Skip to content
WIL WHEATON dot NET WIL WHEATON dot NET

50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

  • About
  • Books
  • My Instagram Feed
  • Bluesky
  • Tumblr
  • Radio Free Burrito
  • It’s Storytime with Wil Wheaton
WIL WHEATON dot NET
WIL WHEATON dot NET

50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

Author: Wil

Author, actor, producer. On a good day, I am charming as fuck.

in which Highlights for Children is discussed at great length

Posted on 9 February, 2011 By Wil

Last night, on the way home from dinner, I asked Anne, "Do you remember Highlights for Children?"

"Of course I do," she said, "I remember how I hated going to the doctor when I was a kid, until I started reading Highlights in the waiting room."

"Turn right at this intersection," I said, "and Trader Joe's will be on the left in a block. She turned right, and I realized that Trader Joe's was actually to the left. "Oh, my bad. It's actually back there."

As we drove under the freeway to a place where we could make a U turn, I said, "Did anyone ever read Highlights in someplace that wasn't the doctor's or dentist's office?"

"The library at my school had a subscription, so we'd read it there," she said. 

We got to the next intersection, which featured a nice big NO U TURNS sign.

"Well, this quick stop at Trader Joe's is turning into quite an adventure," I said as we waited at the red light.

We were quiet for a second, and I said, "I bet seeing Highlights in someone's house would have been like seeing your teacher at the grocery store, you know? Like it was something familiar, but totally out of context so you wouldn't know what to do."

The light turned green and we made a left onto a dark, industrial street.

"You know what I always hated about Highlights?" Anne said, "some idiot kid had always circled the hidden pictures."

"Seriously!" I said, "fuck that kid, man. That kid's a dick."

"And what kind of parent gives their kid a pen to draw all over a magazine that's obviously intended for more than one kid to read?"

"Asshole parents," I said, "it's called Highlights for Children, you jerk, not Highlights for your Children."

"Because doctor's offices don't exactly have pens just lying around," she said. She pulled into a driveway about halfway down the street and turned around. 

"Yeah, some mom had to go into her purse, dig around the used Kleenex and that giant checkbook/wallet thing moms carry, and find the pen." We turned back toward Trader Joe's. I raised my hands over my head as we went through the freeway underpass. "Wheee!" I put my hands back in my lap. "I mean, that's a lot of time for her to think, 'Hey, maybe I shouldn't be giving little Johnny Snotface this pen to ruin the magazine for all the other children.'"

We turned into the tiny Trader Joe's parking lot and parked the car. As we got out and walked in, I said, "Highlights should have done a Goofus and Gallant about that, man."

"You've spent a lot of time thinking about this," Anne said.

"It's what I do," I said. I pulled a cart out of the stall and pushed it into the store. It had a wobbly wheel and pulled to the right.

I silently cursed the shopping cart gods, and caught up to Anne in the produce section.

Flash Fiction: Perchance To Dream

Posted on 8 February, 2011 By Wil

Commence Flash Fiction:

    The best part of my day? That’s easy: those few blissful seconds right after I wake up, when I just feel my head against the pillow and the warmth of the blanket, before it all comes crashing back down on me and I remember where I am. That’s when the worst part of the day begins.

    There are guys in here who talk about their dreams. Not like what they want to do with their lives or what they’d do with a million dollars; I mean their actual dreams, where they can fly and talk to animals and shit, but I never remember mine. I haven’t remembered a dream for … well, long enough that I can’t remember what the last one was, and I have a pretty good memory. Like, when I was a kid, there were these smokestacks that I could see from the motorway when we were getting close to home. They were tall, with four rings of red lights around them every five meters or so. The top ring of lights blinked slowly, and on nights when the weather was bad, I could still see the red glow reflecting off the clouds, even if I couldn’t make out the smokestacks in the dark. I would tell my mum, “I can see the smokestacks, mummy!” And she would reply, “That means we’re almost home, darling.”

    On cloudy nights, I lie back on my bed, look out through the bars, and imagine that I can see a soft red glow slowly blinking against the orange reflection of the lights, telling me that I’m almost home.

Notes: I recently drove up a freeway that I used to take all the time when I was a kid, but haven't taken for at least a decade. On my drive, I saw these smokestacks that I remembered seeing when I was a little boy. Like the protagonist of this little tale, I liked seeing them, because I knew that meant I was almost home. 

