Look what you made me do! Here’s my first impression of Taylor Swift’s Reputation.

I am so far out of the demo, this feels maybe like an Abrictosaurus reviewing an opera, but for the six of you who have asked me if I’ve listened to the new Taylor Swift record, Reputation, (because I’m such a big dumb fan of 1989), here are my first impressions.

I just finished the first playthrough, and I like it. I haven’t paid super close to the lyrics, because I’ve literally listened to it one time, so this is just based on the general musical tone and pacing of the album.

Thoughts on the rest of the record:

…Ready For It? kicks off with a punch that winds me up for the rest of the record. I’m generally not a big fan of that dubstep wuuuubbbbvvvvsszzzzzzsound, but it works for me in this context.

End Game is a collaboration with Ed Sheeran and Future that left me cold. It feels out of place on this album, but especially after …Ready For It? got me so pumped up to hear what comes next. The vocals are so overproduced, the whole thing is a little much for me, but I suspect that the legion of Taylor fans who love Ed Sheeran will eat it up. (See above about how I’m not in the demo for the album.)

I Did Something Bad is glorious, lyrically and musically. I love that Taylor Swift is just dropping a huge DEAL WITH IT to everyone. This is probably my favorite song on the album.

Don’t Blame Me feels like a Lorde song, which sort of made me go “Buh? Wha? Fluh? Huh?” because I listened to Melodrama right before I listened to Reputation.

Delicate didn’t do much for me.

Look What You Made Me Do didn’t floor me when it was a single, but I feel like it works so much better in the context of the album, which isn’t what I expect from a pop album that is usually designed to have a bunch of singles (notable exception is Tove Lo’s Queen of the Clouds, which is a pop concept album and damn near perfect. Also, her new record, Blue Lips, is great).

So It Goes… feels like a song that could have been on 1989, and I mean that in the very best way.

Gorgeous is another one that could have been on 1989, the emotional B-side to Blank Space. I expect it to come back around in summer.

Getaway Car feels like a song that didn’t quite make the cut for 1989. I wasn’t crazy about it.

King of My Heart has this particular beat that’s common in pop right now that isn’t my favorite thing, and the vocals are way over processed, but for some reason those two things come together to make this track the exception that proves the rule.

Dancing With Our Hands Tied feels sort of like if Imogen Heap collaborated with Everything But The Girl in like 2002. It’s lush in a way that I haven’t heard Taylor Swift before, and I really liked that.

I’m not crazy about the falsetto in Dress, but maybe that’ll change.

This is Why We Can’t Have Nice Things is a lot of fun, and feels like it would be right at home in a modern Broadway musical. (And honestly, I just don’t care who – if anyone – that song is about. Music critics just need to get over the tired trope that Taylor Swift writes songs about everyone she has dated or known or whatever. Maybe this song is about someone in particular, but why does that even matter? Maybe it’s about you, stupid music critic, you big dummy.)

New Year’s Day is a great album closer. The stripped down vocals, simple harmony, and solo piano are such a great counterpoint to the production of the rest of the album. I can feel the brief moment of darkness at the end of it, before the house lights come up, as the lights go out on the stage. I think this song is going to be in a lot of graduation videos this year.

So, overall, 4 out of 5. One track I just don’t like at all, two tracks that I can take or leave, and 12 songs I really liked. Reputation didn’t grab me on its first listen the way 1989 did, but I feel like I’m going to get into it more upon subsequent plays.

But not grabbing me right away and compelling me to restart the album right away doesn’t necessarily mean it’s not a great record; it just means that it wants me to do a little work to find my way into it. It’s like, The Bends grabbed me right away and I played it to death. OK Computer took me several listens to appreciate and love, and all these years later, I never play The Bends, and will put OK Computer on pretty much always.

Did I just compare Taylor Swift to Radiohead? You bet your face I did. Don’t @ me. I contain multitudes.

5 things I want you to know

Here are five things I want you to know:

