I get these e-mail updates when someone registers here as a new user. For months, I see one or two every couple of days, and e-mail subscribers are holding steady just under 14,000. I feel like I’m in a bit of a growth plateau, which is a thing that happens.
Weirdly, yesterday morning, new user registration emails started pouring in, and didn’t stop all day. It looks like roughly 250 new accounts were created, which is a m a z i n g … if they are real people and not weird bots. So… are you a newly registered reader? If yes, would you Introduce yourself? Don’t be alarmed when the system tell you that I need to approve your comment; that’s by design. Thank you.
And now, on to the post.
I am profoundly scattered and distracted, on the verge of total overwhelm, because I’ve been working my face off on an audiobook that’s been as much fun as I expected, but is leaving me exhausted at the end of every session. It’s been interesting to note how my vocal fatigue starts to creep in right around 4 hours, about half an hour after my mental fatigue begins to do its thing. Somewhere in the world, there are a lot of recordings of me just hilariously messing up words because my brain can’t keep up.
It can sound ludicrous to anyone who works a 9-5 when I say that after 4 hours of work I’m damn close to both physical and mental exhaustion. It sounds ludicrous to me! But that’s a long time to be performing without a break, and I honestly can’t even imagine what going to six hours or more would feel like. I know people do it, and I tip my hat to them.
The work has been satisfying. The story and the characters are such a fun sandbox to play in, and it feels good to walk out of the studio every day feeling happily exhausted, and creatively fulfilled. I presume that most of you reading this know my whole story, so you know how hard it is for me to feel like I’m worst at what I do best, and it isn’t even something I ever wanted to do in the first place. Narrating audiobooks has opened up this whole amazing world to me where I’m pretty good at what I do best, and I love every second of it. I am so grateful that I have been able to take something that was imposed on me (being an actor), and pull something out of that that truly belongs to me (my narrative voice and skill set).
I feel like this is a good moment to pause and promote a little bit of that. I have been told that I have to promote my work so much I feel like it’s the only thing I do, that it’s way too much, that everyone is sick to death of hearing it … and then do a little more. Good lord. I remember when I thought that making the thing was the hard part; turns out that just letting people know the thing exists is so much harder than I remembered or anticipated.
So.
Here’s Still Just A Geek — currently on sale at Audible for $7.99 — which is roughly 24 hours of you and me sitting together on a long car trip while I tell you my life story to this point. My publisher tells me that it continues to outsell the print version, which is nearly sold out all over the place and is apparently becoming something people are collecting.
Uhhhh… okay? That’s not what I expected but thank you? That’s amazing.
Here are two stories I recently did for John Scalzi that I can confidently recommend to literally anyone whether they already like his work or don’t even know about it: Starter Villain and When The Moon Hits Your Eye. Both are a whole lot of fun, a little silly, light and easy without being empty calories, featuring characters who were deeply satisfying to discover and voice. (I mean, the dolphins. IYKYK).
Right now, Cory Doctorow is touring Picks & Shovels, the second novel in what I hope is an ongoing series that never ends, featuring a character named Martin Hench. I did this, and Bill Gates’ memoir, Source Code, and When The Moon Hits Your Eye, while I was doing the first season of It’s Storytime with Wil Wheaton and —
Dang. When I put it that way, I sound much more employed and accomplished than I feel. That’s probably a good thing for me to be aware of, so I can recalibrate my internal sensors to be more reliable.
Anyway, this work of the last four or five months is significant to me, and significant in my career. It’s a moment when I massively leveled up without even noticing that it was happening. It’s kind of like in Fallout 76, when I’ll be out in Wes Tek farming Super Mutants with my fun new “make everything explode” perk, and not even realize I’ve leveled up to a new perk pack. I wasn’t paying attention to the XP, because I was having so much fun doing the things that generated it, and now I have all this fun XP, new perks, and a better build than I did before. I can do things now that I didn’t know I would ever be able to do before. (That’s just for whoever is in the me and Fallout 76 Venn Diagram. The rest of you can safely move on, or ask someone who knows).
It’s Storytime with Wil Wheaton news and updates.
This week’s episode ends the first season, which is a major bummer because I feel like we’re just getting started, still introducing the show to the audience, still reaching for that tipping point. I originally planned to do ten, but we could only get seven, and I had no idea that three would be such a big and meaningful number. Let this be a lesson: listen to De La Soul, people. They know what they’re talking about.
Here is an obligatory link to the podcast homepage.
Here is a link to the podcast Patreon.
Here is where I tell you that I’m doing an AMA about these stories and everything that we did to bring them to you, a week from tomorrow (that would be Tuesday, May 6) for everyone who is in the Book Hound tier. I’m trying something I’ve heard on other podcasts: you can ask me questions in the voice mail format, that I can listen to and answer. I expect it will be fun to interact this way, and if it goes well, and I do more episodes, I’ll make it a monthly thing, maybe even weekly. The link for that will be posted to the show’s Patreon by the time this post goes live.
Finally, a teaser for this upcoming episode:
“It’s a ghost story, it’s a love story, it’s a gorgeous monologue that cries out to be staged in the real life theatre where the titular play is set … so I invite you to take your seat, because the house lights are coming down and I’m about to begin.”
Thanks for reading, and thanks for listening. I’m glad you’re here.
