In every rehearsal, when Parrish stands up to triumphantly announce that he's completed his 100 cranes, I did it in my best* Homer Simpson voice, like when he tries to fake out Apu with the lottery scratcher: "WOOO HOOO! ONE HUNDRED CRANES, BABY!"

This episode was more fun to film than I thought was humanly possible. Even though we were all crammed into a tiny set (it actually looks bigger than it was, because it was photographed with wide angle lenses) for several days**, I loved every minute of it. I remember thinking that I was so grateful that we are all friends and all get along, and that nobody in the cast is a diva, because it would have really sucked in that case.

Erica, Felicia, Neil, Niall and I all went to an origami class with a master origami folder so we could learn how to do cranes. I had a really hard time wrapping my head around it***, but once I figured it out, I enjoyed it quite a lot. I also may have specifically inquired about the creating of origami dicks, because I'm twelve. When we were in that little chamber, we'd just sit there between takes, folding cranes and cracking jokes with each other. I can't say for certain, because I don't have a control to test it against, but I think filming this episode brought us all closer together than we already were.

From a character development standpoint, I think this is where we see that Parrish has a lot to prove, and getting to Titan is how he's going to do it. We had to cut so much stuff for time, we lost a couple of scenes where we got to see that Parrish is so completely focused on getting to Titan at all costs, he can't adapt to changing circumstances, and he can't put the team ahead of himself. I don't know about the rest of you, but that's not the kind of guy I want to have to rely upon when I'm {VAR==$miles.to.Titan} away from home. I hope Parrish can learn from the isolation experience in future episodes, because I'm still totally #TeamParrish.

Weren't the mites cool? And how much do you love Sheriff Andy?****

Fun fact: Three weeks before we filmed this episode, I nearly broke my ankle. I knew that we'd be doing this "take off your shirt, Coco" thing with me, so I had been exercising like crazy as part of Project Don't Be A Flabby Piece Of Shit On Television, but it turns out that not being able to stand without a cane for three weeks sort of gets in the way of that. Luckily for me, the producers were sensitive to my vain need to not inflict my Body By Guinness on the world, and let me wear a tank top underneath my jumpsuit. You're welcome, people who didn't have to see a flabby, pasty, nerdbody that you can't unsee.

A lot of viewers enjoyed the Number One line, and we've gotten a lot of credit for making a clever TNG reference … but I don't think that was intentional. All of our characters were given numbers when we were in the chamber, and I think Parrish was just dehumanizing everyone to be a dick and work what he thought was some sort of psychological warfare. 

Or maybe it was intentional all along, and nobody told me … it's all part of the test.

* Not very good

**  The show ran almost 25 minutes long, so a lot of very funny stuff had to be cut, but will show up on an extended cut for DVD someday.

*** The line where Zane says Parrish's last few cranes looked like ducks was improvised by Niall, based on me complaining that I was really bad at making cranes, but extremely good at making ducks.

 ****The answers are: YES and A LOT. Congratulations to those of you who passed.

"How are you feeling?" The question sounded like it had been asked by a person standing at the other end of an aluminum tube, possibly while underwater.

"I can taste sound, and I can hear color," I said, only partially joking. "Can someone please turn down the sky?"

It was just before 8 in the morning, and I had been awake for close to 27 hours. I was standing in the airport in Vancouver, but my day had actually begun in Portland, because I'm working on two shows at once, playing Cha0s in the season finale of Leverage and Doctor Parrish in what it turns out is the series finale penultimate episode of Eureka.

This is a weird and awesome life, and I've never been so grateful to be so exhausted.

Because this happened in the middle of the night, and was only on Twitter, most of you missed it. However, it's hilarious to me and I wanted to make sure you saw it:

@TimHutton: return of the @BethJRiesgraf robot with an introduction by @wilw http://www.twitvid.com/9DSZG

and

@TimHutton: and now… almost live from west linn oregon, @wilw as mecha Chaos and… wait for it…… #Leverage http://www.twitvid.com/6X3ZW

We really do have this much fun when we work together (remember this and this from Eureka last season?) but we can still focus and get the work done … though I'm not sure it's really accurate to call it "work", when we love what we do so much.

