When I was under a deadline to finish Just A Geek, I couldn’t wait to “feel like it” to work on the book. I had to give myself a schedule and stick to it, no matter what. I had to figure out a few things:

1. When was I creative?
   • Morning?
   • Night?
   • Middle of the day?
2. How long could I write before I reached the point of diminishing returns?
• Three hours?
• Four Hours?
• 1000 words?
• 5000 words?
3. Why do I enjoy abusing the <li> tag so much?

It took a couple of weeks to discover that I write best in the early morning. I guess this is because I can pull things out of my mind before new things have been planted in it. I also figured out that I can be creative for about three hours, and I’ll usually get anywhere between 1000 and 5000 words out during that time. Occasionally, I’ll get more, and sometimes I end up throwing away the whole lot of them.
I’m sure this is just fascinating, but it’s got a point: Yesterday, I put myself back on the official writing schedule, so I can complete at least one of the two books I’ve been working on. One is a Dancing Barefootesque collection of stories about being a stepfather. Ryan suggested the greatest title of all time: Would you like kids with that? The other is an anthology of poker stories, starting with Lying in Odessa, and ending up at the WPT Championship. It’s got Viva Las Vegas, Fish On!, the as-yet-unpublished story behind The WPT Hollywood Homegame, and a lot of new material. When I was in Vegas, I talked with a lot of pros who agreed to give me interviews for the book, and I think I have a really cool idea that’s never been done with one of these Big Deal Positively Fifth Street Diary of a Mad Poker Player (ie: narrative) poker books. I’ve got a working title for that one, which I really like . . . but I’m not going to reveal it until I can register it with Bowker.
I’m pretty sure that writing each morning will kick up other sorts of creativity that will turn into (hopefully) cool blogs . . . but the rest of the time, I’ll be working on these two new books.
It feels good to have something to do.

The show was great. When we all walked backstage, we were happy and satisfied. Travis gave us all good constructive notes. This show is just going to keep getting better.
While I changed out of my costume and back into my regular clothes, Matt asked, “Are you coming next door for a drink?”
As I’ve written before, the esprit de corps I feel with the cast — the post-show bonding and goofing off — is the greatest reward I get for doing the show, but . . .
“Actually, I’m going to call Anne and Nolan and see if they’re awake. If they are, I’m going home to hang out with them.”
Matt is probably the only person in the cast who won’t tease me too much about ditching the them to be a family guy.
“Cool,” he said, “Maybe I’ll see you next door.”
“Maybe.” I finished changing and closed my locker.
I walked out the back door of the theater, and pulled my cellphone out of my pocket. When I opened it, Felix’s little face looked up at me.
“Hi The Bear,” I said, as I speed-dialed my house.
Anne picked up after one ring.
“Hi Puss,” she said, “How was your show?”
“I had fun,” I said. “The audience was a little weird, but I think we did a good performance anyway.”
“How were they weird?”
“There was this huge block of people who were ‘smilers’ rather than ‘laughers.’ I think they enjoyed themselves, but they were so quiet, it sort of sucked the energy out of the house.”
“I’m sorry,” she said. “Are you coming home?”
“That’s why I was calling. If you guys are awake, I’ll come home right now.”
“Yeah, Nolan and I are just up watching COPS.”
COPS is our full-on guilty pleasure. One time, several years ago, Anne and I had a COPS-a-thon. We invited all of our friends. None of them showed up, but we didn’t care, man. We watched four hours of COPS alone, and it was awesome.
“Do you think you guys will be awake in forty minutes or so?”
“Yeah, I think so,” she said.
“Then I’m coming home.”
“Oh boy!”
I smiled. “Yeah, it’s like that. See you in a little bit.”
“Okay. Drive carefully. I love you.”
“I love you too.”
I hung up the phone, grabbed my stuff out of the dressing room, and walked out to my car. On the way, I passed through the bar where the entire cast was sitting together.
“Are you staying for a drink?” Margaret asked.
Margaret and I usually talk each other into staying out too late, having one more drink that we probably shouldn’t have, eating the junk food that’s been backstage for a week, but . . .
“No, I’m going home to hang out with my family,” I said. “Well, two thirds of my family. Ryan’s sleeping over at his friend’s house.”
“Tell Ferris I love her, and I hope she feels better,” Chris said, as I walked out of the bar.
“She knows. She keeps asking when you’re going to come visit her again,” I said.
I opened the door, and heard Chris tell Kurt, “His dog is the sweetest . . .” as I walked out into La Brea and got into my car.
I listened to The Drop on KCRW on the way home, and the drive was over before I knew it. I walked into my house around 11.
Riley met me at the front door. Ferris had surgery on her knee on Monday, so she won’t be meeting me at the door for at least five months.
I walked back to my bedroom, where my wife was sound asleep. Ferris was on the floor next to my side of the bed, wearing her “life of the party lampshade” cone.
“Hi Berris,” I whispered as I walked into the room. “Chris says he loves you and hopes you feel better.” She wagged her tail against the side of my bed and Anne opened her sleepy eyes.
“I think I fell asleep,” she said.
“I think you did,” I said. “I’ll see you in the morning.”
She rubbed her face and said, “Okay. I love you.”
“I love you too, honey.”
I walked around the side of our bed, and kissed her forehead. She smiled, and mooshed her head down into her pillow.
It always takes me a few hours to unwind after a show, and last night was no different. Though my house was asleep, and I was physically tired, my brain was still filled with adrenaline from performing. So I sat down in my office, and surfed The Internets.
After I read my e-mail and caught up on all my regular sites, it was only 11:30 . . . so I decided to hop onto PokerStars and play a tournament. You know, to unwind.
In these single-table games I don’t open without a super-premium hand, and I let the aggressive players beat the shit out of each other for the first few levels. Occasionally, I’ll pick up something to play with, but I’m primarily interested in establishing Fold Equity early on, and protecting my stack. Since I drew the 1 seat in this game, I got an entire round to watch the way my opponents played. It was pretty uneventful for the first level, but Seat 7 was one of the worst players I’ve ever seen: raising with draws, calling on the river when he was beat, always showing down when he got an opponent to fold . . . I thanked the poker gods for putting him at my table. I hadn’t played many pots. I opened a few times, but never really made a hand I could play after the flop. I was still about average, though, when I got into it with Seat 7:

