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50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

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WIL WHEATON dot NET
WIL WHEATON dot NET

50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

Guest Post by Stephen Toulouse: Sometimes the Words Hide

Posted on 5 February, 20155 February, 2015 By Stephen Toulouse

This is a guest post by Stephen “Stepto” Toulouse. Stepto has worked for HBO, is the former banhammer at Xbox, and knows a thing or two about online communities and computer safety. He is an author, comedian, and leader of The Steptos.

He made a comedy album you can get on Bandcamp (cheapest option), iTunes or Amazon and wrote a book called A Microsoft Life. He blogs at Stepto.com.

Sometimes the words hide.

At first, I didn’t know what I was looking at. In my lower field of vision was dark blue, in the upper third a soft taupe. In the middle, in my near field, a round spot of black surrounded by tan, with a beautiful ring of light brown inside of it. Something pink, and I could hear breathing? Wait. I had just been in a shuttle hadn’t I? Atmo was out along with gravity and I was struggling to orient myself in freefall to get to a control panel. Was that the breathing?What was I looking at?

Those wisps of sleep-thought dissipated instantly, wiped into my brain’s incinerator with one swipe of a dog’s tongue across my face. My dog, Basil Hayden. It was morning, he was at the side of the bed expectantly looking at me. Important dog things needed doing with my supervision, and I dared be slow to wake, and ponderous.

The dream clung at me somewhat, staying with me even as with each waking moment it became more ephemeral and shifty. I was in trouble? Was it in space or an airplane? I could remember feelings even as the details left. I went through my morning routine twisting over it.

There were words there, I kept thinking, there was a story there. Just the thing I needed to break through some fog I had been having around tying up a variety of writing.

We all get writer’s block in some form. Sometimes nothing comes. Sometimes writer’s block can take the form of lots of things get put on paper but none good or satisfying.

Sometimes the words hide.

Every writer has their way of dealing with it. You can play their game and go looking for those words. You can sit on the couch, watch a film and refuse to give into their demands to be found so that they  come crawling back to you. You can bribe them, be stern with them, even attempt a “no strings attached” hang out with them. But they will, in the end, do as they please.

Our terror is that they are gone forever. Like an insomniac who fears they will never sleep again we push that fear back, knowing that adrenaline will only make the problem worse.

My words had been hiding lately, that morning when I got up. I’m more of a “I refuse to play your game” type of writer and am content to wait in panicked patience for them to shuffle back. When they came back I dutifully stopped what I was doing and gathered them around me.

“Don’t hide again!” I said. “I need you!”

“We won’t.” they replied, “until next time.”

Guest Post by Will Hindmarch: Written Word, Spoken Word

Posted on 2 February, 20152 February, 2015 By Will Hindmarch

Writer, designer, and producer Will Hindmarch (@wordwill) wrote about games and storytelling for Jeff VanderMeer‘s marvelous writing guide,  Wonderbook.

Almost twenty years ago, while I was in high school, I hosted a community radio show called The Difference Engine. I played a strange mix of genres and spoken-word tracks that amused me. Weezer’s original blue album was new, back then, and I played it alongside current mega-hits by NIN,  local Chicago bands like The Drovers, jazz classics from Louis Armstrong, and the occasional monologue excerpt by Henry Rollins or whoever, hand-bleeped in real time by me to keep us from getting nasty mail.

As a community-radio DJ and a community-theater actor/director/techie, I’d had some light vocal training, which served me well while I was alone in the booth with the mic, producing my own show. All the joys of having a soapbox and a mixtape, an audience and a mic, with none of the eyeballs or lenses staring back. Good stuff.

This past month, when I set out to produce and record the audiobook for my new poetry collection—Pregrets—all those memories, all that training fell away like a floor. I was here and they were over there, across a chasm of time, rusty from the sweat I’d left on them and the care I hadn’t taken to maintain them. As I sat, trying to edit the audio I’d recorded at home of me reading my own poems, I discovered something: I’d forgotten how to pace, how to pause, how to breathe—but not how to spot all those errors and recognize the genuine lousiness of my recordings.

Yikes.

Inside the sound of my own voice, reading my own words, is a terrible dread that rots the pillars of the pier and drops me in the saltwater.