I was worried that I would be so tired and spacey by today that there was a real risk that Doctor Parrish and Cha0s would bleed into each other, so I made two lists on the back of a script page. One is titled Cha0s, and the other is titled Dr. Parrish. On each list, I wrote down all the defining charactaristics, as simply and specifically as possible, for each character, so I have it clearly in my head and available to me at a glance on the set. I also drew a thick black line all the way down the page, to remind myself that there needs to be a firewall between the two of them. And because I know it'll be a FAQ, the fundamental difference between the two of them is: Isaac is, in his heart, basically a good person who is a little insecure, and easily annoyed. Cha0s, though, is basically a bad person who is profoundly arrogant, and easily amused.

I have a mercifully late call to Eureka today, before I head back to PDX at ouch-it-hurts-me-are-you-fucking-serious-o'clock tomorrow … and I couldn't be happier about that.

Last year, my friend Amy told me she was moving from writing Leverage to writing Eureka. She asked me if I was interested in playing a scientist who was kind of a jerk. I said "yes" as fast as I could, and ended up playing Doctor Isaac Parrish for seven of the ten episodes in season 4.5. When season 5 was announced, I was invited back for more, and I said "yes" even faster this time, violating several laws of physics that I made up for the occasion.

Late last night, my Twitter exploded with people who were furious at the network formerly known as Sci-Fi for canceling Eureka. I figured that these people were talking about the news from last week, where we thought the show would have a six episode sixth season (that we would film in October), to end its run … but it was unlikely that dozens and then hundreds of people would be spontaneously upset about news that was a week old all in the same few minutes, so I did a little digging on the googles.

It turns out that the network formerly-known as Sci-Fi changed its mind, and took back the six episode sixth season. Eureka will have to wrap up season five and the entire series with the episode that starts filming on Thursday. I know they'll have to do some rewriting, so I'm hopeful that Bob Newhart is available.*

At this point, I know as much as you do, because I found out the same way you did. I'm trying really hard not to be upset with the network for issuing a statement to the press before the cast knew, so we wouldn't have to find out the way we did; as you can imagine, it isn't exactly easy.

Jaime and Bruce (the show's executive producers) called me shortly after the news broke, to thank me for being part of the show, and tell me how sad they were that it was over. I could tell that they were as shell-shocked as I was. I feel comfortable telling the public what I told them: I'm proud of Eureka. I think it's an incredible show, and while I'm sad for them to lose something they've been working on for so long, I'm selfishly sad that I won't get to work with this cast and crew any more. Eureka is a tremendously fun show to make, and from the very first time I set foot on the set, the cast and crew made me feel like I was part of their family. To have that taken away so soon after it began makes me profoundly sad; I can feel the loss in my heart and what would be my soul if I had one and wasn't made of pure beardstuff from the sixth dimension.

At the same time, I'm grateful that I'm sad, because if I wasn't, that would mean I never had any good times working on the show. You know that thing they say about loving what you do means it isn't really work? Well, I've been lucky enough to feel that way on four different shows for the last several years, and Eureka is the one I've been able to call home the longest.

Please join me in thanking Amy Berg, Jaime Paglia, Bruce Miller, Matt Hastings, Todd Sharp, all the Eureka Writers, and especially the cast and crew for letting me visit their town and work for GD, even if it was only for a short time. I've had a wonderful time, bringing a great character to life with actors I love and respect. I've made friendships that will last the rest of my life, and done work that makes me genuinely proud.

Goodbye, Eureka. I have been, and always will be #TeamParrish.

*Kids, ask your parents.

Last night's episode of Eureka, Up In The Air, has my favorite moment of the entire season in it. I don't think it played as clearly in the edit as it read in the script, but it's when Carter gets so incredibly excited for a traditional bank robbery investigation, and then finds out from Andy that the bank was, literally, robbed. As in: it isn't there any more. When I read that in the script, I laughed so hard, I peed a little. In fact, I just had to go ahead and put on an adult diaper for the rest of the episode, because Colin's physical comedy was so perfect.

Even though we shot it a year ago, this episode stands out in my mind quite clearly because on the first day of production, during the first run through of the first setup for the first shot, I twisted my ankle so severely I had to walk with a cane for a month.

