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50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

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WIL WHEATON dot NET
WIL WHEATON dot NET

50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

Author: Wil

Author, actor, producer. On a good day, I am charming as fuck.
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Grouchy about Marx

Posted on 4 April, 20194 April, 2019 By Wil

This is from my Tumblr thingy:

You know what’s great about this? Groucho Marx is remembered as one of the greatest comedians of all time. It’s close to a century since he made any films, yet the films he made STILL echo and reverberate in comedy that’s being written and performed today.

He is a legend, and someone whose legacy massively outshines millions of people who lived at the same time as he did.

And Mrs. Kenneth Van Etten of Corona, California, didn’t think he was funny (though he seemed to think he is). She thought he was so unfunny, she wrote a letter to the editor, put it in an envelope, paid for a stamp, and walked it straight into the post office to make sure it found its recipient. And the editor printed her letter, so her fellow Mrs. Kenneth Van Ettens would know that they were not alone in their disdain for the comic sensibilities of Mr. Marx.

So take heart, all of my wonderful babies in the world who are working so hard to make things that matter to you, and to share them with our fellow humans! You can be one of the most influential artists in your generation, and there’s gonna be someone out there who just doesn’t get you. There’s nothing you can do about it. Don’t waste your time trying to win over the Mrs. Kenneth Van Ettens of the world.

Just do the thing. Make the thing. And keep making good art.

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Snooch By Me

Posted on 3 April, 20193 April, 2019 By Wil

I stole this title from a guy called Sean who follows me on Facebook.

So I posted this morning’s bedhead, as one does…

A nonzero number of people asked about the painting behind me, which shows up in a lot of bedhead photos, since it’s in my office.

So I posted a picture of it, along with a story…

This is for everyone who wanted to see a full shot of the painting that was behind this morning’s bedhead.

This was done by David Mac Dowell, and it was in the Crazy4Cult show that @thatkevinsmith curated back in 2008.

In 2008, Anne and I were living paycheck to paycheck, and there was no way we could afford to buy art, but I wanted to see it in person, so we went to the show. It was many thousands of dollars that we couldn’t afford, but that didn’t matter, because it had already been bought.

Five or six weeks later, the show closed. A week or so after that, this painting arrived at my door with a note that said, “Dear Wil, you can’t not have this. -Kevin”

Yeah. Kevin Smith bought this for me and gave it to me as a gift.

I love it, and I look at it every day, because it reminds me of the time that Kevin did something so kind and generous for me, because that’s the kind of person he is.

Then I linked it to Facebook, and someone there said “Snooch By Me” and now the circle is complete.

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It’s Friday afternoon, so I narrated another pulp story.

Posted on 29 March, 201929 March, 2019 By Wil

Yesterday, I finally turned in the manuscript of my novel. I’d been revising it for seven months, and by “revising” I mean, “trying to fit a scene in that I wanted to put into it, but which doesn’t seem to fit anywhere and also staring at page after page wondering why I ever thought I should tell this story in the first place.”

Yeah, it was fun. Thanks, depression brain!

Anyway, doing that narration last week did the thing I hoped it would do, and it opened up the door to the place in my brain where the creativity lives. With access to that room, I was able to step out of the room where Everything Sucks And It’s All My Fault And I’m Terrible At Everything So I Should Just Stop Trying and look at my creative work without fear or judgment.

I could be wrong (my agent and eventual editor will tell me if I am), but I feel like I spent all this time trying to make something better for the sake of making it better, when I had gotten it as good as I was going to get it on my own already. There’s a lesson in here about knowing when your desire to work hard becomes a self-defeating exercise in impossible expectations.

So anyway, it’s Friday, and I wanted to be creative and to feel productive, but I’m giving my writing brain a few days off because it’s been working really hard for a long time and it needs to recharge. Luckily for me, my performer brain was inspired to do another pulp fiction magazine audiobook narration, because it was so much fun the last time I did it, and the feedback was so positive and effusive.

Therefore, I am happy to present to you, Please Help Me To Die! from 1938, written by Leon Byrne, and found at the Pulp Magazines Project.

As before, you can stream or download from my SoundCloud. BUT FIRST YOU HAVE TO KNOW that the mic was hot, and I really needed a pop filter. The audio quality is not particularly great on this one, which is a shame because the story is awesome. But, I promise to give you a full refund for your purchase price if the audio quality does not meet your expectations.

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In which I narrate a story from 1930

Posted on 21 March, 201921 March, 2019 By Wil

I took a vacation (the first real vacation I’ve ever taken in my life, where I just got to relax and enjoy myself without ever feeling like I was a Pokemon for people to catch), and it seems to have restored a lot of access to my creative self.

I’m still working through some story problems that I need to solve so I can do the revisions and add the scenes to All We Ever Wanted Was Everything, but I’m doing the work, even if I don’t have words added to the manuscript to show for it. That feels pretty good.

I’ve also been, while not exactly feeling great, getting better and feeling closer to “good” every day. Jesus, it’s been so long since I felt good, I’ve almost forgotten what it’s like to have a day without sadness and anxiety in it.

But today, rather than feel creatively stifled and stuck in the mire of depression, I decided to get out of my comfort zone and make a thing.