PokerStars Game #161708xxxx: Tournament #750xxxx, Hold’em No Limit – Level II (15/30) – 2005/05/01 – 02:54:26 (ET)
Table ‘750xxxx 1’ Seat #7 is the button
Seat 1: [Wil] (1110 in chips)
Seat 2: (1620 in chips)
Seat 3: (1270 in chips)
Seat 4: (2580 in chips)
Seat 5: (2650 in chips)
Seat 7: (460 in chips)
Seat 8: (2180 in chips)
Seat 9: (1630 in chips)
Seat 8: posts small blind 15
Seat 9: posts big blind 30
*** HOLE CARDS ***
Dealt to [Wil] [Ac Kh]

Hey! Big Slick under the gun. I hate this hand in early position, but I think I’ll raise here. I’ve got some Fold Equity, so I will probably just steal the blinds, which is fine with me. If someone plays back, at least I have some kind of hand.

[Wil]: raises 70 to 100
Seat 2: folds
Seat 3: folds
Seat 4: folds
Seat 5: folds
Seat 6: raises 360 to 460 and is all-in
Seat 7: folds
Seat 8: folds

Easiest call I’ve made in days. This guy’s ready to pop, and something tells me this is an impatient short-stack push. He just lost a big hand, too, so maybe he’s steaming. He probably thinks I’m stealing, so I’ll gamble a little bit.

[Wil]: calls 360

He showed the Ad Qh. Well, I’m ahead, but just barely. And the AQ has been cockpunching me an awful lot lately . . .

*** FLOP *** [5c Tc Ah]

Okay, I’m still ahead. I wish I had one of those WPT percentage thingies in my head . . .
The turn was the 9 of spades.
Okay, this is a three-outer for him . . .

*** RIVER *** [5c Tc Ah 9s] [Qs]
*** SHOW DOWN ***
[Wil]: shows [Ac Kh] (a pair of Aces)
Seat 6: shows [Ad Qh] (two pair, Aces and Queens)
Seat 6 collected 965 from pot
*** SUMMARY ***
Total pot 965 | Rake 0
Board [5c Tc Ah 9s Qs]

