The call came while I was out, so I didn’t get the message until days later.
“Hi,” the young-sounding secretary said on my machine, “I have Rick Berman calling for Wil. Please return when you get the message.”
I knew.
I knew before she was even done with the message, but I tried to fool myself for a few minutes anyway.
I looked at the clock: 8 PM. They’d most likely be out, so I’d have to call tomorrow.
I told Anne that I had a message to call Rick’s office, and she knew right away also.
We’d thought about it for months, ever since I’d heard the rumors online. Of course, I tend to not put a whole lot of stock in what I read online…if I did I’d be overwhelmed with the sheer amount of hot teen bitches who want to get naked for me right now, and I’d be rolling in Nigerian money.
But it made sense, and I couldn’t fight what I knew in my heart to be true.
I returned the call late the next day from my car on my way home from work. I was driving along a narrow tree-lined street in Pasadena that I sometimes take when the traffic is heavy on the freeway.
Children played on bikes and jumped rope in the growing shadows of the July afternoon. The street was stained a beautiful orange by the setting sun.
“This is Wil Wheaton returning,” I told her.
She tells me to hold on, and then he’s on the phone.
“Hi kiddo. How are you?”
“I’m doing fine. You know I turn 30 on Monday?”
There is a pause.
“I can’t believe we’re all getting so old,” he says.
“I know. I emailed Tommy [his son] awhile ago, and he’s in college now. If that made me feel old, I can’t imagine what my turning 30 is doing to the rest of you guys.”
We chuckle. This is probably just small-talk, so it’s not as severe when he tells me, but it feels good regardless. Familiar, familial.
“Listen, Wil. I have bad news.”
Although I’ve suspected it for months, and I have really known it since I heard the message the night before, my stomach tightens, my arms grow cold.
“We’ve had to cut your scene from the movie.”
He pauses for breath, and that moment is frozen, while I assess my feelings.
I almost laugh out loud at what I discover: I feel puzzled.
I feel puzzled, because the emotions I expected: the sadness, the anger, the indignation…aren’t there.
I realize that he’s waiting for me.
“Why’d you have to cut it?”
This doesn’t make sense. I should be furious. I should be depressed. I shuould be hurt.
But I don’t feel badly, at all.
“Well, it doesn’t have anything to do with you,” he begins.
I laugh silently. It never does. When I don’t get a part, or a callback, or get cut from a movie, it never has anything to do with me. Like a sophmore romance. “It’s not you. It’s me. I’ve met Jimmy Kimmel’s cousin, and things just happened.”
There is an unexpected sincerity to what he tells me: the movie is long. The first cut was almost 3 hours. The scene didn’t contribute to the main story in any way, so it was the first one to go.
He tells me that they’ve cut 48 minutes from the movie.
I tell him that they’ve cut an entire episode out. We laugh.
There is another silence. He’s waiting for me to respond.
I drive past some kids playing in an inflatable pool in their front yard. On the other side of the street, neighbors talk across a chain link fence. An older man sits on his porch reading a paper.
“Well Rick,” I begin, “I completely understand. I’ve thought about this on and off for months, and I knew that if the movie was long, this scene, and maybe even this entire sequence, would have to go. It’s just not germaine to the spine of the story.”
He tells me that they had to consider cutting the entire beginning of the movie. He tells me that he has to call one of the other actors because they’ve suffered rather large cuts as well.
I stop at a 4-way stop sign and let a woman and her little daughter cross the street on their way into a park filled with families, playing baseball and soccer in the waning light.
I look them. The mother’s hand carefully holding her daughter’s.
I realize why I’m not upset, and I tell him.
“Well, Rick, it’s like this: I love Star Trek, and, ultimately, I want what’s best for Star Trek and the Trekkies. If the movie is too long, you’ve got to cut it, and this scene is the first place I’d start if I were you.
“The great thing is, I got to spend two wonderful days being on Star Trek again, working with the people I love, wearing the uniform that I missed, and I got to re-connect with you, the cast, and the fans. Nobody can take that away from me.”
“And, it really means a lot to me that you called me yourself. I can’t tell you how great that makes me feel,”
It’s true. He didn’t need to call me himself. Most producers wouldn’t.
“I’m so glad that you took the time to call me, and that I didn’t have to learn about this at the screening, or by reading it on the internet.”
He tells me again how sorry he is. He asks about my family, and if I’m working on anything. I tell him they’re great, that Ryan’s turning 13, and that I’ve been enjoying steady work as a writer since January.
We’re back to small talk again, bookending the news.
I ask him how the movie looks.
He tells me that they’re very happy with it. He thinks it’s going to be very successful.
I’m feel happy and proud.
I’ve heard stories from people that everyone had lots of trouble with the director. I ask him if that’s true.
He tells me that it was tough, because the director had his own vision. There were struggles, but ultimately they collaborated to make a great film.
I come to a stoplight, a bit out of place in this quiet residential neighborhood. A young married couple walks their golden retriever across the crosswalk.
We say our goodbyes, and he admonishes me to call him if I’m ever on the lot. He tells me that he’ll never forgive me if I don’t stop into his office when I’m there.
I tell him that will, and that I’ll see him at the screening.
He wishes me well, and we hang up the phone.
The light turns green and I sit there for a moment, reflecting on the conversation.
I think back to something I wrote in April while in a pit of despair: “I wonder if The Lesson is that, in order to succeed, I need to rely upon myself, trust myself, love myself, and not put my happiness and sadness into the hands of others.”
I meant everything that I said to him. It really doesn’t matter to me if I’m actually in the movie or not, and not in a bitter way at all.
I could focus on the disappointment, I suppose. I could feel sad.
Getting cut out of the movie certainly fits a pattern that’s emerged in the past two years or so.
But I choose not to. I choose instead to focus on the positives, the things I can control. I did have two wonderful days with people I love, and it was like I’d never left. I did get to reconnect with the fans and the franchise. Rick Berman, a person with whom I’ve not always had the best relationship, called me himself to tell me the news, and I felt like it weighed heavily on him to deliver it.
Nobody can take that away from me, and I’m not going to feel badly, at all.
Because I have a secret.
I have realized what’s important in my life since April, and they are at the end of my drive.
The dog-walking couple smile and wave to me.
The light changes.
Somewhere in Brooklyn, Wesley Crusher falls silent forever.