So I went to Project Gutenberg, clicked through a few bookshelves until I got to classic Science Fiction, and decided to do an unrehearsed, essentially live narration of a story that was published in Astounding Stories of Super Science in 1931.

It’s not the greatest story I’ve ever read (if I’d read it before I narrated it, I wouldn’t have chosen it), but it’s a fine representative of that era’s genre fiction writing. I had some fun doing my best impression of someone reading it in 1931, and I recorded it to share with any of you who are interested in this sort of thing.

I can’t get WordPress to let me upload it, so you can stream it from my Soundcloud, download it to listen to later, or totally skip it. I’m not the boss of you.

However, if you do listen to it, I’d like to know what you think about the story, the experiment, and … um … I think that’s all.

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I will try not to sing out of key.

Posted on 4 March, 20194 March, 2019 By Wil

It was … not the best night of sleep I’ve ever had. I got into bed around midnight, and almost immediately kept waking up, coughing and gasping for breath, as my sinuses poured phlegm and something that can best be compared to a non-Newtonian fluid down my throat while I slept.

Around 3, I got out of bed and walked out of the room, so I wouldn’t wake up Anne, and loudly cleared my throat. I unsuccessfully tried to blow my nose, drank some water to soothe my scratchy throat, and got back into bed. It felt like I’d been asleep for second when Anne woke me up.

“You’re snoring really bad,” she said, kindly, “can you do something about it?”

“I’ve been trying, but I’ll try again,” I said. I dragged myself out of bed and repeated the ritual. I got back into bed and fell back asleep.

“Dude, you’re still snoring,” Anne said, again, after what felt like seconds. Again.

“Do you think you could go into your office and sleep on the guest bed, so we can both sleep?” She asked.

“Yeah,” I said.

I walked through the empty and dark house. I squinted at the clock on our microwave which I thought displayed a blurry 5am, or maybe 6am. I looked out the window and saw the suggestion of a sunrise, still far beneath the Eastern horizon.

I got into the very cold guest bed in my office, fell asleep, and actually stayed that way until about 10am.

Working (or not working, as the case has been for weeks and weeks of Depression) from home has its benefits.

I made a coffee and started some oatmeal. While they brewed and cooked, I walked over to my couch and snuggled my dogs.

When my coffee was ready (inverted Aeropress, for those keeping score) I filled my mug and sat down at my desk to do the 21st century version of reading the newspaper.

Jesus, the news is terrible. There’s the ongoing dumpster fire in DC, but we lost Luke Perry and Keith Flint, just a week after we lost Brody. We get it, universe. We are in the worst timeline. You’ve made your fucking point, already. I mean, you make your fucking point several times a day, but you’re really being a shit about it right now.

This timeline. I swear to god.

Since September, I’ve been in the worst depressive episode I have ever had in my life. There’s a difference between feeling depressed and having depression that is often so subtle, to someone who isn’t living inside of the host organism, it is a difference without distinction. But it’s real and it’s significant to me. Since September of last year, I’ve been overwhelmed by grief, loss, sadness, and sorrow. These stacked themselves up in a trenchcoat like Vincent Adultman and brought paralyzing depression (different from Depression) into my life. It’s been so overwhelming, I haven’t been able to relax and explore the creative part of my brain that produces stories, so I can write them down. When I’ve opened the door to what I think is the creative room in my mental house, so I can work on rewrites and revisions to the novel I expected would be with an editor by now, all I’ve been able to find is grief and sadness and loss and depression.

But thanks to literal months of therapy, working with a professional who is trained to get me through grief and loss, I have finally started to come out of the depression. I can finally think about my narrative character, Liam’s, story,about how I want to work on it for him (and my agent and eventual publisher). I can finally let my guard down without being overwhelmed by sadness. I feel like I can finally open a door into the 1983 I created, find it, instead of a giant room filled with unclaimed emotional baggage, and complete the story that lives there.

So I finished my coffee, closed the tabs on my browser, and opened the most recent copy of my manuscript.

Four … gosh, almost five … hours later, I still haven’t done anything except sneeze and cough, and curse the trees and flowers who are fucking in my neighborhood right now.

But I don’t feel worthless or useless or any of the hurtful, destructive self-image things that were imposed on me at such a young age, and so consistently reinforced throughout my adult life, they were like the air I breathe: invisible, always there, and fundamental to my existence.

You know that essay This is Water? I feel like I recently became aware of the water, and it forced me to reexamine my entire life, all 46 years of it. I’m healing. It’s hard. It’s painful. It’s frustrating. But I’m doing it, one day at a time, and every little bit of progress is meaningful.

I want to get into Liam’s story and do the work that I know needs to be done, but my inner child, so hurt and abandoned by the people who should have cared for and protected him, needs the things he never got, and I’m doing my best to be the person I need in the world. I have to take care of him, because he is real, before I can take care of Liam, who is not. But their stories are intertwined in ways that I’m only partially aware of, even though I’m the author of one of them and the subject of the other. And that’s what makes working on both of them so hard, right now.

But, in an effort to be the person I need in the world, I will close with something I’ve been telling my kids since they were small: everything worth doing is hard. Don’t give up just because it’s hard, because it’s supposed to be hard.

This is hard. This is challenging. This is painful. This is water.

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