The performance of Dancing Barefoot at ACME went well. I guess about 35 people came, and we had a great time together. It was about 40 minutes too long, but luckily for me, (and the audience) I performed for probably the only audience in the world who wouldn’t mind such a long show.
Because I was in Vegas, and then lost my Fat Boy, I never really had a chance to get excited or nervous about the show. It was just a commitment on my calendar that I had to prepare for. It wasn’t until I was driving down Beverly, near Highland, that I got that familiar rush of excited anticipation that comes before I do a show for the first time.
We played with a few different visual styles, but eventually chose to keep the stage very stark: it was just me, a mic stand, and a stool with some water on it. We put a color wash across the back wall that we could change when the stories changed (flickering orange for Inferno, red for flashbacks, and blue the rest of the time), and used spotlights to isolate me. I dressed in all black (if you saw ACME Love Machine, it was the same costume I wore for Untitled Office Sketch Number Nine.) After the show, I got several compliments from people who thought the staging was cool. Honestly? I thought it looked pretty cool, too. Mike and Travis did a great job putting it together.
I read Ready Or Not, Here I Come, followed by We Close Our Eyes, and then Inferno to finish the first act. After a brief intermission, I did most of The Saga Of SpongeBob Vega$Pants (or how i learned to stop worrying and love star trek).
I had a really great time, even though I made some serious gaffes a few times, like introducing Inferno: “This is called Inferno. It’s a love letter to my wife.” Pause. Frown. Look at book. Look at audience. “Wait. No it isn’t.” Pause. Swallow. Sweat. “This is called We Close Our Eyes! It is a love letter to my wife.” Pause. Look at book. Look at audience. Wipe brow. “Thank you for coming to my dress rehearsal.”
Then, when I read Inferno: “This is called Inferno.” Pause. Pause. Pause. “Maybe you’ve heard of it.”
I had a really good time, and I can’t wait to do it again. Travis and I are going to edit the hell out of it, so the second half is closer to 35 or 40 minutes, and the first half is closer to 25 minutes. We figure that Vega$Pants has three main bits: Meeting WFS, totally dying onstage, and going on Star Trek: The Experience. I’m going to take those sections, write some new “bridges” to tie them all together, and the result will be the second act.
I didn’t get the greatest audio, because I ended up going off the mic an awful lot, but we’re definitely going to do this again, and I’ll get good audio from a future performance.
I want to thank everyone who came out to watch the show, especially my Mom and Dad. As I said in the show, if you’re really lucky, maybe one day you will get the opportunity to be heckled by your own father. (It was really funny. You had to be there, I guess.) I know it was much longer than it should have been, and I really appreciate you all staying with me through the whole thing.
Update: There are only a few comments right now, but many readers have asked if a DVD or streaming video from ACME will ever be offered. We’ve thought about taping ACME shows in the past, but with a cast of 10, SAG and Equity rules make that sort of thing not worth the effort. However, since I am the writer and sole performer of this particular show, it’s a lot easier. Streaming is not an option, but a DVD certainly is. I’ll look into the costs, and see what I can do.