50,000 Monkeys at 50,000 Typewriters Can't Be Wrong
I didn’t realize I was even that tired. I’m lucky, that I got to sleep until my body decided that it’d had enough rest and was ready to wake up.
Of course, the day is half over and I haven’t done anything, but that’s what happens when you sleep for eleven hours.
Yesterday, I went to RuPaul’s DragCon, and during a panel called Beauty and the Geek, Ginger Minj turned this:
Into this…
We’re doing a lot of things we’ve never done before this year: 2-player games, massively epic games that will take more than a single episode to resolve, and some other neat things that I like. But we’re also doing some things that I love from previous seasons, like playing a rules-light indie RPG that lets us tell a compelling story without a lot of crunchy rules.
Today, Matt Fraction, Amy Dallen, Kelly Sue DeConnick and I played an absolutely phenomenal game called Misspent Youth. Here’s my introduction to get you excited about it:
MISSPENT YOUTH is an indie RPG about friendship, rebellion, and kicking ass, designed by Robert Bohl.
I want this pair of episodes to give you an experience similar to our sister show, TITANSGRAVE. That means that the focus will be on the characters and their narrative. I don’t want to overwhelm you with a lot of mechanics and crunchy system details that remind you we’re playing a game. I want this to be about the story.
But there are a few things you need to know before we get started:
In Misspent Youth, one of us will be THE AUTHORITY. That player will represent the force that’s making life miserable for the other players, who will be the YOUTHFUL OFFENDERS. THE AUTHORITY is our version of a GAME MASTER, in as much as THE AUTHORITY player will handle adversaries, challenge the other players, and work really hard to ruin their day. Unlike a traditional RPG where the GAME MASTER needs to be a neutral arbiter of rules and a narrative facilitator, THE AUTHORITY in Misspent Youth openly works in opposition to the other players, and both sides are going to fight like hell against each other to achieve their goals.
The YOUTHFUL OFFENDERS, or YOs, play a group of kids, from about 12 to 18 years-old, who are fighting back against THE AUTHORITY. At its core, Misspent Youth is about the struggle between the two sides.
Before we get into the story, we will all work together to set up the world we’re going to play in. It’s usually a dystopian sci-fi world, like The Hunger Games, Logan’s Run, or the 2016 presidential election in America, but it could just as easily be something more grounded in reality, like the world of Pump Up The Volume, Repo Man, or even Dazed and Confused.
Each session of a game is divided into seven different narrative sections. At the heart of each section is something called THE STRUGGLE. THE STRUGGLE is the primary conflict resolution mechanic of Misspent Youth, and it’s the only time we’ll use dice in the game. One side will win each struggle, and both sides will deal with the consequences. We’ll explain the specifics of The Struggle when it happens.
Misspent Youth is unlike any other RPG I’ve ever played, but I can see the influences of groundbreaking RPGs like FATE, Fiasco, and even Dread in its DNA. This is a game that lets us focus on the story, and makes it possible for old guys like me to imagine that we’re still young and fighting every day for something more important than a parking space. And I’m incredibly excited to be playing today with some phenomenally creative people.
Dig out your Rage Against The Machine records, and lace up your steel-toed boots, because we are about to visit our MISSPENT YOUTH.
Excited? I hoped you would be. If you want to get to playing this right fucking now, you can do a couple of different things: you can order a gorgeous PDF copy from Drivethru RPG dot Com, you can pre-order a printed version (which I own and love because it looks and feels and reads like a graphic novel), or you can freely download the eyebleed version that creator Robert Bohl has put online for your enjoyment.
If you end up playing it (and I really hope that you do), I hope you’ll share some details about the world you created with the other players, because I feel like there are a lot of stories to be told using this setting, sort of like you can with FATE or Fiasco, and those of us who have played the game will really love to see what other players come up with. And, because someone will ask: yes, I’ll release details about the world we created when this episode airs.
We did two games today, and I remember why I insisted that we only do one game a day, because I’m exhausted.
I had a whole lot of fun, but holy crap am I exhausted. I don’t know how I did this for ten straight days for three seasons, but I’m glad we don’t do it that way any more.
So in the morning, we played Star Trek: Five-Year Mission, which is a surprisingly fun cooperative dice-placement game. Like Dragon Farkle, it’s a game I shouldn’t like at all because dice (and as much as I love Star Trek, I’m inclined to stay away from it in my work, because of reasons) but I have fun whenever I play it, and it’s a good game for introducing people to our hobby. I played with Jesse Cox, Jaime King, and Jessica Chobot … and it was pretty hilarious.
In the afternoon, we did something I never thought would work, but ended up working spectacularly well: we played a 2-player game! Melissa De Tora, who is a professional Magic: The Gathering Pro Tour player came down from Seattle to battle heads-up with me in a game that I love called Star Realms. If you like deck building games like Ascension, you’re going to go nuts for Star Realms, which has my favorite Tabletop game app since Carcassonne.
Tomorrow, we’re playing Flashpoint: Fire Rescue, because if there’s one thing I want to play more of on Tabletop, it’s co-op games that we’re probably going to lose. (No, seriously, I really enjoy co-op games that I expect to lose, because that makes the improbable victories that much better).
It’s the last day of April, so check me out: I’m doing my reboot check in for April before April is over. Go me!
I had this epiphany at the beginning of September: This thing that I’m doing? This series of choices I make every day? It isn’t working. I don’t like the way I feel, I don’t like the way I look, I don’t like the things I’m doing. Things need to change.
So I took a long, hard, serious look at myself, and concluded that some things needed to change.
Last year, I decided to hit the reboot button on my life. I’ve checked in about once a month since then, to see how I’m doing, celebrate the victories, and identify where I can do better.
Let’s see how I’m doing after seven months.