Leverage – The Two Live Crew Job

Early feedback from tonight's episode of Leverage is overwhelmingly positive, which delights me. I'm so happy to hear that so many people liked it.

If you've seen the show already, you may get a kick out of the pictures I took during production and just added to Flickr, but there are spoilers, so don't look if you don't want to see them. (And no fair complaining at me if you don't listen and get spoiled.)

I'm sure John will have a post at his blog in the very near future where you can ask him questions about the spin-off (with robots!) that I'm getting.*

If you have questions or comments for me about the show, feel free to leave them here and I'll do my best to respond in a timely manner. Seriously, I'll really appreciate the distraction.

*I'm not really getting a spin-off. That's my little joke. Ha! Ha! I am using the Internet!

“Hi, I’m Wil, and I’ll be playing the part of the Orange X.”

Trying to think about something else for a moment …

When we shoot a TV show or a movie, we often have to cheat our looks closer or farther away from the camera during our closeups.
Most of the time, the place we're supposed to look is marked with a piece of tape, like an orange X, for example.

When we shot the "showdown" sequence on Leverage, Aldis and I both had to cheat our looks on most of the shots, so whoever was on camera played a lot of the scene looking at a piece of tape while the other actor stood behind the camera and delivered his lines. There was one set up, though, where I was able to stand just to the side of the camera for him and he could talk directly to me. We were feeling silly that day, so I grabbed some tape and put an orange X right on my forehead. You know, for continuity.

"Hi, I'm Wil, and I'll be playing the part of the Orange X," I told him.
We all laughed, and I spent several minutes describing the different choices I make for different colors of tape.

"Playing the Red X is very different from playing the Blue X, and though I've tried my best, I've never really been able to nail playing a Green X."

My episode of Leverage, The 2 Live Crew Job, airs tonight on TNT.

I did a whole bunch of interviews last week to support tonight's show. If you'd like to read them all, here is a huge list that TNT publicity just sent me. Some of these links include video, too.

(Thanks to Marc Roskin, who took this picture with his iPhone and e-mailed it to me.)

end user: greetings from the future of filmmaking

I took a few minutes away from working on Leverage and writing my short stories to turn in an End User column that’s all about some of the stuff that’s been on my mind since I started working on Leverage:

I’m in Portland, Oregon, shooting an episode of TNT’s prime time drama, Leverage.

Just about every night after we wrap I meet up with my friend John Rogers, who is the co-executive producer and head writer for the show, to have a beer and decompress after a long day on the set. Whether we talk about filmmaking, comic books, nerdy geeky gaming stuff, or technology, a common thread runs through our conversations: it’s pretty awesome to live here in the future, we sure are lucky to get paid to make stuff up and entertain people, and holy crap has the industry changed since we first entered it.

Leverage is totally shot in the future. We use the Red One digital camera, we watch takes right after we finish them to make sure nothing went wrong, and we get our dailies via secure internet connection anywhere we have computers and WiFi. John told me that at least once, they realized they didn’t shoot a single or needed a tighter angle to make something work, and were able to create coverage in post-production, which is done entirely on Final Cut Pro. During production, we could send pictures and updates from the set to Twitter and our blogs, and engage the audience in a direct and intimate way that is unlike anything I’ve ever done before.

I’m not going to lie to you, Marge, the future’s pretty cool.

LEVERAGE: day five

“It is with a heavy heart that we bid farewell to Wil Wheaton,” the assistant director said.

I threw my hands up in the air and yelled into the sky: “NOOOOOOO!!!”

I sadly rode back in the van to base camp, packed up my stuff, said my goodbyes, and took my time walking through downtown back to my hotel, suddenly feeling adrift and sad.

Whenever I finish a job, I feel some degree of sadness and loss. Working on a movie or doing a play gives me months to get to know the cast and crew, and when that journey ends, and we go our separate ways, I’m often the one who’s cryin’ now.

Guesting on a series, though, is a little different: I drop in for a week, and right around the time I’ve learned everyone’s name, established some awesome running jokes, and started to feel like I’m part of the family, it’s over. It guess it should be like ripping off a bandage but it’s more like a different ~~metaphor~~ simile that I can’t create at the moment; feel free to create your own.

As I wandered through downtown Portland I thought about the week, and how much fun I had while I worked on the show. I thought about how much I wanted to spend more time with this cast and crew, and I couldn’t help but wonder how long it’s going to be before I get to be an actor on the set again.

I want to publicly thank John Rogers and Dean Devlin for letting me be part of their world, even if I only got to see a little bit of it. I want to thank the cast and crew for welcoming me with open arms and making me feel like I was part of their family while I was here.

I also want to thank Portland for being awesome. 99% of the people I met here were fantastic, and your city kicks ass.

A lot of people have asked when this episode will air. I don’t know, but it’s the 7th of the season, so if they run them in order, it should air 7 weeks after the season premiere on July 15, so look for it around the end of August.

LEVERAGE: day four

Woke up early yesterday and wrote for about an hour. Met Rogers and walked to a fantastic place for breakfast (forget the name of the place, but President Clinton ate there once and they have something named after him on the menu.) Had a delicious tofu scramble thing, and the most sensational French press coffee I've had since I got here.

Took Rogers to Powell's, because, he said, if we didn't go right then, he probably wouldn't make it there on his own. I couldn't let that happen, for obvious reasons. While we were there, I got a couple of the Fighting Fantasy books I loved so much when I was a kid: The Citadel of Chaos and Seas of Blood. Citadel of Chaos even has little kid writing on the character sheet inside.

"This could have been me," I said to John.

"I would have copied it onto an index card and written all the stats there, to keep the book pristine," he said. I remembered that I'd done exactly that with one of my Lone Wolf books, so I could keep the character more portable.

While we were talking, I had a little bit of a realization:

"I just realized why these books and these games are so important to me," I said, pointing to all the D&D books that surrounded us.

"During a childhood that was completely abnormal, filled with things that I didn't choose for myself, these games were something I chose to read and play. These games were part of my normal."

"Oh, so you were like everyone else who played D&D when they were a kid," John said.

I smiled. "I guess so, yeah."

We bought some books, looked like creeps when I wanted to walk into the kids' section to see if they had any classic Choose Your Own Adventure books (John, a little too-loudly: Why do you always want to go into the kids' section? You're a 36 year-old man! Me, much too-loudly: Because it's a great place to meet new people!) Sadly, they did not.

We walked back through Portland, and got to our hotel about fifteen minutes before a massive rainstorm showed up. I wrote for the next few hours (it always amazes me how much writing I get done when I'm on my own, away from home. I don't think about it too much, though, because I don't want to mess with whatever makes it work) before I met up with my sister, who I haven't seen since she moved here a year ago.

We spent the afternoon together dodging the rain (I sent this to Twitter: "Me: Okay, looks like the rain's let up. Guess I can go outside. The Rain: He's outside again! Resume downpour! AHAHAHAHA!!!!") and catching up. It was awesome, and totally the best part of an already-fantastic day.

I took her to the set to meet some of the cast and crew, and then I went on a local television show called The Square, which was a lot of fun. If you visit their site, you can watch me do my thing and see for yourself.

Then I went back to the hotel, finished reading SHATNERQUAKE (review forthcoming), enjoyed a lot of awesome Star Trek puns from followers on Twitter (UHURACANE, SULUNAMI, SPOCKALYPSE, TSUNIMOY, and DEFORESTFIRE among them search "@wilw" from last night if you want to see them all), and went to sleep happy; I really love being here.