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50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

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WIL WHEATON dot NET
WIL WHEATON dot NET

50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

Category: Television

blog

it all started with a big bang

Posted on 6 February, 20196 February, 2019 By Wil

About ten years ago, I was stuck, professionally, and doing my best not to freak out every day about where the next mortgage payment would come from. I was doing moderately well as a writer, but I wasn’t earning enough to sustain myself and my family, and my acting career was … well, if it were a patient in a coma, we would have been having serious discussions about pulling the plug to end the suffering.

Everything changed when Bill Prady called me, and pitched me on playing a version of myself on his series, The Big Bang Theory. Believe it or not, I didn’t instantly say yes. I felt like playing myself meant I would only get to do one episode, nobody would care, and the industry wouldn’t respect me for it because I wasn’t playing a role. So I called my friend John Rogers and asked him what I should do.

“YOU SAY YES YOU DUMMY WHY ARE YOU EVEN CONSIDERING NOT DOING THIS?!” He hollered at me, throwing much-needed cold water on the doubts and fears I had unnecessarily created in my fucked up head.

So I thanked John for his advice and guidance, called Bill back, and accepted the gig. A few days later, Bill called me back and carefully told me that the character had changed. Now, the version of Wil Wheaton I would be playing was, and I quote, “Delightfully evil.”

Now I said YES without hesitation. I was playing a character, just like I wanted to, but I was the only person in the world who could play him, because he was literally a version of me.

That week on the set was the best week of my life. I was already a huge fan of the show, but by the time I was wrapped, I was an even bigger fan of the cast and crew. Everyone treated me with kindness and respect. They made me feel so welcome, like I deserved to be there, like I was a valued member of the show. One of the producers told me “I hope you had a good time here, because we are definitely bringing you back for more episodes.”

That was awesome, but I’ve worked in film and television long enough to know that people say things like that all the time, and nothing ever comes of it.

Only this time, it did! A little while later, they brought me back for another episode, and then another and another and then it was ten years later and I’ve done like seventeen episodes. Along the way, I became good friends with the entire cast and most of the writers and producers. Along the way, they welcomed me into their family, and made me feel like I was as important to the production as anyone else who works there. They accepted me and always made me feel like I deserved to be there, like I was valued, like I was not someone who had done under twenty episodes, but who had been there for every moment of every day. It has been a remarkable experience, and the greatest joy of my professional life. Personally, it ranks second, behind my marriage and partnership with the best person on the planet, Anne Wheaton.

Last night, I took what is probably my final curtain call in front of an audience at Stage 25. There are only 9 episodes left, and the math of it makes it unlikely there will be another space in any of the stories they have left for my version of Wil Wheaton.

And while that breaks my heart, it’s really okay. Things end, and I’m always grateful to be sad at the end of something, because it means I am grateful that it happened.

When I was a kid on Star Trek, I never had the emotional maturity to appreciate it. I loved my cast mates, and we were a family, but I was just too young and immature to fully appreciate what we had, until it was gone. For years, when I thought about TNG and my space family, I felt shame and regret. But I finally got to publicly express my love and gratitude to them at a big TNG reunion panel in Calgary. I got a second chance that I never thought I would get, and I made the most of it. Since then, I can look back on TNG with fondness and pride, instead of sadness and regret.

I wasn’t going to let 25 years go by before I got to share my gratitude with the cast and crew of Big Bang Theory, so yesterday during a break in camera blocking, I stood in the middle of the set, and I took a minute to tell them all how grateful I am for the years of love and kindness they have all given me. I thanked them for making me feel like I’m part of their family, and for being my friends. I did my best not to cry, and I mostly succeeded.

We went back to work, and over the next hour or so, pretty much everyone from the cast and crew came up to me and made sure I knew that I didn’t just feel like part of their family, I was part of their family. Every single person who talked to me told me they will miss me as much as I will miss them.

Over the course of the day and night (we tape in the evening after rehearsing and camera blocking all day), I was able to share meaningful and joyful (and tearful) moments with everyone in the cast, and most of the producers and crew. I was able to directly express my gratitude to all of the people who have been such an important and wonderful part of my life since we shot my first episode, way back in 2008.

I’m so sad that the show is ending. I’m so sad that, in just a few short weeks, they’ll start tearing down the sets and preparing Stage 25 for whoever is going to move into after we leave.

But I am so grateful that I’ve had the privilege and honor to spend nearly a quarter of my life working with and becoming friends with these amazing humans.

The episode we shot last night will probably air in 3 to 4 weeks, and it’s likely to be the last time we see Formerly Evil Wil Wheaton in his natural habitat, but as you probably saw from the pictures I posted from the set, I could not have asked for a better and more wonderful way to bring this incredible chapter in my life to a close.

My life and career are in a much better place now than they were ten years ago. I feel happier (recent kick in the face by my damn Depression notwithstanding) and I feel better about my career choices and opportunities than I have in a long, long time. Being part of this show, and forming friendships with my cow-orkers there has been a very big part of that.