All of it’s exacerbated by the dreaded art of comparison—of weighing my work against others. While recording my poems, I studied readings by Billy Collins, by Mary Robinette Kowal, by Henry Rollins, and discouraged myself right the hell out.

Reading my own work felt like it was sucking the life—the many different possible readings—right out of some poems. Pregrets is all about how the line breaks mislead, revise, question, and doubt. My readings felt like they put the kibosh on all that, saying “This is how this poem’s supposed to be read.” Which is, pardon me, bullshit in this case.

In contrast, I think back to the lovely, atmospheric podcast series called PleasureTown (on SoundCloud, too), and the first time I heard the story I wrote for the ninth episode of its first season.

Inside the sound of strangers’ voices, reading my own words, resides a peculiar magic. They imbued those words with so much, enriched them, opening them up for lots of wonderful characterization — and interpretation. Voices and words, like winds and kites. Words can lift up and be lifted, all at once … if you handle them right.

So I’m going to get past it, work through it, finish that audiobook (for the sake of the two people who want it made), not so much in spite of it being difficult … but because it’s difficult. I want to be good at this, better than I was back when, and see what I can make next with what I learn.

Onward.

(PleasureTown is a transmedia collection of short tales and linked characters set in a sordid town of hedonist-philosophers in the early 20th century. Season 2 of the podcast launches May 6th with 12 new episodes produced by my friends, Keith Ecker and Erin Kahoa. Even now, new minisodes are rolling out, written by fans and podcasters from Reading Out Loud.)

Guest Post by Will Hindmarch: Guess the Guest Posters Who Guest-Post by Being Guests and Posting

Posted on 1 February, 2015 By Will Hindmarch

This guest post comes to us from writer and designer Will Hindmarch, co-founder of Gameplaywright Press and author of RPGs, fictions, and other things.

At about three o’clock this morning, I was walking home from an event highlighting D&D and beers, where I DM’d a table of nine players through a short session of D&D new 5th edition. In orbs of light, clinging to street lamps and glowing in the gloom, I saw snow falling on an angle in the wind. Most of the neighborhood was under an inch or so of snow and it flicked off the toes of my boots as I walked, but I passed a monk shoveling paths on a local sidewalk. By the time I woke up later this morning, tree branches balanced three or four inches of snow on their tops.

So I’m pretty far removed from any Caribbean cruise, right now.

But! I’m in good company, because although we don’t have a literal boatload of nerderati here, we have a global information network in reach, which I hear the JoCo Cruise somehow lacks. So I can google pics of boats, play JoCo’s music on my computer, and—best of all—sneak onto WWdN to keep us all distracted (I won’t go so far as to say entertained) until the One True Wil Wheaton returns.

Good news for you: it’s not just me! Three other weird cohorts are around this week to share guest posts with us and, title of this post be damned, you don’t have to guess who they are…

  • Stephen “Stepto” Toulouse writes fiction and non-fiction, excels at games, and is funnier than I am by a factor of ten.  He has a URL named after him.
  • Shane Nickerson is a producer, writer, and actor who is funnier than I am by an order of magnitude. We have the same birthday, Shane and I, but he’s better at it than I am. This URL was named in his honor.
  • Ryan Wheaton is a writer we all know for some of the best, funniest tweets to appear via @wilw, which makes him an approximate fuck-ton funnier than myself.

Some of are Wil(l)s, some of us are Wheatons, but we are none of us Wil Wheatons. Still, this week, we’re going to try hard to make Wil Wheaton proud. When we fail at that, we’re going to try hard to make Wil Wheaton laugh.

Either way, we’re in it together now, so let’s do this.

I’m on a boat!

Posted on 30 January, 2015 By Wil

Well, not at the moment. At the moment, it’s dark and I’m sleepy and I’m at my desk drinking coffee while I try to wake up.

BUT!

I’m going on the Jonathan Coulton Cruise for a week, so I’ve invited my very favorite guest bloggers to come back and do their thing while I’m gone. Please be nice to them, and each other.

I … seeeeeeee … yyyoooooouuuuuuu ….

Posted on 23 January, 2015 By Wil

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I got a new lens for my camera.

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