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50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

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WIL WHEATON dot NET
WIL WHEATON dot NET

50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

Category: Music

Music

thanksgiving vs. christmas

Posted on 21 October, 201521 October, 2015 By Wil

A bunch of my friends got together and created a face-meltingly funny holiday musical, called Thanksgiving vs. Christmas. If you like the things I like, boy howdy are you going to like this.

So, here’s an embed for ya:

You can listen to the whole show online for the low low price of free, but you can listen to it whenever you want and support the brilliant creative people who made it when you buy it at Bandcamp.

Enjoy!!

stuff i like that you may like

Posted on 5 September, 2015 By Wil

From the most recent Radio Free Burrito’s show notes:

 

  • This show’s theme music is Blank Space, by Taylor Swift.
  • The videos for Style and Wildest Dreams are so good.
  • Tove Lo’s Queen of the Clouds is the first pop concept album I think I’ve ever heard.
  • I did not expect to love the Mocking Jay Part One soundtrack, and yet.
  • TV Crimes is a new podcast I do with Mikey Neumann.
  • The Battle for Zendikar is going to be a really fun set to play.
  • Your long wait to have 13 minutes of commercials from Little Rock radio in 1971 has come to an end.
  • The Memory Palace is amazing.
  • You Must Remember This is your new favorite podcast.
  • There is not a single crystalline entity in Lore.
  • Easy Riders, Raging Bulls is an incredible book. I also just found out that it was made into a movie and now I have to see it IMMEDIATELY.
  • You can watch The Trip on YouTube.
  • You can see some wonderfully weird Kenneth Anger films there, too.
  • John Waters is my hero.
  • Leadbelly’s Where Did You Sleep Last Night? is really great.

 

Happy Spring…

Posted on 1 May, 2015 By Wil

For most people, today is May 1, but for some of us, it’s really the First of May.

(warning: this is all kinds of NSFW)

 

 

It turns out the Village People recorded a punk song in 1981

Posted on 4 March, 20154 March, 2015 By Wil

I came across this punk rock masterpiece on one of my very favorite blogs, Dangerous Minds.

Now, look, I’m going to warn you: it’s the longest 2:27 of your life, and the video is sort of the ancient progenitor to a looping .gif, likely due to budget constraints, and the possibility that the band involved wasn’t particularly into recording a punk song because the band was THE VILLAGE PEOPLE.

Yes, those Village People.

BEHOLD:

Dangerous Minds says:

“Food Fight” is an anomaly in the Village People’s oeuvre: a first and last attempt to cash in on the punk audience from a band clearly grasping at straws, willing to try absolutely anything to stay relevant.

Musically, one can hear the best elements of DEVO, as well as The Dickies, and Hodo’s nerdcore vocals sound remarkably like Weird Al.

“Food fight” plays out like the music you’d hear in an early 80’s teenage T & A movie where there’d be some marginally “punk” band playing on the beach in wrap-around sunglasses and clam-diggers, while a bunch of girls in string bikinis did robot dances in the sand. Yes, it’s that good. The subject matter would seem to indicate the Village People’s new target demographic was middle school children.

I’m super conflicted about it, because on the one hand, it’s pretty epic … but it’s also pretty horrible, and it feels like ten minutes of repetition to me.

But, still, the fucking VILLAGE PEOPLE recorded a song that would have been perfectly at home in Valley Girl, or Night of the Comet, or Midnight Madness, or even on an episode of CHiPs, if they did something about the way old white people thought punk rock and new wave kids acted in 1981.

What do you think?

panorama ephemera mashupa

Posted on 2 November, 2014 By Wil

I made a thing, which I believe is best experienced as ambient background noise, projected onto a bare brick wall. This is not something that you sit down and watch, the way you’d watch a movie or a TV show.

This work was created by combining audio and visual works obtained from the Internet Archive, at archive.org. The visuals are from Panorama Ephemera, which was found in the Prelinger Archives. The audio was remixed and processed in Audacity, and comes from several different sources, also originally found at the Internet Archive.

Everything used to make this video is in the public domain, or is licensed for remix and reuse.

This video is released under a Creative Commons attribution non-commercial share alike license.

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