Remember when team Bravo is running those tires? Set dressing put them on uneven ground, and I was first in line, so while I was attempting to high-step through them, hold my sides, stay the correct distance from Felicia and the camera while rehearsing, I didn't see the slope underneath me. I'm not the most coordinated person in the world*, and I was probably at -10 or more to make this one … so I ate shit. The crew all thought I was having a laugh (I have a certain reputation for comedy on the set), but I guess something about the way I was writhing in pain on the ground convinced them that I was serious, and not just committing to the bit.

So, to review: we haven't shot a single frame of film on this episode, and now I'm hurt so severely I can't stand up unassisted. The entire day is about us doing physical activity, and I'm in every single scene.

That sound you heard was the production manager having a heart attack.

The show, as they say, must go on, so we did some minor rewriting, changed the blocking on some scenes, and generally ensured that Doctor Parrish wouldn't be doing any physical activity**. In fact, if you watch the first scene with the three of us, you will see that I'm bent over, giving the impression of having just run the tires. In reality, someone from the crew is supporting me so I didn't put any weight on what was my rapidly-swelling ankle. When Fargo comes out of the tree and it looks like I walk away? I actually take one step, grab my cane from a PA, and take one more step so I'm completely out of frame.

Ah, the magic of making movies!

This episode also has my favorite pure character moment of the season in it, but it was cut up so much there's no way anyone in the audience could see it: when we're in the GD rotunda with Carter and Henry, talking about my Higgs Disruptor, Joe Morton and I had this exchange that I just loved. Doctor Parrish is talking about how his Disruptor is signed, but the authenticity of signatures from that era is questionable. You can barely see it, but during rehearsal, Joe and I realized that we're both scientists, and we're talking about a piece of antique equipment that was signed by Higgs himself! We decided that, being nerdy scientists, we'd get excited about that, and temporarily forget that there's a bunch of antimatter hanging out above Eureka waiting to deliver an Earth-shattering KABOOM***. Carter sees this, puts us back on track, and we figure out that he needs to go Up In The Air****.

It was exciting to us, as actors, when we found these beats during rehearsal, because we turned a scene that was pretty much an infodump to the audience (that set up the third act) into something that was an infodump with some real character moments behind it. In the final cut, though, a couple of lines were lost (I'm almost positive that the show was running long), and while the intention is still there, the exact character beats aren't. I'm sure this is a little Inside Baseball, but I learned a lot about who Parrish was during that scene, and how he feels about the people he interacts with at GD and in Eureka. Those little unexpected moments where I get some XP like that are one of the greatest joys for me as an actor.

In fact, this episode was when I finally got completely inside Isaac Parrish's skin and mind, and knew exactly who he was. I'm grateful to Colin, Joe, Felicia, Neil, and our director Alexandra for making all of that possible, because I could relax and enjoy being Doctor Parrish for the rest of the season.

Finally: Fargo is such a wanker! Way to abuse your power and force Isaac to do inventory so you get another shot at the girl, Doug. This isn't over. #TeamParrish

If you have any questions about this episode, please ask them in comments. I'll do my best to respond to them today.

* DEX is my dump stat.

** Doctor Parrish will be appearing at Kamp Krusty August 23-30.

***Doctor Parrish also owns an Illudium Q36 Explosive Space Modulator, but he won't show it to you until the third date.

**** <familyguy>AHHH! There it is. </familyguy>

Alisdair Wilkins at io9 really liked this week's episode of Eureka:

"Glimpse" is my favorite episode of the still young season 4.5 – it had a great central threat, it did some nice, light work on the various relationships, it had some good jokes, and it gave plenty to do for the two main guest stars.

Yay! Go Team Eureka!

Oh, there's also this (he said, as nonchalantly as possible):

But really, this episode was almost completely stolen by Wil Wheaton, making his return as Dr. Parrish. One of the best ways to shake up a show like Eureka is to bring in a character whose energy completely contrasts with that of the cast. In previous cycles, that's generally meant bringing in someone mysterious and possibly sinister – James Callis last year, Eva Thorne before that – but Dr. Parrish is something else entirely: he's just a massive asshole. Wheaton is pretty damn brilliant in the role, giving no quarter to Fargo or Carter in his interactions with them while also revealing just why he's so thoroughly antisocial. His brief flirting with Holly was also great, being charming in the way that only a dude who is a total dick can be, and bodes very well for the mooted love triangle between Fargo, Holly, and Parrish.

Thanks, Alasdair! I think you're going to be very pleased with the rest of season 4.5.