people let an artist (or me) know that they’re interested in a performance, or a demon-purging in their town, the artist (or snake handler) knows that it’s worth his or her or its time and effort to come to your town. So what makes the "demand" thingy so cool is that fans can let performers know that there is a demand for them, and where that demand is. So if you want me to come bake bannana bread in Eugene, Oregon, but there’s already a demand for me in Portland, make a demand of your own, and if Eugene ends up with more demands than Portland, guess where I’m taking my ultra-portable oven?

I’ve added an eventful demandy-thingy over there on the right side of my blog, which you can use to let me know if you want me to come to your town for a reading, or a flaming-moe-juggling, or maybe even a sketch comedy or improv performance. I haven’t decided what the critical mass for me to come out is, and I suppose I’ll cry bitter tears of defeat when no more than 15 people want me to come anywhere. Thanks for nothing! And to think I played my harmonica for you while we were on the rocket ship X-M!

Finally, I’ve been skipping around all sorts of social network bookmark groupthink zeitgeist things lately, and I think I finally found the one for me. Created by my friend and occasional partner in crime, it is called isolatr.

Grand Slam 2006 – Day Three

Posted on 13 March, 2006 By Wil

Riley woke me up at 6 on Sunday morning. Then Ferris re-woke me up at 7:30. I finally gave in and got out of bed at 8. On a Sunday. So very, very wrong.

I moved in ultimate slow motion and didn’t get to the convention until just before noon. I set my stuff up on my little table, sat down, and thirty seconds later discovered that I really didn’t want to be there. It was cold, I was tired, the crowd was very, very small, and the people on stage were too interesting to miss.

So I packed up my stuff, trucked it back to my car, grabbed my camera and iRiver, and did something I haven’t done for years: I walked around the Grand Slam convention as a fan.

I listened to astronauts talk about doing for real what I used to do for fakes, which was nothing new for me (I’ve had the great fortune to meet and talk with several different astronauts over the years) but is also something I will never, ever, take for granted. These guys have been telling the same stories for nearly forty years, but whenever they talk about blasting off, or looking back at Earth from orbit, they could have just stepped out of the capsule after landing. Their enthusiasm for science and their ability to infect their audience with the same is something everyone should get a chance to experience at least once. I’m thrilled that Creation is bringing astronauts to their shows, and I hope they do more in the future.

After their talks, I wandered over to the dealer’s room, and took a few pictures. I’m happy to say that I only spent $15 before I left, on the coolest bit of geek ephemera I’ve seen in a long time (I purchased the d20 keychain) before heading back over to the main auditorium to listen to Ron Moore speak.

I knew Ron was coming to the show, because I’d read it in his blog late Saturday night, and I hoped that I’d get a chance to talk with him one-on-one, but I didn’t expect that I’d run right into him backstage before he went on.

He lit up when he saw me for the first time in over fifteen years, and my prepared speech about how I didn’t know if he remembered me flew out of my head. In one of those "hand on the car" moments, a series of images flashed through my mind in an instant, as I recalled some of the things he did for my character: Yesterday’s Enterprise, the first time I got to do something really different on the bridge; The First Duty, the first (and only) time we saw Wesley interact with his peers, act his age, and witness his angst-ridden humanity; and Journey’s End, the first (and only) time we saw Wesley as an adult, willing to take a principled stand against his father figure, Captain Picard. I felt a surge of emotion well up in my chest, and before I knew the words were coming out of my mouth, I said, "When we worked together on TNG, I was too young, and too immature to appreciate what you gave me as an actor, and what you did for my character. I know it’s fifteen years late, but I wanted to say thank you."

He smiled warmly. "Thank you," he said. "It really means a lot to me to hear that."

I wanted so badly to tell him how I’d do anything in the world to be on his show, but I couldn’t think of a way to say that without spoiling the moment, or coming off like a schmuck, so I just congratulated him on the success of the show, and asked him if he had as much creative control as he wanted.

"I do," he said. "I’m very lucky to work with great people, and the network is very supportive of what we want to do. Of course, we battle, but they are always good battles that make the show better."

He was called onto the stage before we could talk any longer, and as he stepped through the curtain to absolutely deafening applause, I felt happy. I’ve discovered that all I want to do as an artist (whether it’s acting, writing, or whatever) is make something that matters to people; and I know that to be true for all the artists I know, particularly the writers. Ron, like Joss Whedon, has done that, and I felt happy for him in that weird i-was-just-talking-to-you way when the crowd went nuts for him.