Oh fuck me. The goddamn AQo! Will I ever win a pot against that hand?! I took a deep breath, and let it go. “That’s poker,” I reminded myself. I settled down, focused, and I played well. Very few draws unless I could get in cheap and with position, and I stole blinds when I felt the time was right. Like TJ says, “Timing is everything.”
Fun fact: According to Doyle Brunson in Super System 2, if you play in Texas, the AQ is called “The Doyle Brunson,” because, he says, he tries to never play that hand. Additional, Less-fun Fact: I really wish they’d put the / back into the title, so it’d be called Super/System 2.
I played my tight/aggressive raise-or-fold game, knocked a couple guys out, and found myself in at least third place. The big stack was about T10000, I was about T3000, and the short stack was Broomcorned down to T280. He pushed against me when I held the . . . wait for it . . . Ace of Clubs and Queen of Spades in the Small Blind. I pushed all-in, so I wouldn’t have to worry about the leader getting in cheaply to make some bullshit freak set or something, and he folded. The short stack showed the other, better-known, Doyle Brunson: 10-2.
The flop came Kc 3h Js, and I had myself an open ended straight draw.
The turn brought one of my three outs: the 10s, and I had Broadway. The river was the 2 of spades, and I was heads up!
The big stack was a very loose-aggressive player. After I busted Broomcorn’s Uncle, I had T3500 while he sat behind T10000. I knew I was only one all-in bet away from seriously challenging him, and the blinds were only 100/200, so I had a little bit of time — not much, but a little — to pick my spot. I had a perfect read on this guy: he was using his big stack to call everything, then betting at every flop. He’d taken just about all of Broomcorn’s stack playing this way, so it was likely that he’d play the same way against me. I don’t usually trap, but I knew that if I flopped a big hand, I’d easily make him pay me off.
We went back and forth for a while, and he played exactly the way I expected. He stole lots of blinds, but I stayed on my game. I made a few little moves when I figured he missed the flop, and I was lucky enough to be correct each time. I won a few small pots without having to showdown, and worked my way back to about even with him. I stayed patient: If I got the opportunity to use the rope-a-dope, I could probably bust him.

PokerStars Game #161728xxxx: Tournament #750xxxx, Hold’em No Limit – Level VII (100/200) – 2005/05/01 – 03:53:16 (ET)
Table ‘750xxxx 1’ Seat #3 is the button
Seat 1: [Wil] (6825 in chips)
Seat 3: (6675 in chips)
[Wil]: posts the ante 25
Seat 3: posts the ante 25
Seat 3: posts small blind 100
[Wil]: posts big blind 200
*** HOLE CARDS ***
Dealt to [Wil] [6s 6d]

Okay, I think I can raise here. He’ll play back at me, but I can afford to come back and at least see a flop.

Seat 3: raises 200 to 400
[Wil]: raises 800 to 1200
Seat 3: calls 800
*** FLOP *** [6h 7s 7h]

Yahtzee.

[Wil]: checks
Seat 3: bets 200
[Wil]: calls 200
*** TURN *** [6h 7s 7h] [3c]
[Wil]: checks
Seat 3: bets 2200
[Wil]: raises 3200 to 5400 and is all-in
Seat 3: folds
[Wil] collected 7250 from pot

Awesome. Possum. If I don’t screw this up, that could be the hand where he lost.

Seat 1: [Wil] (10450 in chips)
Seat 3: (3050 in chips)

Dude. I must admit: I felt like was out-playing this guy. I’d clearly read him as an aggressive (bordering on maniac) player, so I was able to adjust enough to stay alive, and wait for that moment when eventually he’d try to push me out when I held the nuts. (Yeah, I know that I can’t always sit back and wait for the nuts to make a play, but I got some luck when I needed it.)
We traded blinds for the next three hands. On the fourth hand, he moved all-in against me pre-flop. I had the Ace and Ten of hearts. It felt like a loose call, but I figured it was a stronger-than-average hand heads up. I guess I should figure out for sure if it is or not, right? I’ll probably have to make this decision again in the future . . . Anyway, it was a good chance to send him home, and if he won, I still had enough of a stack to keep going.
He showed the Ace of clubs and the 4 of diamonds. My heart started to beat a little faster.
The flop came Ks, Qd, 9s. It’s not quite “w00t” time, but I’ll at least take a deep breath.
The turn was the 9c. I’m still in the lead.
In the chat window, my opponent said, “gg.”
“Dude, *fantastic* game,” I typed back.
The river was the Kh.
Aw, fuck. We both made two pair, Kings and Nines. Our aces played, and we chopped.
“luck,” he said.
Is he talking about me or him? No time to worry about that. The cards were out. I had the 6d and the 3c. He pushed, I folded. He may be tilting, but there’s no way I’m calling with that trash.
On the next hand, I was the small blind.