That memory stayed with me, and refused to release me until I did something with it. This afternoon, this little story sprung into my head pretty much as you see it here; I just did my best to write it down before it got away from me.

back in flesh

Posted on 8 February, 2011 By Wil

I cleared two pretty big deadlines yesterday, both for RPG-related projects.

One of them I don't think I can talk about, but involved a fair amount of writing. It was one of the most enjoyable creative experiences of my life, and it excited and inspired me to pick one of the ideas in my notebook and transform it from notes into an actual story; it turns out this making-things-up-and-writing-them-down thing is a whole lot of fun. I'm not sure when this particular thing will be released, but you can be sure that I'll blagh and blagh and blagh about it when it is.

The other I can speak more freely about. My friend Will Hindmarch (who does all design and layout work for my books) asked me a few months ago if I would record some audio for a Trail of Cthulhu campaign he created with Jeff Tidball called Eternal Lies. I thought it was such a nifty idea to include an original score – I love the soundtracks that Flying Frog includes with their games – I jumped at the opportunity to provide some dialog to go with it. The way we did it was pretty cool, and appealed to the technology geek in me as much as the RPG geek: Will sent me the script, and I recorded a few rough passes in Garageband which I put into a shared Dropbox folder for him to listen to. He was able to give me nearly-instant feedback until we were on the same page, at which time I switched to uncompressed audio and Serious Business.

Some of the things I read for the game were quotes from Lovecraft. During one take I realized that, whenever I read a particular type of quote, I hear it in Fawkes' voice. Thanks for that, Felicia. (By the way, Felicia is working on a Secret Project™ that I'm lucky enough to know about … holy frakking shit balls on fire, you guys. When you know what it is, your mind will be blown right out of your skull so hard it will bounce off the wall and land on the ground next to your socks, which were also knocked right off your feet and through your shoes.)

The last few months were insanely busy, and I just didn't have much time or energy to do anything extra beyond a few Very Important Tasks. Now that I'm getting caught up on my deadlines, and I have more Me Time, I've been able to read more books, play more video games, and feed my inner geek, who it turns out was beginning to starve.

Since playing Cal & D, though, I have really felt the Gaming Monkey's claws digging into my neck, and working on these two RPG projects has made me realize just how much I've missed gaming. I really hate it that I can't go to PAX East this year; I didn't know how much I really wanted needed to go until I accepted that I couldn't.

I'm going to try to make it to OrcCon with some friends next weekend, because I'm starting to get the gaming shakes, man, and I've just got to get straight, you know? You know what I mean, Bubbles? Come on, man, just let me roll 3d6 and add my combat bonus … just once, man. I'm going crazy over here!

a few programming and personal appearance notes

Posted on 7 February, 2011 By Wil

If everything goes according to plan, I should release Hunter later today. It's 2500 words, about the length of what you'd read in a magazine, I think, and I'm pricing it at 99 cents, for people who want to buy it. I'll eventually put it here or wil wheaton books for free, for those of you who are horrified at the idea of dropping a dollar on something that short. I am equally excited and terrified about doing this, which seems about right.

A couple of upcoming appearance notes that may be of interest to some of you: 

March 4 and 5, I'm going to be in Seattle for the Emerald City Comic Con. I love this show, and it's great to be back again. The show is three days, but I have a family commitment on Sunday, so I'm going to be there Friday and Saturday.

For the first time in almost fifteen years, I'm going to Europe for a convention. For the first time ever, I'm attending FedCon in Germany from 28 April to 1 May.

I'm super bummed that I can't make it to PAX East this year, but I plan to attend Prime this summer.

There is a very good chance that I'll be at a show in the near future that I've never been to before, in part of the country that keeps asking me to come visit. My agent is working out the details, so hopefully I can be less cryptic about it before the end of this week.

I've been talking with Paul and Storm about doing a w00tstock-ish program where I tell stories and they play music to go with the stories. Think of it as my part of w00tstock, except it's for an entire show. We're working on brand new material, because we all love The Trade and Rocky Horror, but pretty much everyone's seen that, so it's time for something new.

Speaking of w00tstock, we're looking into another show at Comic-Con, because last year's show kicked so much ass. #freemolly!

I can't talk about Eureka … except maybe I just did.

That's all. I have actual deadlines for actual projects that I actually need to get finished today, so this goof off blogging ends… NOW.

The Day After and Other Stories goes digital

Posted on 4 February, 2011 By Wil

Day_after_ebook_cover tl;dr: The Day After And Other Stories is once again available for download. It's $4.99 at Lulu. Yay!