My friends, Kumail and Emily, wrote and produced a movie called The Big Sick. It’s about how they met and fell in love, and it’s wonderful. It’s a great date movie. It’s funny, it’s heartwarming without being saccharine, and it’s a true story! It’s a little indie movie, but it’s holding its own against big summer blockbusters, which is awesome. I want everyone to see it because it’s a great film (it should absolutely be considered during the award-o-rama season), but also because the way the studios work, it’ll only stay in theaters if it continues to outperform expectations. So please go see it, and tell your friends about it. (Those of you who are old enough to remember the early MeFi days will know where I got my linking style.)
Yesterday morning, Anne woke me up twenty minutes before my alarm did, because she needed me to hear the noise our air conditioner was making. It couldn’t have waited until I was ready to wake up, when I was starting to come out of my deep sleep cycle, because it was making a noise similar to putting a handful of ball bearings and some broken glass into a blender. It turns out that the motor blew out during the hottest three days of the year so far, because I am a fucking idiot who forgot to change the ten dollar air filter (in my defense, we did the math on the calendar and realized that Anne was in emergency surgery when I should have been changing it, so I may have gotten the reminder from my task list a whole second before I dismissed it forever). It was so hot in our house, things in our pantry were melting. I’m grateful that we had eighteen hundred dollars in a sock just for such an occasion, and by the time the sun had done its worst, it was repaired. So consider this your reminder to go look at your air filter and change it, if necessary.
I played games for the first time in months yesterday. My group was dealt a TPK when the last two members moved away in January, and I haven’t had anyone to play with. At first, I was happy to take the break, because gaming has been my job for the last four years. But as time went by, I became acutely aware of how significant gaming is to my life, my joy, and my reason for being. Tabletop is complicated for me, (and, honestly, Board Game Subreddit: maybe it just isn’t the right snow for you and you don’t need to rage at me about every single episode we do) and while I’m grateful as hell for everything it’s done to promote the hobby, the way Legendary has handled the fourth season and the relentless shitting on it and me by random internet strangers has taken its toll. I’d been so consumed by the things that made the show a bummer this season, and I’d been unable to play games for the sake of playing games for so long, I completely lost sight of how much I love gaming, how proud I am of our show, and the good it has done not just for my life, but for the thousands of other people who have shared their stories with me. So when we played Lords of Waterdeep and Splendor yesterday, it was like coming out of a fog of sadness for the first time in at least half a year.
I’ve been listening to a lot of Bob Marley recently, and just this morning I came across a record I didn’t know about: Dreams of Freedom (Ambient Translation of Bob Marley in Dub). If you enjoyed the ambient tracks or the dub reggae I played on Radio Free Burrito, you have got to check out this record. It’s beautiful.
Speaking of RFB, I had an episode about 3/4 finished two weeks ago, but I really just hated it so I sent it to the land of wind and ghosts. I know that I’m overdue to release a new show, but I didn’t appreciate just how challenging it is to do a weekly podcast that isn’t about current events, or features interviews. I feel like I have to go to this mental box to find stuff to talk about, and recently it’s been empty and sad (HEY JUST LIKE ME HA HA THAT IS A JOKE AND NOT REAL AT ALL EVERYTHING IS FINE I AM FINE HA HA HA). So rather than force something that I think is shitty garbage that sucks, I’ve just been waiting until I have something worthwhile to make.

So that’s five things I want you to know on this lovely Sunday that’s way too fucking hot. What do you want me to know?

EDIT OH SHIT I FORGOT I WANTED YOU TO KNOW THIS ALSO BUT SIX THINGS I WANT YOU TO KNOW IS WEIRD TITLE SO I’M NOT CHANGING IT: I am honored to be a guest on this week’s Lovett or Leave It podcast.

kamaKiri

It was a warm, wet, summer evening when the mantids attacked, without warning or provocation. We huddled together on rain-soaked streets, listened to the distant artillery, and waited…

I made a thing! I’m currently working on other things that will join it, to form an electronic music EP, which will be released at some point in the mysterious future.

apparently, retrowave is a thing, and it’s pretty awesome

I came across this album on Reddit yesterday, and it’s magnificent. Atlas, from FM-84, is the lush, synth-heavy soundtrack to every 1980s movie where a lone cop takes down the cocaine kingpin who murdered his family. Or maybe it’s that summer at the shore where you stay out all night, fall in love, and never see her again because that’s how it works when you’re 15. Whatever it means to you, I think you’ll love this, especially if you’re Gen X.

that time i met nerf herder

I’ve been a fan of Nerf Herder since before the first record came out, because my friend had a pre-release. It was right around the time that Weezer stopped being Weezer, and Nerf Herder was all OH HELLO PEOPLE WHO LIKE CATCHY NERD ROCK WANT TO HANG OUT?

When I found out that the band was going to be on this year’s JoCo Cruise, I peed a little. But just a little, because I have moderately decent self control from time to time.

I got to spend some time with every member of the band while we were on the boat, and they are the nicest people, you guys. I also got to stand in the front row when they headlined JoCochella in Lareto, Mexico. I also also got to perform Sloop John B. with them on stage on the last night of the JoCo Cruise.

So, yeah, it was a pretty big deal for me, and one of those times I stopped to look around and say thank you to the universe for putting me into this timeline (as you can imagine, I spend a lot of time wondering when me from the future will get around to repairing this timeline).