I recorded some of what he said on my iRiver; it’ll be on a future episode of RFB.

When Ron was done, I wandered around the con some more, talked to a lot of people, and managed to completely miss BIlly West’s talk, where I hear he announced that there will be new episodes of Futurama on FOX either later this year or early next year. I spoke with Billy after he was done, and he gave me enough industry-specific details to assure me that this is for real, so get ready for hawesomeness.

By this time, my lungs were gasping for air and —

Sorry. Nerdy MST3K reference that 5% of you will understand. I should also point out that nobody will be admitted during the exciting rock climbing portion of the film.

By this time, I was really hungry, so I grabbed Rod Roddenberry and his girlfriend Heidi, and we went across the street to the Yardhouse for pizza and beer and sashimi and beer and grilled chicken sandwiches and beer. When we were younger, Rod and I goofed off on the set whenever we got the chance, and as we’ve grown older, we’ve spent a lot of time sharing stories about his dad. Rod is an amazing person, and in ways that we both understand but can’t vocalize to anyone but each other, we’re like long-lost half-brothers. It’s always fantastic to spend time with him, and my only real regret for the whole weekend is that we didn’t have more time to catch up and goof off.

After we ate, it was nearly 5:30, and I had to pick the kids up at 6, so I made my way back through the convention hall to say some goodbyes. On my way in, someone said to me, "Frakes was talking smack about you onstage," and I instantly knew that Jonathan told the "you used to be cool" story. I laughed out loud and hoped wished there was some way I could stop time long enough to visit with him.

I found Jonathan backstage, and said, "I can tell, just by looking at you . . . "

"That you used to be cool," he said. He wrapped his arms around me and hugged me.

"W," he said, "it is so great to see you."

"You too," I said.

"Are you on your way out, or are you hanging around?" He said.

"I have to go pick up the kids," I said.

"How are they?"

"They’re great. They’re teenagers now, you know."

He chuckled and shook his head. "Man, we are getting so old!" I noticed that the impish glint I loved when we worked together, and always look for when I see him, was still in his eye.

"Are you well?" He said.

"Mostly," I said. "You?"

"I am great, man."

We talked as long as we could, about kids, and houses, and Star Trek and work and wives and all the things that I never could have talked about when I was younger. I just adore Jonathan, and I was genuinely sad when I saw that I had to leave to get the kids.

"I gotta go, Jonny," I said, "and I hope that it won’t be a year again before I get to see you, but i’m pretty sure it will be."

"You look great, W," he said. Then he pointed at the huge screen that made up the back of the stage. "But not as good as Avery."

Avery Brooks did look great. He looked cooler than Shaft, and more stylish than anyone else in the convention hall.

"He’s really fucking up the cool curve for us, isn’t he?" I said.

"Ah, don’t worry, W," he said with a grin. "I can tell just by looking at you that you used to be cool."

"You too," I said.

Grand Slam 2006 – Day Two

Posted on 11 March, 2006 By Wil

Oh man, what a great day!

Firefly panel: HAWESOME.
G4 booth babes: HAWESOME
Talking with Brent: HAWESOME.
Reading and Q&A: HAWESOME.

I’m just too damn tired to get into the details now, but I have lots of great notes, and I recorded my entire talk for a future RFB.

I’m going to fall into bed, now.

Update: Actually, there is one thing really worth adding right now, while the memory of it is still more visceral than intellectual.

The last question I took during my Q&A (the first I’ve done in several years) was about Michael Piller. A woman asked me if I could comment on Michael, and what it was like to work with him. All my comments are recorded, but they can be distilled down to this: Michael was brilliant, and he made The Next Generation great. When I was done, and sadly after I’d switched off my recorded, Harry Kloor, a friend of mine who is an accomplished writer and producer, walked up to the stage, and he said, "I wrote for Michael. He was like a father to all of us."

I turned the microphone back on, and told the crowd, "There’s something I think you should hear, that’s important."

I gave the mic to Harry, and he said, "I just told Wil that Michael was like a father to all of his writers. He could be stern, he could be tough, he could be nurturing, and he could be supportive. And he made all of us want to be — no, he made us better writers."

I thought it was a wonderful tribute to Michael’s memory and his legacy: he didn’t just leave us with amazing television like Star Trek and The Dead Zone; Michael also helped a lot of writers discover and achieve their potential. He cast a stone into a pond, and the ripples (like Battlestar Galactica, for one) are just beginning to show.
 

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