Thank you, Bill Prady and Chuck Lorre, for giving me the opportunity to be part of your creation. Thank you, Steve Molaro and Steve Holland, and all the writers, for always giving me the funniest stuff to perform, and letting me play a version of myself who is so much cooler than I am. Thank you, Mark Cendrowski, for always directing me toward my best possible work, and for making me a better actor. Thank you, Anthony Rich, and everyone on the crew, for creating such an amazing and joyful and supportive working environment.

And thank you most of all to the cast for allowing me to be part of the family. I don’t know what’s next for any of us (I hope you all take a deserved vacation) but I want you all to know that I love you, and being part of your stories has been a gift, an honor, and something I will cherish for the rest of my life.

blog

this is brilliant

Posted on 4 June, 201831 August, 2018 By Wil

When we worked on Next Generation, Brent Spiner and I would sit at our consoles on the bridge, and make up lyrics to our show’s theme song. I vaguely recall coming up with some pretty funny and clever stuff, but nothing that held together as perfectly as this, from the weirdos over at meh.com:

so this happened (one in an ongoing series)

Posted on 23 April, 201831 August, 2018 By Wil

Since last week, I’ve been working on the season finale of The Big Bang Theory, and today we shot Amy and Sheldon’s wedding.

It was an incredible day, and I am still in disbelief that I got to be in multiple scenes with Kathy Bates, Laurie Matcalf, Jerry O’Connell, Brian Posehn, Lauren Lapkus, Teller, Courtney Henggeler, and this guy, who is not only one of the kindest people I’ve ever worked with, but is also from a science fiction franchise, just like me!

All of my dumb jokes aside, Mark Hamill is exactly as awesome and professional and funny as I had always hoped he would be, and he will go down in my Life Book as one of my childhood heroes who I was delighted and honored to meet (and work with OMG I GOT TO ACT WITH MARK HAMILL).

Film

Eldritch Horror on Tabletop and some other things I want you to know.

Posted on 16 September, 2017 By Wil

Tabletop’s Eldritch Horror Pt. 1 was released this week.

(more…)

Television

johnny sokko and his flying robot

Posted on 17 July, 2017 By Wil

A young boy aids in the fight against a mechanized terrorist organization as the sole controller of a prototype giant robot.

I couldn’t sleep, so I wandered into the weird and comforting landscape of UHF television’s modern equivalent, which in this case is a digital antenna station on 56.4 here in Los Angeles, called Comet TV*

For the next half hour, I watched this magnificently bizarre thing called Johnny Sokko and His Flying Robot. As far as I can tell, there’s this little kid called Johnny Sokko, and like all the other kids in school were all “Johnny Sokko, you’re a stupid face!” so he was like “h*ck you guys, I’m going to get a giant robot and live on a boat for some reason. Oh, and also, I’m like 8 or whatever, and I’m in charge of a giant flying murder machine. So watch your step, bitches.” Johnny gets this this giant robot who flies, and he controls him by issuing commands into a gold wristwatch. Instead of telling the robot to breakdance for his endless amusement, Johnny cries a lot and makes the robot save the world from a squid guy or something who lives in a sunken spaceship, adjacent to a pineapple under the sea? It’s all a little fuzzy in the translation, I’ll be honest, but I think I got the gist of it.

Anyway, I probably made some of that up, but this is all true: There’s a Flying Robot who is vaguely Egyptian. There’s a Gargoyle Gang, the Emperor Guillotine, a military group of children who are called Team Unicorn and are the only thing between Earth’s survival and intergalactic destruction for some reason, and all the bizarre 1960s Kaiju visual effects you could ever hope for. The music is exactly what you want it to be, and at one point, an entire freeway overpass is destroyed, because who among us hasn’t wanted to do that!

A quick search on a few of the Internets made it clear to me that I was not just way late to the party on this (the short I saw was originally released in Japan in 1967, as Giant Robo because obviously) but I am also discovering this literally decades after it became popular with the cool kids. So if you’re like OH GREAT WIL WHEATON THANKS FOR WASTING MY TIME WITH SOMETHING I ALREADY KNEW ABOUT now you can feel like a jerk because it’s new to me, Roland. It’s new to me!

It’s weird, and fun, and overflowing with potential audio samples, so I thought I would share it with you today. Here’s what I think is the first episode, in which we meet Johnny Sokko, the Flying Robot, an unsettling sea monster, and more:

https://ia801606.us.archive.org/11/items/01DracolonTheGreatSeaMonster/01%20-%20Dracolon%2c%20The%20Great%20Sea%20Monster.mp4

There are several collections of Johnny Sokko films at the Internet Archive. I guess you can also buy remastered DVDs if you want to go that route (though I strongly believe that the faded and aged look of the originals at archive.org is a significant contributor to the charm of the thing.)

Good luck. We’re all counting on you.

*It’s owned by the profoundly evil Sinclair Broadcasting Group, which is a giant bummer. You can buy evil offsets by supporting ACLU and SPLC, if it makes you feel better.

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