Dealt to [Wil] [Ah Qh]
[Wil]: raises 800 to 1200
Seat 3: raises 3350 to 4550 and is all-in

Maybe the damn AQ will break my way this time.

[Wil]: calls 3350

He showed a King and a Jack, both of spades. Excuse me while I don’t get excited.

*** FLOP *** [7h Jh 5d]

Of course. Of. Fucking. Course. It was 12:56 in the morning. Riley was asleep at my feet. My office door was open, and any sound I made would certainly travel straight down the hallway and into my bedroom, where my slumbering wife’s sleep cocoon was the only thing which separated me from The Wrath.
In spite of myself, I said, out loud, “A Jack?! Motherfucker! Why does Ace Queen hate me so much?”
Wait. Are there two hearts on the board? Holy crap, there are two hearts on the board! I’ve got a four flush!
I quickly looked over my shoulder at the open door, then back to my computer. “Come on, Heart! Give me a Heart! Daddy needs a Heart!” You’d think I was at the final table of the WSOP.
After a long moment, the turn card came out

*** TURN *** [7h Jh 5d] [3h]

I shot my arms up into the air, and shouted “Yes! Flush, baby!”
Riley jumped up from under my desk and cocked her head at me. From my bedroom, I heard Ferris’ tail thump thump thump against the floor. I listened for The Wrath, but my outburst apparently failed to pierce Anne’s veil of sleep. When I get lucky, I really get lucky!
Seat 3 said, “gg,” as the River card came: the King of Clubs.
I won. Oh my god, I won! I stuck to my guns. I never lost focus, played my game, and I won.
I sat back in my chair, and smiled to myself. My console beeped that I had mail. I clicked into my desktop called teh mail and saw it

PokerStars Tournament #750xxxx, No Limit Hold’em
Buy-In: $5.00/$0.50
9 players
Total Prize Pool: $45.00
Tournament started – 2005/05/01 – 02:43:29 (ET)
Dear [Wil],
You finished the tournament in 1st place.
A $22.50 award has been credited to your Real Money account.

Congratulations!
Thank you for participating.

I’m often asked why poker is so popular right now. Is it because it’s on television all the time? Is it because guys like Phil Ivey, Erick Lindgren, and Daniel Negreanu are young, and seem like rock stars? Is it because anyone can buy into an event and have an opportunity to compete with the best in the world, something you just can’t do in any other sport?
Maybe it’s all of those things, but I think it has a lot more to do with the awesome rush I felt when I made my flush on fourth street. Yeah, I had only risked five bucks, and I only won 22 . . . but when the little window popped up and said “Congratulations! You’re the winner!” I felt like I’d taken home a bracelet.
Now, I needed to unwind from my unwinding . . . so I grabbed a Newcastle from the fridge, parked it on the couch, and watched SportsCenter. In all, not a bad way to spend an evening. Not bad at all.

The performance of Dancing Barefoot at ACME went well. I guess about 35 people came, and we had a great time together. It was about 40 minutes too long, but luckily for me, (and the audience) I performed for probably the only audience in the world who wouldn’t mind such a long show.
Because I was in Vegas, and then lost my Fat Boy, I never really had a chance to get excited or nervous about the show. It was just a commitment on my calendar that I had to prepare for. It wasn’t until I was driving down Beverly, near Highland, that I got that familiar rush of excited anticipation that comes before I do a show for the first time.
We played with a few different visual styles, but eventually chose to keep the stage very stark: it was just me, a mic stand, and a stool with some water on it. We put a color wash across the back wall that we could change when the stories changed (flickering orange for Inferno, red for flashbacks, and blue the rest of the time), and used spotlights to isolate me. I dressed in all black (if you saw ACME Love Machine, it was the same costume I wore for Untitled Office Sketch Number Nine.) After the show, I got several compliments from people who thought the staging was cool. Honestly? I thought it looked pretty cool, too. Mike and Travis did a great job putting it together.