In December of last year, I released a very short collection of very short stories for a very short time – just ten days, actually – as an experiment in releasing short fiction. It sold fairly well, wildly exceeding my expectations. I got very good feedback from readers, but I'd committed to pulling it off the shelf in its print version at the end of ten days, so that's what I did. I'd always planned to keep the eBook version on sale, but I got busy after I pulled the print version offline, and didn't get around to republishing just the e-version until today.

So, for those of you who want to read a very short collection of very short stories for a very small price ($4.99! Cheap!), now you can.

If you're wondering what this is all about, here's what I wrote back in December:

Last year, I collected a few short stories I'd written and sold them as a chapbook at PAX. It was a scary thing for me to do, because while I feel confident as a narrative non-fiction writer, I am paralyzed with terror whenever I think about releasing something I invented out of nothing more than an idea to the public, and before I actually release it, I hear Carrie's mother screaming at me, "THEY'RE ALL GOING TO LAUGH AT YOU!"

A couple of things have happened recently, though, that gave me the courage to actually release this short collection of short stories to anyone who wants to buy it. First, Project Do Something Creative Every Day is making me feel less and less afraid of sucking. Like I said recently, the goal isn't to be perfect; the goal is to be creative. I don't think The Day After and Other Stories is perfect, but it is creative, and the few people I have shown it to told me they liked it.

Second, over 400 people expressed an interest in buying an autographed copy of The Happiest Days of Our Lives over the last couple of days. That really blew me away, and made me think, "Well, maybe there aren't as many people out there waiting for an excuse to laugh at you as you think. Also? It's adorable that you think you're that important to anyone, jackass."  

I've had these files ready to put on LuLu for over a year, and it wasn't until this morning that I screwed up the courage to actually do it. I'm sticking to my original plan, which is to sell the paperback for a limited time (10 days) and then just offer the PDF version. I'm not quite sure why I wanted to do it that way, but it's nontraditional, and a little weird, so there you go.

Here's the introduction:

Every year, before the summer convention season gets underway, I pull a few excerpts from whatever I plan to release in the fall, take them to my local print shop, and make a deliberately lo-fi, limited edition chapbook to take with me on the obligatory summer convention circuit.

I’ve done previews of Dancing Barefoot, The Happiest Days of Our Lives, Memories of the Future, and in 2008, I pulled together a sampler that eventually became Sunken Treasure.

While Memories of the Future is 2009’s “big” fall release, it didn’t make sense to me to release a Memories– based chapbook this summer, because one already exists.

It looked like there wasn’t going to be a 2009 entry in the traditional Wil Wheaton Zine-like Chapbook Extravaganza, until I realized that I have several pieces of unpublished fiction sitting in my office, just waiting to be published.

“Hey,” I said to myself, “people keep asking me to write and release fiction, and I’ve been waiting until I have an actual novel to give them. But these things totally don’t suck, and I bet readers would enjoy them.”

“That is an excellent idea, me,” I said. “And have I mentioned how smart and pretty you are?”

“Oh, stop it. You’re embarrassing me,” I said.

Together, myself and I collected some of my (mostly unpublished) fiction and put it into this chapbook, for safe keeping.

Even though this is limited to just 200 copies, it represents a significant step for me in my life as a writer, because it’s the first time I’ve collected and published stories that I made up. (You know, like a writer does.) I hope you enjoy it, and thanks for your support!

The more astute among you may have noticed that this says it's limited to 200 copies; that's because this was originally offered as a limited chapbook at PAX, and we're using the same files. Think of it as a delightful legacy issue, or something like that, if you must. I don't know how many of these books I'll actually sell, but I doubt the number will be exactly 200. When the paperback goes to the Land of Wind And Ghosts, though, I suppose I can check to see how many were sold, and you can use your very own Red Pen of Doom to put the actual number into your copy. Hey! Look! It's interactive!

I hope I can get this available in .mobi and .epub sooner than later, but I don't have conversion software at the moment (Clibre and Sigil barf on the .pdf, so I have to start over with a .rtf file when I have the free time).

Also, because it's a FAQ: If you want to print it out and make your own book from it for your personal, non-commercial use, you have my permission to do that.

  • Previous
  • 1
  • …
  • 258
  • 259
  • 260
  • …
  • 768
  • Next

Search the archives

Creative Commons License

 

  • Instagram
©2026 WIL WHEATON dot NET | WordPress Theme by SuperbThemes