I read Ready Or Not, Here I Come, followed by We Close Our Eyes, and then Inferno to finish the first act. After a brief intermission, I did most of The Saga Of SpongeBob Vega$Pants (or how i learned to stop worrying and love star trek).
I had a really great time, even though I made some serious gaffes a few times, like introducing Inferno: “This is called Inferno. It’s a love letter to my wife.” Pause. Frown. Look at book. Look at audience. “Wait. No it isn’t.” Pause. Swallow. Sweat. “This is called We Close Our Eyes! It is a love letter to my wife.” Pause. Look at book. Look at audience. Wipe brow. “Thank you for coming to my dress rehearsal.”
Then, when I read Inferno: “This is called Inferno.” Pause. Pause. Pause. “Maybe you’ve heard of it.”
I had a really good time, and I can’t wait to do it again. Travis and I are going to edit the hell out of it, so the second half is closer to 35 or 40 minutes, and the first half is closer to 25 minutes. We figure that Vega$Pants has three main bits: Meeting WFS, totally dying onstage, and going on Star Trek: The Experience. I’m going to take those sections, write some new “bridges” to tie them all together, and the result will be the second act.
I didn’t get the greatest audio, because I ended up going off the mic an awful lot, but we’re definitely going to do this again, and I’ll get good audio from a future performance.
I want to thank everyone who came out to watch the show, especially my Mom and Dad. As I said in the show, if you’re really lucky, maybe one day you will get the opportunity to be heckled by your own father. (It was really funny. You had to be there, I guess.) I know it was much longer than it should have been, and I really appreciate you all staying with me through the whole thing.
Update: There are only a few comments right now, but many readers have asked if a DVD or streaming video from ACME will ever be offered. We’ve thought about taping ACME shows in the past, but with a cast of 10, SAG and Equity rules make that sort of thing not worth the effort. However, since I am the writer and sole performer of this particular show, it’s a lot easier. Streaming is not an option, but a DVD certainly is. I’ll look into the costs, and see what I can do.

I spent much of yesterday writing for Dungeon and The Onion, and the rest of it playing some SNGs on Poker Stars (I cashed four of five times: third place three times and second once for a total gain of about 2 bucks. Go me.)
Anyway, when I woke up, I felt like I was just going to stare at the wall all day, and I’m glad I had responsibilities I couldn’t blow off, and something else to do that would keep my focus off my grief the rest of the time.
Late last night, though, I transferred some photos of Sketch from my digital camera into my iMac . . . I’d been teetering on the edge of hysterical grief all day long and that shoved me right off the ledge. I collapsed on my couch and cried until my chest hurt and my cheeks stung. I really, really miss him.
(And a huge thank you to everyone who has sent e-mails, and comments offering support and understanding. You understand what this loss means to me. To everyone else who thinks it’s a good time to be cruel and heartless: a huge go fuck yourself.)
Anyway, tonight I’ve got my performance of Dancing Barefoot at ACME. Just like the writing yesterday, it’s going to be tough to get up on my feet and focus, but I’m glad it’s there. As we say in showbusiness: The Show Must Go On.
Here are the details, reprinted from a couple of weeks ago:

In an effort to be more like my hero David Sedaris, I’m doing a live performance of Dancing Barefoot, which will be recorded and turned into an audiobook!
Details:

WHAT: Dancing Barefoot, live on stage!
WHERE: Acme Comedy Theatre (where else? 😉
135 N. La Brea
Hollywood, CA 90036
(323) 525-0202
WHEN: Tonight — Wednesday, April 27th at 8 pm.
TICKETS: $12

I will have a very limited number of Dancing Barefoot books for sale, and if you already own a copy that you’d like to get signed, please bring it out. I’m happy to do that.
I just love Dancing Barefoot. When I read from it, I get to revisit the great memories I wrote about, but I also get to remember how fun and exciting it was to write, publish, and release it. In contrast to the frustration and disappointment I experienced with Just A Geek, I have nothing but fond memories of the Monolith Press run of Dancing Barefoot.
This is going to rock! \m/

If you’re in LA (or near LA, or have a lot of blog readers in LA) would you help me out and mention this to your readers? I think it’s going to be a good show, and I’d like as many people as possible to know about it.
Update: My friend and fellow ACME Main Company Performer, Shane Nickerson, recorded a hilarious Video Blog about tonight’s performance. It’s the first real laugh I’ve had all week. Thanks, Shane. 🙂

About forty minutes after I landed back in Vegas yesterday morning, my kitty Sketch had a heart attack. He was in “His Spot” on my bedroom floor, and Anne held him while he died.
He looked fine when I left, so I didn’t even scratch his chest like I always do. I just told him, “I love you, Fat Boy. I’ll see you tomorrow.”
Anne said that it happened so fast, it was over before she had a chance to freak out.
I had to stay in Vegas and write about the final table of the championship, so my psyche just sort of put me into shock until I got home this afternoon. Since I walked into my house, I’ve been moving between the hysterical sobbing and the weird numbness.
I think I’m going to take a few days off, meet my deadlines, and cry a whole, whole bunch.